ESI ESI2000, Руководство по эксплуатации

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164
ESI Operation Manual
C o n t r o l l e r E f f e c t o n P a n P o s i t i o n
P i t c h C o n t r o l
M o d C o n t r o l
P e d a l C o n t r o l
M I D I A C o n t r o l
M I D I B C o n t r o l
( + ) V e l o c i t y
( - ) V e l o c i t y
M o v e s p o s i t i o n L e f t o r R i g h t
M o v e s p o s i t i o n R i g h t
M o v e s p o s i t i o n R i g h t
M o v e s p o s i t i o n R i g h t
M o v e s p o s i t i o n R i g h t
M o v e s p o s i t i o n R i g h t
M o v e s p o s i t i o n L e f t
As an example, suppose you want the pedal to have full control of pan
position. The Pedal Control can only move the sound to the right of its
initial position. Therefore, you must set the initial pan position
(Dynamic Processing, VCA (2)) to the extreme left. With the pedal fully
up, the sound will appear at the extreme left. With the pedal centered,
the sound will appear centered, and fully depressed, the sound will
appear at the extreme right.
8. Attack: This destination controls the VCA and VCF envelope
attack rate. When assigned to the mod control, rotating the wheel
away from you increases the attack time. This effect is useful when
changing from legato to percussive effects, especially with sus-
tained sounds such as strings.
9. Crossfade: This destination fades the primary sample(s) out while
fading the secondary sample(s) in, or vice-versa. When assigned to
the pitch control, this function also provides for realtime mix
changes between two separate sounds (e.g., strings can fade out
while brass fades in). This function must also be enabled under
Preset Definition, Crossfade/Switch (5).
10. VCF Note On Q: This destination allows you to control Q with a
continuous controller. Since this is a “Note-On” destination, the
position of the controller is accessed only at the time the note is
first turned on (key pressed).