
176
ESI Operation Manual
This submodule offers several switching and crossfading functions.
Velocity Crossfade
crossfades between the primary and secondary
samples according to how hard you play the keyboard. One sample will
become louder as you play harder and softer as you play softer, while the
other sample will become louder as you play softer and softer as you
play harder.
Velocity Switch
is similar, but there is a threshold above
which one sample plays and below which the other sample plays.
Where keyboard assignments of two samples overlap,
Positional
Crossfade
alters the level (mix) between the two overlapping samples
depending on where you play within the overlap range.
5. Crossfade
Switch
1. Activate Preset Definition module.
2. Select the Crossfade/Switch submodule (5).
3. Select the lowest key of the zone to be crossfaded or switched,
then press ENTER.
The default is to the lowest note of the lowest
sample. You can select a different low key in two ways. The Data
Entry Control scrolls through the lowest key of each sample on the
keyboard. The Data Entry Control is the fastest selection method if
you want the lowest key of the zone to coincide with the lowest note
of a sample. Or, you can use the keyboard to specify any note as the
lowest note of the zone.
CROSSFADE/SWITCH
P00 C1
Select Low Key
The second line shows the note being played on the keyboard (or
scrolled with the Data Entry Control). After selecting a note, the first line
displays the zone’s crossfade status, the third line displays the primary
sample number, and the fourth line displays the secondary sample
number associated with the note on line two.
Secondary
Secondary
Secondary
Primary
Primary
Primary
Positional Crossfade can be used to create seamless sample boundaries. The overlapping portions of
the primary and secondary samples will be crossfaded.
✱
Tip:
Velocity crossfade is often used
where the primary sample is a sound played
softly and the secondary sample is a sample
of the same sound played harder. Velocity
crossfade causes the secondary sample to
be brought in as you play the keyboard
harder, producing a natural response.
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