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Velocity Destination
This section allows you to use the input velocity in order to modulate various parameters.
Parameter
Modulation Destination
Start
Start
parameter of the
Pitch / Gate
section on page 2. Positive values shift the
Sample start position later in time as you play harder, negative values shift it
closer to the beginning of the Sample as you play harder.
Tip: a typical example for this parameter is setting it so that the initial attack
transient of a snare drum is heard only at high velocity values. This makes it
sound “snappier” when you play hard, and “mushier” or muted when you play
softly.
Decay
Decay
parameter of the
Amplitude Envelope
section on page 2.
Cutoff
Cutoff
parameter of the
Filter
section (with filter types
LP2
,
HP2
,
BP2
only) on
page 3.
Volume
This allows you to modulate the volume, which is what velocity normally is used
for.
Modwheel Destination
Here you can determine how incoming MIDI data sent by the Modulation Wheel affects various
parameters.
Parameter
Modulation Destination
Start
Start
parameter of the
Pitch / Gate
section on page 2.
Cutoff
Cutoff
parameter of the
Filter
section (with filter types
LP2
,
HP2
,
BP2
only) on
page 3.
LFO Depth
Use this knob to adjust how much the Modulation Wheel affects the depth of the
LFO modulation (for all targets) defined on page 5.
Pan
Pan
parameter of the Sound’s Output Properties (see
4.3
Using VST/AU Plug-ins
This section describes how to handle VST/AU plug-ins in MASCHINE.
Working with Sounds
Using VST/AU Plug-ins
MASCHINE MIKRO MK2 - Manual - 101
Summary of Contents for MASCHINE MIKRO MK2
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