Program parameters
90
1: Attack
ATTACK
[000…127]
Specifies the time from note-on until the attack level (the
maximum value of the envelope) is reached.
2: Decay
DECAY
[000…127]
Specifies the time from when the attack level is reached
until the sustain level is reached.
3: Sustain
SUSTAIN
[000…127]
Specifies the sustain level.
4: Release
RELEASE
[000…127]
Specifies the time from note-off until the level reaches 0.
5: Curve
[LogHard…Expo]
Selects the curve for the decay and release segments of
the envelope.
6: LvlVelInt (Level Velocity Intensity)
[–63…+63]
This allows the amplitude of the EG to be controlled by
the velocity of the note-on. Greater values allow velocity
to have more of an effect on the amplitude.
Positive (+) values
When you play softly, the EG amplitude will decrease;
when you play strongly, the EG amplitude will increase.
Negative (–) values
When you play strongly, the EG amplitude will de-
crease; when you play softly, the EG amplitude will in-
crease.
7: TimKeyTrk (Decay/ReleaseTime Keyboard Track)
[–63…+63]
This allows keyboard tracking (the position on the key-
board) to affect the EG’s decay time and release time. As
you increase this value, keyboard position will make a
greater difference in the EG times.
The keyboard position is relative to the C4 key.
Positive (+) values
EG time parameters will become shorter as you play
above C4, and longer as you play below C4.
Negative (–) values
EG time parameters will become shorter as you play be-
low C4, and longer as you play above C4.
8: TimVelInt (Decay/ReleaseTime Velocity Intensity)
[–63…+63]
This allows velocity to affect the EG’s decay time and re-
lease time. As you increase this value, velocity will make
a greater difference in the EG times.
Positive (+) values
EG times will become longer when you play softly, and
will become shorter when you play strongly.
Negative (–) values
EG times will become longer when you play strongly,
and will become shorter when you play softly.
P10 LFO
These are the parameters for the LFOs (Low Frequency
Oscillators). An LFO can apply cyclic change to the
sound.
LFO1 is internally connected as the modulation source
for oscillator 1 “Control1.”
LFO2 is internally connected as the modulation source
for the oscillator pitch modulation controlled by the
modulation wheel (or the modulation wheel of a con-
nected external MIDI device).
If you have difficulty hearing the effect of the LFO,
increase the depth or intensity of the modulation
destination.
P10–1, 2: LFO 1, 2
1: Wave
SELECT
[Saw, Squ, Squ+, Tri, S&H]
Selects the LFO waveform.
For LFO1 you can choose from Saw, Squ, Tri, and S/H.
For LFO2 you can choose from Saw, Squ+, Sin, and S/H.
2: Shape
[–63…+63]
Modifies the shape of the waveform selected by
“Wave.”
EG Curve Type
Attack
Decay
Release
1 2
3
4
5
1 2
3
4
5
1: Log Hard
2: Log Mid
3: Log Soft
4: Linear
5: Expo
Tri
Sin
Saw
Squ
Squ+
S&H
Amplitude changes irregularly
(Sample & Hold)
Summary of Contents for MMT RADIAS
Page 1: ...2 E Owner s Manual...
Page 6: ...Table of Contents vi...
Page 7: ...Operation Introduction Front and rear panels Setup Quick Start Editing...
Page 78: ...Editing 72...
Page 79: ...Parameter Program parameters Drum parameters Global parameters Effect guide...
Page 150: ...Effect guide 144...
Page 151: ...Appendices...