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2. Program Common
79
1: Ch (MIDI Channel)
[01…16, GLB]
Specifies the MIDI transmit/receive channel.
By setting two or more timbres to the same MIDI chan-
nel and using the P03–3: TIMBRE – ZONE tab page to
specify their key zone appropriately, you can create split
setups in which timbres are played from separate key
zones, or layered settings in which timbres are played
together.
By setting each timbre to a different MIDI channel, you
can use the RADIAS as a multi-timbral sound module,
and control it from an external sequencer or other de-
vice.
If you set this appropriately in conjunction with
the program change (“Pchg”) setting, you’ll be
able to call up a new timbre using a program
change message.
01…16
The specified value will be the MIDI transmit/receive
channel.
If the specified MIDI channel matches the global MIDI
channel (specified in the Global mode), a “G” indication
is shown beside the numerical value.
If you connect an external MIDI sequencer, you
must set the MIDI transmit/receive channel of
each timbre to match the MIDI channel of the cor-
responding tracks on your sequencer.
GLB (Global)
The MIDI transmit/receive channel of the timbre will al-
ways match the global MIDI channel.
To set the global MIDI channel, use the Global mode 3:
MIDI page “MIDI Ch.” (
2: Pchg (Program Change)
[x, o]
Specifies whether MIDI program change messages will
be received.
In the Program Play mode, incoming MIDI bank select
messages and MIDI program select messages on a MIDI
channel that matches the “Ch” setting will switch the
timbre to a different timbre saved in the RADIAS - in-
cluding timbres used in other programs.
For more about program changes and bank select
messages, refer to p.146 “Program change/Bank
select.”
3: PBnd (Pitch Bend)
[x, o]
Specifies whether MIDI pitch bend messages will be re-
ceived by the timbre.
4: AT (After Touch)
[x, o]
Specifies whether MIDI aftertouch messages will be re-
ceived by the timbre.
P03–5: CC-A (Controller’s CC)
These settings specify whether MIDI control change
messages such as Modulation Wheel and Damper Pedal
assigned to the RADIAS’ controllers will be received by
each timbre. The corresponding MIDI message will be
received if this parameter is set to (Enable), or ignored
if this is set to
✕
(Disable).
The effect control source (“Ctrl Src” parameter)
can use MIDI control changes or aftertouch re-
gardless of this setting. For example if you set
“Dmpr” to
✕
(not received), and select Damper as
the effect control source, you can use damper mes-
sages to control only the effect.
1: Cntrl (Controller’s CC)
[x, o]
Specifies whether MIDI control change message CC#01
(modulation wheel) and CC#02/CC#16/CC#80/CC#81
will be received by the timbre.
2: Dmpr (Damper Pedal)
[x, o]
Specifies whether MIDI control change message CC#64
Hold (damper pedal) will be received by the timbre.
3:
(Foot Pedal/Sw)
[x, o]
Specifies whether foot pedal and foot switch messages
will be received by the timbre.
P03–6: CC-B (Other Control Change)
These settings specify whether portamento on/off and
other MIDI control change messages will be received.
1: Prtmnto (Portamento)
[x, o]
Specifies whether MIDI control change message CC#65
Portamento on/off will be received by the timbre.
2: OtherCC (Other Control Change)
[x, o]
Specifies whether other MIDI control change messages
not covered by the preceding items will be received by
the timbre.
Summary of Contents for MMT RADIAS
Page 1: ...2 E Owner s Manual...
Page 6: ...Table of Contents vi...
Page 7: ...Operation Introduction Front and rear panels Setup Quick Start Editing...
Page 78: ...Editing 72...
Page 79: ...Parameter Program parameters Drum parameters Global parameters Effect guide...
Page 150: ...Effect guide 144...
Page 151: ...Appendices...