Korg MMT RADIAS, Owner'S Manual, Page: 22 / 176

16
Setup
Make all your connections with the power off (on all units!). If you don’t, you may damage your
speaker system or damage your RADIAS and/or other equipment. Please use caution.
1. Connecting the AC/AC power supply
Connect the included AC/AC power supply to the RADIAS.
After you’ve connected the AC/AC power supply to the RADIAS, plug it into an AC outlet.
2. Connecting external audio equipment
Connect the OUTPUT jacks of the RADIAS (MAIN OUTPUT, INDIV. OUTPUT) to your audio equipment
(e.g., mixer or powered monitors). If you’re using a monaural connection, connect the L/MONO jack.
To take full advantage of the RADIAS’ superb sound, we recommend that you output in stereo.
3. Connecting pedals and switches
Jacks are provided so that you can connect both a foot switch and a foot pedal (both sold separately) to the
RADIAS
for additional control.
ASSIGNABLE PEDAL jack
By connecting a pedal such as the Korg EXP-2 or XVP-10 to this jack. you can send control messages such as
breath control, volume, pan, expression, etc. while keeping your hands free for performing.
The function controlled by the pedal can be specified in the Global mode P08: PEDAL & SW page “A.Pedal.”
The factory default setting for the assignable pedal is Expression (Exp Pedal).
☞
p.119 “A.Pedal (Assignable Pedal)”
ASSIGNABLE SWITCH jack
This jack is used for a switch type of pedal such as the Korg PS-1 pedal switch or Korg DS-1H damper pedal.
The foot switch can be used for various functions including switching programs, changing octaves, or turn-
ing portamento or the arpeggiator on/off. The pedal can be set to act as a momentary pedal, or as a toggle
type of switch pedal. The function controlled by the switch can be specified in the Global mode P08: PEDAL
& SW page “A.SwFunc.” The factory default setting for the assignable switch is Damper.
INPUT
Monitor
OUTPUT
DAMPER
PEDAL
ASSIGNABLE SWITCH
MIDI OUT MIDI IN
MIC 1
BAL
OR
UNBAL
LINE IN 1
LOW CUT
75Hz 18dB/OCT
TRIM LINE IN 7-8
L
R
BAL OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 9-10
L
R
BAL OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 11-12
L
R
BAL OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 13-14
L
R
BAL OR
UNBAL
MONO
+4
-10
LEVEL
STEREO AUX RETURNS
1
2
1
2
AUX SEND
LEFT(1/MONO) RIGHT ALL BAL/UNBAL
L
R
TAPE
INPUT TAPE
OUTPUT
MAIN OUTS L
R
BAL/UNBAL
PHONES
MIC 2
BAL
OR
UNBAL
LINE IN 2
LOW CUT
75Hz 18dB/OCT
TRIM
+10dB -40dB 10 60
U
-10dBV
MI
C GAIN
MIC 3
BAL
OR
UNBAL
LINE IN 3
LOW CUT
75Hz 18dB/OCT
MIC 4
BAL
OR
UNBAL
LINE IN 4
LOW CUT
75Hz 18dB/OCT
MIC 5
BAL
OR
UNBAL
LINE IN 5
LOW CUT
75Hz 18dB/OCT
MIC 6
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz 18dB/OCT
TRIM
+10dB -40dB 10 60
U
-10dBV
MI
C GAIN
TRIM
+10dB -40dB 10 60
U
-10dBV
MI
C GAIN
TRIM
+10dB -40dB 10 60
U
-10dBV
MI
C GAIN
TRIM
+10dB -40dB 10 60
U
-10dBV
MI
C GAIN
+10dB -40dB 10 60
U
-10dBV
MI
C GAIN
60
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
U
+15
AUX
1
MON/ EFX
2
EFX
U
+15
U
+12
-15
-12
U
+15 -15
PAN
SOLO
1
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
L R
U
+15
U
+12
-15
-12
U
+15 -15
R
U
+15
U
+12
-15
-12
U
+15 -15
R
U
+15
U
+12
-15
-12
U
+15 -15
R
U
+15
U
+12
-15
-12
U
+15 -15
R
U
+15
U
+12
-15
-12
U
+15 -15
R
U
+15
U
+12
-15
-12
U
+15 -15
R
U
+15
U
+12
-15
-12
U
+15 -15
R
U
+15
U
+12
-15
-12
U
+15 -15
R
U
+15
U
+12
-15
-12
U
+15 -15
R
dB
10
5
U
5
10
20
30
40 50
60
AUX
1
MON/ EFX
2
EFX
PAN
SOLO
2
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
dB
10
5
U
5
10
20
30
40 50
60
+15
AUX
1
MON/ EFX
2
EFX
PAN
SOLO
3
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
dB
10
5
U
5
10
20
30
40 50
60
AUX
1
MON/ EFX
2
EFX
PAN
SOLO
4
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
dB
10
5
U
5
10
20
30
40 50
60
AUX
1
MON/ EFX
2
EFX
PAN
SOLO
5
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
dB
10
5
U
5
10
20
30
40 50
60
AUX
1
MON/ EFX
2
EFX
PAN
SOLO
6
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
dB
10
5
U
5
10
20
30
40 50
60
AUX
1
MON/ EFX
2
EFX
PAN
SOLO
7–8
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
dB
10
5
U
5
10
20
30
40 50
60
AUX
1
MON/ EFX
2
EFX
PAN
SOLO
9–10
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
dB
10
5
U
5
10
20
30
40 50
60
AUX
1
MON/ EFX
2
EFX
PAN
SOLO
11–12
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
dB
10
5
U
5
10
20
30
40 50
60
AUX
1
MON/ EFX
2
EFX
PAN
SOLO
13–14
MUTE
A LT 3 – 4
EQ
HI
12kHz
MID
2.5kHz
LOW
80Hz
dB
10
5
U
5
10
20
30
40 50
60
dB
10
5
U
5
10
20
30
40 50
60
dB
10
5
U
5
10
20
30
40 50
U
+10
U
+20
U
+20
1
2
AUX 1 MASTER
PRE
POST
NORMALLED
AUX 1 SELECT EFX TO MONITOR
AUX
RETURNS
SOURCE
MAIN
MIX
LEFT RIGHT
CLIP +28
+10
+7
+4
+2
0
-2
-4
-7
-10
-20
-30
0dB=0dBu
RUDE SOLO LIGHT
ALT
3-4
TAPE
ASSIGN
TO MAIN MIX
NORMAL(AFL)
LEVEL SET(PFL)
SOLO
MODE
PHANTOM POWER
CONTROL ROOM / PHONES MAIN MIX
1. Connecting the AC/AC power supply
2. Connecting external audio
equipment
3. Connecting pedals and switches
4. Connecting external MIDI equipment
5. Connecting the audio
inputs – INPUT jacks
6. Connecting your computer
AC/AC power supply
MIDI cable
to AC outlet
CD player, analog
record player, etc.
Mic
USB cable
Computer
AUDIO OUTPUT/
AUX OUT etc.
Powered monitors, etc.