Korg MMT RADIAS, Owner'S Manual, Page: 145 / 176

Effect parameters
139
By setting “NoteOfst” and “NoteFine” so that the
oscillator frequency will track the note that is in-
put, you can produce a ring modulator effect with
a correct scale.
OSC Wave (OSC Waveform) [Saw, Tri, Sin]
Selects the ocsillator waveform.
LFO Int (LFO Intensity) [–63…+63]
Sets the depth of LFO modulation.
TempoSync (LFO Tempo Sync) [Off, On]
Specifies whether the LFO cycle will be synchronized
with the tempo specified by the [TEMPO] knob or MIDI
clock.
☞
p.125 “TempoSync (LFO Tempo Sync)”
LFO Freq (LFO Frequency) [0.01…100.0Hz]
Sets the LFO speed.
☞
p.125 “LFO Freq (LFO Frequency)”
Sync Note (LFO Sync Note) [8/1…1/64]
Sets the LFO frequency as a proportion of the tempo set
by the [TEMPO] knob. This parameter will be displayed
and can be set if “TempoSync” is On.
☞
p.125 “Sync Note (LFO Sync Note)”
LFO Wave (LFO Waveform) [Saw, Squ, Tri, Sin, S&H]
Selects the LFO waveform.
☞
p.125 “LFO Wave (LFO Waveform)”
LFO Shape [–63…+63]
☞
p.125 “LFO Shape”
Key Sync (LFO KeySync) [Off, Timbre]
Specifies whether the LFO will be reset by note-on.
☞
p.125 “Key Sync (LFO KeySync)”
InitPhase (LFO Init Phase) [000…180°]
Sets the starting location of the waveform. This parame-
ter will be displayed and can be set if “Key Sync” is Tim-
bre.
☞
p.125 “InitPhase (LFO Init Phase)”
Pre LPF [000…127]
This parameter enables you to set the damping amount
of the high range sound input to the ring modulator. If
the input sound contains lots of harmonics, the effect
may sound dirty. In this case, cut a certain amount of
high range.
26. Pitch Shifter (IFX)
/St.PitchShift (MFX)
This effect changes the pitch of the input signal. You can
select from three types: Fast (quick response), Medium,
and Slow (preserves tonal quality). You can also create
an effect in which the pitch is gradually raised (or
dropped) using the delay with feedback.
If used for an insert effect, this will be mono-in/mono-
out.
If used for the master effect, this will be stereo-in/ste-
reo-out.
Dry/Wet [Dry, 99:1…1:99, Wet]
Sets the balance between the effect and dry sounds.
Pitch (Pitch Shift) [–24…+24]
Sets the pitch shift amount by steps of a semitone.
Fine [–100…+100]
Sets the pitch shift amount by steps of a cent.
TempoSync (DelayTime Tempo Sync)
only MFX
[Off, On]
Specifies whether the delay time will be synchronized.
☞
p.132 LCR Delay “TempoSync (DelayTime Tempo
Sync)”
Time Ratio
only MFX
[TempoSync Off: 000.5…400%
(OVER)/TempoSync On: 012.5…400% (OVER)]
☞
p.132 LCR Delay “Time Ratio”
Delay (Delay Time)
only MFX
[000…500msec, 1/64… 1/1]
If “TempoSync” is Off, this delay time is set in msec
units. The range is 0–500 msec.
If “TempoSync” is On, this delay time is set as a timing
resolution relative to the tempo specified by the [TEM-
PO] knob or MIDI clock.
FB Pos (FB Position)
only MFX
[Pre, Post]
Switches the feedback connection.
Feedback
only MFX
[000…127]
Sets the feedback amount.
Left
Right
Dry / Wet
Dry / Wet
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
Input Level
Input Level
+
High Damp
Delay
Pitch Shifter
Insert FX
Left
Right
Feedback
Dry / Wet
Dry / Wet
Stereo In - Stereo Out
High Damp
High Damp
Trim
Trim
Feedback Position
Pre
Pre
Post
Post
Delay Pitch Shifter
Delay Pitch Shifter
Master FX