Preface
ASR-10 Musician’s Manual
ii
Audio Track Recording Capability
Version 2 O.S. adds two tracks of digital audio recording capability to the ASR-10. Audio Tracks
can be recorded directly into RAM (RAMTracks™) or directly to a SCSI storage device (hard
disk, removable media, etc.) via the optional SP-3 SCSI Interface (DiskTracks™). Now you can
combine live performances with MIDI sequenced tracks for full production recording within the
ASR-10. Sing, play your guitar, blow your horn — add whatever live performances you wish.
Recognizing that you want to get up and running quickly, we strongly recommend that you try
the section titled “An Audio Track Tutorial” in Section 18 — Audio Track Applications to get a feel
for the Audio Track recording process.
Support for the Optional DI-10 Digital I/O Interface
ASR-10 Version 2 supports the optional DI-10 Digital I/O Interface. When installed, the DI-10
provides direct digital input and output connection to and from the ASR-10 using RCA-type
connectors. The Digital Output will provide 44.1 kHz digital output of the Main Out mix when
the current effect uses a 44.1 kHz sample rate. The Digital Input can be used for direct digital
sampling from an external digital audio source at 44.1 or 48 kHz.
The Digital Input and Output conforms to the S/PDIF standard (Sony/Phillips Digital Interface
Format). S/PDIF is a digital audio communication standard for digital hardware devices. Be
sure that any digital devices used with the DI-10 conform to this standard. For more information
about using the DI-10 Digital I/O Interface, refer to the DI-10 Manual.
Note:
If you wish to record the 44.1 kHz digital output of the ASR-10 to a DAT recorder, the DAT
recorder
must be able to record from its digital input at 44.1 kHz. Some older/consumer DAT
recorders do not record at 44.1 kHz as a copy protection scheme: These DAT recorders will
not
record the ASR-10’s 44.1 kHz digital output.
Additional 44.1 kHz Effect Algorithms
The O.S. disk also includes 12 additional effect algorithms, designed exclusively for the ASR-10,
that use the 44 .1 kHz system sample rate (note: polyphony is reduced to 23 voices). Audio
Tracks recorded at the 44.1 kHz sample rate can be output directly from the ASR-10’s Digital I/O
Output jack (which requires the optional DI-10 Digital I/O Interface). For a complete description
of all the effect algorithms, see later in this document.
Clean Up and Maintenance
Only clean the exterior of your ASR-10 with a soft, lint-free, dry (or slightly damp) cloth. You can
use a slightly dampened cloth (with a mild neutral detergent) to remove stubborn dirt, but make
sure that the ASR-10 is thoroughly dry before turning on the power. Never use alcohol, benzene,
volatile cleaners, solvents, abrasives, polish or rubbing compounds.
About The Manual
The Musician’s Manual is your guide to unlocking the full power of the ASR-10. At this point,
you’re probably anxious to plug in your ASR-10 in and get playing. The rest of this section
contains important information about power, grounding, amplification and care of the floppy
drive. We recommend that you read through it, and then follow the Tutorial. The Tutorial is
designed to provide step-by-step procedures for performing basic operations on the ASR-10.
After the initial “I just gotta hear it” phase has passed and you’re ready to utilize the full
potential of the ASR-10, please take the time to read through the sections in this manual on
sampling, programming, sequencing, effects, and storage. The Musician’s Manual is designed to
be used as a reference tool. Both manuals provide valuable information and tips that will speed
up the learning process and ensure your maximum enjoyment of this powerful musical
instrument.
