Invert Data
Inverting sound data reverses the polarity of a waveform around its baseline. Inverting a waveform does not change the sound of a file;
however, when you mix different sound files, phase cancellation can occur, producing a “hollow” sound. Inverting one of the files can
prevent phase cancellation.
In the following example, the red line represents the baseline, and the lower waveform is the inverted image of the upper waveform.
Limiting
Limiting is essentially a hard compressor. Limiting is often used to keep signals from going above a certain level, but can also be applied
to create heavily compressed effects. Limiting should only be performed on peaks; if the Threshold level is set too low, heavy distortion
will occur.
Loop
Loops are small audio clips that are designed to create a repeating beat or pattern. Loops are usually one to four measures long.
Low-Pass Filter
A low-pass filter attenuates all frequencies above a cutoff frequency. Low-pass filters can be used as anti-alias filters or for general tonal
shaping.
Marker
A marker is an anchored, accessible reference point in a file. Markers are stored in the Regions List and can be used for quick navigation.
Media Control Interface (MCI)
A standard way for Windows programs to communicate with multimedia devices such as sound cards and CD players. If a device has an
MCI device driver, it can easily be controlled by most multimedia Windows software.
Microsoft Sound Mapper
The Sound Mapper is a special device that attempts to select the most appropriate sound card (map) on which to play a sound, or it will
translate the sound into a format that can be played on your sound card.
Mid-Side recording
Mid-side (MS) recording is a microphone technique in which one mic is pointed directly towards the source to record the center (mid)
channel, and the other mic is pointed 90 degrees away from the source to record the stereo image. For proper playback on most
systems, MS recordings must be converted to your standard left/right (also called AB) track.
MIDI
Musical Instrument Device Interface (MIDI)
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APPENDIX E
Summary of Contents for Pro 10
Page 1: ...Pro 10 Sound Forge User Manual ...
Page 2: ......
Page 26: ...20 CHAPTER 1 ...
Page 60: ...54 CHAPTER 2 ...
Page 152: ...146 CHAPTER 8 ...
Page 166: ...160 CHAPTER 9 ...
Page 176: ...170 CHAPTER 10 ...
Page 200: ...194 CHAPTER 11 ...
Page 220: ...214 CHAPTER 12 ...
Page 236: ...230 CHAPTER 13 ...
Page 266: ...260 CHAPTER 16 ...
Page 278: ...272 CHAPTER 17 ...
Page 312: ...306 CHAPTER 20 ...
Page 346: ...340 APPENDIX C ...
Page 366: ...360 APPENDIX E ...