Section 6 — Effect Parameters
ASR-10 Musician’s Manual
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Edit/Effect Parameters
VC 2 SEMI
Range:
-12 to +12
This parameter allows you to adjust the pitch of Voice 2 up to an octave above or below the
original pitch in semi-tones.
VC 2 FINE
Range:
-99 to +99
This parameter allows you to fine tune the pitch of Voice 2. Slight shifts create something like a
chorused effect.
VOICE 2 VOL
Range:
0 to 99
This parameter adjusts the volume of Voice 2.
VOICE 2 PAN
Range:
-99 to +99
This parameter allows you to assign the location of Voice 2 in the stereo field. A value of -99
would be far left, and +99 would be far right.
DRY LEVEL TO DDL
Range:
0 to 99
This parameter allows you to bypass the pitch shifter with an internal dry signal, and send it
through the digital delay. Higher values would send more of the dry signal to the delay. The
purpose of this parameter is to mix the dry signal appropriately with the pitch shifted delay
signals.
DLY TIME L
Range:
0 to 1500 ms
This parameter controls the amount of time for the pitch shifted signal to delay from the left
input.
DLY TIME R
Range:
0 to 1500 ms
This parameter controls the amount of time for the pitch shifted signal to delay from the right
input.
DLY MIX
Range:
0 to 99
This parameter controls the mix between the delay signal and the pitch shifted signal. A setting
of 0 would be all pitch shifter, and no delay. A setting of 99 will be all delay and no direct pitch
shift.
DLY REGEN
Range:
-99 to +99
This parameter controls the amount of feedback from the output of the delay back into the input
of the pitch shifter. This allows you to create special effects with ascending/descending delays.
MOD SRC 1
MOD SRC 2
DST 1
DST 2
MIN 1
MIN 2
MAX 1
MAX 2
These parameters are explained in detail in Section 5 — Effect Concepts.
ROM-41 FAST PITCHSH
FAST PITCHSH has a transport delay of only 10 ms and a maximum detune ratio of one
semitone. Try shifting the voices slightly in both positive and negative values to create a fat
sound. This algorithm should be used for pitch correction (for instance, try using the mod wheel
as a pitch controller). The BUS1 and BUS2 parameters can be routed into the effect with different
Dry/Wet mixes. BUS3 is a dry path. Depending on its usage, this algorithm generally sounds
best with a Mix of dry and wet. Try using the modulation wheel for the Mix parameter to bring
in or fade out the pitch shifted signal.
