Section 15 — Sampling Applications
ASR-10 Musician’s Manual
6
Resampling through an EQ
INSTRUMENT prompt.
• Next, play the sequence and play or sing along with it until you feel comfortable with your
new part. Then, press Enter•Yes again to begin sampling. As soon as sampling has begun,
start the sequencer and play or sing along through one 4 bar repetition. Then, hit Cancel•No
to stop sampling. Select a root key when prompted.
Notice that when you play back the new sample, you hear only the new part. This is because
the sequencer is not recorded in REC SRC= INPUT+FX (or REC SRC= INPUTDRY) mode. The
sequence was only acting as a timing guide for the new part. This allows you to have track
separation to set Volume and Panning information.
• Now, record this new sample into the sequence by playing on the first beat of bar 1, then
QUANTIZE to 1/4 notes, just like you did with the first sample. You can then proceed to edit
the SAMPLE START and end parameters, as described above. When the SAMPLE START
time is correct, you’ll hear this new track “sync up” with the original sample.
• You can now continue adding tracks in this fashion until you get close to running out of
memory, or have only one sequence track left. Once either of these things happens, go on to
the next step.
• Now you can “bounce down” the tracks you have to a stereo mix. To do this, set your track
mix and pan levels where you’d like them. You can also add a new Effect onto the entire mix,
if you desire. Then, set the REC SRC parameter to MAIN OUT L+R. Press Enter•Yes and
select an unused Instrument•Sequence Track location when you see the PICK SAMPLE
INSTRUMENT prompt. You are now essentially back at the beginning of this application
note, taking a sequence of multiple tracks and sampling it into a two track master mix. If
you’d still like to add more tracks, you can again erase all of the instruments that were in the
sequence you just sampled, and proceed repeating the above steps in the application note.
Happy recording!
