Appendix
Additional 44 kHz Effect Descriptions
XI
CROSS REGN (L and R)
Ranges: -99 to +99
Allows you to feed back the echoed signals to their opposite sides. The left voice crosses to the
right voice, and the right voice crosses to the left voice. A setting of +99 or -99 will cause infinite
delay. Be careful, if the echo regen is set too high, it may cause this parameter to “blow up.”
DECAY TIME
44PERC PLATE Range: 0.40 to 1.21
44LUSH PLATE 1 and 2, 44DDL+CH+REV,
4REV, 44EQ+REVERB,
REVRB Range: 0.40 to 140. sec
Controls the amount of time it takes for the reverberation to decay. Generally, high values of
decay time sound good on plate reverb algorithms.
DEFINITION
Range:
0 to 99
Controls the rate at which echo density increases with time. Higher values can cause the echo
density to build at a rate that exceeds the decay rate. Try to select the highest value that works
with your sound source for the best performance.
DELAY
44EQ+DDL+CHO Ranges: 0 to 50
44DDL+CHORUS Ranges: 0 to 100
Controls the nominal delay time of the chorus in milliseconds.
DEPTH
Range:
0 to 99
This parameter controls the depth of the detuning, that is, how much the pitch will change. Low
values yield a metallic sound. Some synth voices sound best with very low values.
DETUNE RATE
Range:
0 to 99
This parameter controls the LFO rate of detuning incorporated within the reverb. Detuning
introduces a slight pitch shift in the reverberated signal, giving it a more natural-sounding decay
by breaking up resonant nodes.
DIFFUSION (1 & 2)
Ranges: 0 to 99
Smears the input signal to create a smoother sound. Lower values will cause impulse sounds to
appear as a series of discrete echoes, while higher values tend to increase the smear, making the
echoes less apparent. The diffusers are in series. Plate reverbs tend to sound metallic, and the
diffusers help to smear the signal, eliminating the metallic sound.
DL DELAY L and R
Ranges: 0 to 400 msec
Determines the nominal amount of time between the input signal and the delay outputs.
DL RATE
Range:
0 to 130
Controls the rate of the LFO (pitch modulation). To achieve a chorusing effect, this rate must be
very slow.
DL WET
Range:
-99 to +99
This parameter controls the volume of the delayed signal only. Setting this parameter to +0 will
eliminate the delay portion completely.
DL WIDTH L and R
Ranges: 0 to 127
These two parameters control the left and right excursion of pitch modulation. Since the rate is
usually very slow, the width is usually large.
