1028
ProChannel (Producer and Studio only)
• Crosstalk on stereo buses.
Just like an analog console, the overall sound character is the sum of all the separate processing
stages. Depending on the console type and settings, some of the benefits you may experience
include:
• A wider sound stage.
• Increased sense of spatial cohesion.
• More depth and definition.
• A bit more warmth and aggression.
• Easier to balance levels across tracks.
Controls
There are two versions of the Console Emulator module:
•
Console Emulator Channel.
This version is designed for individual tracks.
•
Console Emulator Bus.
This version is designed for buses. It contains the same controls as
the Channel version, except it does not have a Trim control.
Figure 324.
Console Emulator Channel and Bus modules.
The Console Emulator module contains the following controls:
•
Mode.
Selects the desired console emulation mode. For each mode, the Console Emulator
module closely resembles the hardware it is modeled after.
•
S-Type.
Emulates a clean and transparent British console that is popular among mixing
engineers in rock and pop genres. This console has potentially been used on more platinum
selling albums than all other consoles combined.
•
N-Type.
Emulates a British console that is used in legendary recording studios, including
Abbey Road, The Village, Ocean Way, and Skywalker Sound. This console is warm and has a
rich low end.
•
A-Type.
Emulates a revolutionary British console, of which only 13 consoles were ever built.
This console was made famous at Trident Studios and Cherokee Studios. This console has a
brighter top and less lows than the N-Type console. Some consider this best sounding
console of all time.
Console Emulator Channel
Console Emulator Bus
Summary of Contents for sonar x3
Page 1: ...SONAR X3 Reference Guide...
Page 4: ...4 Getting started...
Page 112: ...112 Tutorial 1 Creating playing and saving projects Saving project files...
Page 124: ...124 Tutorial 3 Recording vocals and musical instruments...
Page 132: ...132 Tutorial 4 Playing and recording software instruments...
Page 142: ...142 Tutorial 5 Working with music notation...
Page 150: ...150 Tutorial 6 Editing your music...
Page 160: ...160 Tutorial 7 Mixing and adding effects...
Page 170: ...170 Tutorial 8 Working with video Exporting your video...
Page 570: ...570 Control Bar overview...
Page 696: ...696 AudioSnap Producer and Studio only Algorithms and rendering...
Page 720: ...720 Working with loops and Groove Clips Importing Project5 patterns...
Page 820: ...820 Drum maps and the Drum Grid pane The Drum Grid pane...
Page 848: ...848 Editing audio Audio effects audio plug ins...
Page 878: ...878 Software instruments Stand alone synths...
Page 1042: ...1042 ProChannel Producer and Studio only...
Page 1088: ...1088 Sharing your songs on SoundCloud Troubleshooting...
Page 1140: ...1140 Automation Recording automation data from an external controller...
Page 1178: ...1178 Multi touch...
Page 1228: ...1228 Notation and lyrics Working with lyrics...
Page 1282: ...1282 Synchronizing your gear MIDI Machine Control MMC...
Page 1358: ...1358 External devices Working with StudioWare...
Page 1362: ...1362 Using CAL Sample CAL files...
Page 1386: ...1386 Troubleshooting Known issues...
Page 1394: ...1394 Hardware setup Set up to record digital audio...
Page 1400: ...1400 MIDI files...
Page 1422: ...1422 Initialization files Initialization file format...
Page 1463: ...1463 Misc enhancements New features in SONAR X3...
Page 1470: ...1470 Comparison...
Page 1518: ...1518 Included plug ins Instruments...
Page 1532: ...1532 Cyclone Using Cyclone...
Page 1694: ...1694 Beginner s guide to Cakewalk software Audio hardware sound cards and drivers...
Page 1854: ...1854 Preferences dialog Customization Nudge Figure 518 The Nudge section...
Page 1856: ...1856 Preferences dialog Customization Snap to Grid Figure 519 The Snap to Grid section...
Page 1920: ...1920 Snap Scale Settings dialog...
Page 2042: ...2042 View reference Surround panner...