Part 2: FlexColor for Cameras
White Balance Settings for Cameras
window. Then work with the various image-correction tools as needed and
export.
If instead you want to keep most of your previous setup customizations, then
you must make a few adjustments to make the older file work correctly with
the new color-handling mechanism for camera images. Do the following:
1. Select
File > Setup
to open the
Setup
window.
2. Go to the
ColorSync
tab of the
Setup
window and set the
Input
profile to “Hasselblad RGB”. This is the profile you should always use
when shooting with an Ixpress camera. It is automatically selected in
all of the new default camera setups.
3. Click
on
OK
to save your changes.
4. Open
the
Histogram
window and adjust the new mid-tone slider to a
value of 1.0. This slider replaces the older
gamma
setting from
FlexColor 4.0 and the value of 1.0 is the default expected for the new
color-handling system (initially, it will probably be set to 1.20, which
matches the gamma value used by the old profile and color-handling
system.) You can adjust this later if needed for you image, but start
with this default value of 1.0.
New White Balance Handling for Camera Captures
The white balance for camera captures is now established as a set of parameters in the
setup rather than being defined globally in the 3F file as they were previously, where
they were also device dependent. When using a camera or opening a 3F file created
by a camera, the FlexColor window now includes a set of presets and a set sliders for
fine-tuning the presets. A new exposure correction slider is also provided. See “White
Balance Settings for Cameras” on page 20 for details.
As a result of this new approach, you should be careful when using a neutralization
preset made with FlexColor 4.0. The old preset will be converted to the new system,
but the conversion algorithm assumes that you are using an Ixpress camera (the old
presets are device dependent). In general, we recommend that you make new presets.
White Balance Settings for Cameras
3F files captured using an Ixpress Camera back contain the raw mosaic image (or
images) from the camera-back CCD. The file also includes values that describe how
this raw data should be combined into a standard 3-color image for display and
export. Because this processing data is stored as values in the image, rather than
applied directly, you are able to adjust the white balance at any time—even after
shooting. In images that have been combined and exported, it is much more difficult
to correct the white balance.
FlexColor 4.5 Documentation Addendum
20
Summary of Contents for CF DIGITAL CAMERA BACK RANGE
Page 1: ...User Manual Hasselblad CF Digital Camera Back Range ...
Page 32: ...32 Menu structure Items on the main menu ...
Page 68: ...Addendum V2 to User Manuals 2007 H1 H1D H2 H2D H3D 503CWD CFV CF 2007 09 20 V2 ...
Page 74: ...Software Reference FlexColor 4 0 for Camera Backs by Hasselblad Imacon ...
Page 85: ...Software Reference FlexColor 4 0 for Camera Backs Introduction 12 ...
Page 93: ...Software Reference FlexColor 4 0 for Camera Backs FlexColor Menus 20 ...
Page 127: ...Software Reference FlexColor 4 0 for Camera Backs The Preferences Window 54 ...
Page 133: ...Software Reference FlexColor 4 0 for Camera Backs FlexColor ICC Profiles 60 ...
Page 143: ...Software Reference FlexColor 4 0 for Camera Backs The Thumbnails Window 70 ...
Page 155: ...Software Reference FlexColor 4 0 for Camera Backs The Exposure Window 82 ...
Page 159: ...Software Reference FlexColor 4 0 for Camera Backs Active and Reload Buttons 86 ...
Page 165: ...Software Reference FlexColor 4 0 for Camera Backs The Gradations Window 92 ...
Page 177: ...Software Reference FlexColor 4 0 for Camera Backs The Texture Window 104 ...
Page 183: ...Software Reference FlexColor 4 0 for Camera Backs The Live Video Window 110 ...
Page 185: ...Software Reference FlexColor 4 0 for Camera Backs The Tasks Window 112 ...
Page 189: ...Software Reference FlexColor 4 0 for Camera Backs Appendix 116 Keyboard Shortcuts ...