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Korg NAUTILUS Series, Parameter Manual, Page: 6 / 961

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Korg NAUTILUS Series Parameter Manual Download Page 6

vi

SGX-2: Tone adjust . . . . . . . . . . . . . . . . . . . . . . . . . 356

EXi SGX-2: Page Menu Commands. . . . . . . . . . . 357

EXi: EP-1 MDS Electric Piano  . . . . . . . . 359

EP-1 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359

On-screen knobs, sliders & switches 
and the Parameter Details area . . . . . . . . . . . . . . . . .  360

EXi PROGRAM > EP-1: Home  . . . . . . . . . . . . . . . . 361

0–1: Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  361

EXi PROGRAM > EP-1: Basic/Oscillator . . . . . . . 362

4–1: Basic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  362
4–2: Oscillator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  364

EXi PROGRAM > EP-1: Panel/IFX/Amp  . . . . . . . 366

5–1: Common . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  366
Tine EP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  367
Reed EP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  369
Insert Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  370

EXi PROGRAM > EP-1: AMS Mixers. . . . . . . . . . . 374

EP-1: Tone Adjust . . . . . . . . . . . . . . . . . . . . . . . . . . 375

EXi EP-1: Page Menu Commands . . . . . . . . . . . . 376

COMBINATION mode . . . . . . . . . . . . . . . 377

COMBINATION > Home . . . . . . . . . . . . . . . . . . . . . 377

0–1: Mixer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  377
Quick Layer  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  384
Quick Split  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  387
0–2: Performance Meters . . . . . . . . . . . . . . . . . . . . .  389
0–6: ARP DRUM . . . . . . . . . . . . . . . . . . . . . . . . . . .  390
0–8: Sampling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  392
0–9: Tone Adjust  . . . . . . . . . . . . . . . . . . . . . . . . . . .  394

COMBINATION > EQ/X-Y/Controllers  . . . . . . . . 396

1–1: Timbre EQ  . . . . . . . . . . . . . . . . . . . . . . . . . . . .  396
1–5: X-Y Volume . . . . . . . . . . . . . . . . . . . . . . . . . . .  397
1–6: X-Y CC. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  401
1–7: X-Y Envelope . . . . . . . . . . . . . . . . . . . . . . . . . .  403
1–8: Controllers  . . . . . . . . . . . . . . . . . . . . . . . . . . . .  404

COMBINATION > Timbre Parameters . . . . . . . . 405

2–1: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  405
2–2: OSC. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  406
2–3: Pitch  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  408
2–4: Delay. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  409
2–5: Wave Seq/ARP . . . . . . . . . . . . . . . . . . . . . . . . .  410
2–6: EXi Audio Input . . . . . . . . . . . . . . . . . . . . . . . .  412

COMBINATION > MIDI Filter/Zones . . . . . . . . . . 413

3–1: MIDI Filter1 . . . . . . . . . . . . . . . . . . . . . . . . . . .  413
3–2: MIDI Filter2 . . . . . . . . . . . . . . . . . . . . . . . . . . .  415
3–3: MIDI Filter3 . . . . . . . . . . . . . . . . . . . . . . . . . . .  416
3–5: Keyboard Zones . . . . . . . . . . . . . . . . . . . . . . . .  417
3–6: Velocity Zones . . . . . . . . . . . . . . . . . . . . . . . . .  419

COMBINATION > IFX  . . . . . . . . . . . . . . . . . . . . . . . 421

8–1: Routing1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  421
8–2: Routing2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  424
8–5: Insert FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  425
8–7: IFX 1–12. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  427

8–9: Common FX LFO  . . . . . . . . . . . . . . . . . . . . . . .429

COMBINATION > MFX/TFX . . . . . . . . . . . . . . . . . . 430

9–1: Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .430
9–2: MFX1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .431
9–3: MFX2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .432
9–4: TFX1  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .432
9–5: TFX2  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .432

COMBINATION: Page Menu Commands . . . . . . 433

SEQUENCER mode. . . . . . . . . . . . . . . . . . 439

Sequencer Overview  . . . . . . . . . . . . . . . . . . . . . . . 439

MIDI sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . .439
Setup parameters & Musical data. . . . . . . . . . . . . . . .441

SEQUENCER > Home. . . . . . . . . . . . . . . . . . . . . . . . 443

0–1: Mixer  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .443
0–5: MIDI Track Loop. . . . . . . . . . . . . . . . . . . . . . . .454
0–6: Recording Setup . . . . . . . . . . . . . . . . . . . . . . . . .456
0–7: ARP DRUM . . . . . . . . . . . . . . . . . . . . . . . . . . . .460
0–8: Sampling  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .462
0–9: Tone Adjust . . . . . . . . . . . . . . . . . . . . . . . . . . . .464

SEQUENCER > EQ/X-Y/Controllers . . . . . . . . . . . 466

1–1: MIDI Track EQ  . . . . . . . . . . . . . . . . . . . . . . . . .466
1–2: Audio Track EQ . . . . . . . . . . . . . . . . . . . . . . . . .468
1–5: X-Y Volume. . . . . . . . . . . . . . . . . . . . . . . . . . . .469
1–6: X-Y CC  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .472
1–7: X-Y Envelope. . . . . . . . . . . . . . . . . . . . . . . . . . .474
1–8: Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . .476

SEQUENCER > Track Parameters  . . . . . . . . . . . . 478

2–1: MIDI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .478
2–2: OSC  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .480
2–3: Pitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .482
2–4: Delay  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .484
2–5: Wave Seq/ARP. . . . . . . . . . . . . . . . . . . . . . . . . .485
2–6: EXi Audio Input. . . . . . . . . . . . . . . . . . . . . . . . .487
2–7: Audio Track Delay . . . . . . . . . . . . . . . . . . . . . . .488

SEQUENCER > MIDI Filter/Zones. . . . . . . . . . . . . 489

3–1: MIDI Filter1 . . . . . . . . . . . . . . . . . . . . . . . . . . . .489
3–2: MIDI Filter2 . . . . . . . . . . . . . . . . . . . . . . . . . . . .491
3–3: MIDI Filter3 . . . . . . . . . . . . . . . . . . . . . . . . . . . .492
3–5: Keyboard Zones . . . . . . . . . . . . . . . . . . . . . . . . .493
3–6: Velocity Zones . . . . . . . . . . . . . . . . . . . . . . . . . .495

SEQUENCER > Track Edit . . . . . . . . . . . . . . . . . . . . 497

4–1: Track Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .497
4–2: MIDI Track Name . . . . . . . . . . . . . . . . . . . . . . .499
4–3: Audio Track Name . . . . . . . . . . . . . . . . . . . . . . .500

SEQUENCER > Pattern/RPPR  . . . . . . . . . . . . . . . . 501

5–1: Pattern Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . .501
5–2: Pattern Name  . . . . . . . . . . . . . . . . . . . . . . . . . . .503
5–3: RPPR Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . .504

SEQUENCER > IFX  . . . . . . . . . . . . . . . . . . . . . . . . . . 507

8–1: MIDI Routing1. . . . . . . . . . . . . . . . . . . . . . . . . .507
8–2: MIDI Routing2. . . . . . . . . . . . . . . . . . . . . . . . . .509
8–3: Audio Routing1  . . . . . . . . . . . . . . . . . . . . . . . . .511
8–4: Audio Routing2  . . . . . . . . . . . . . . . . . . . . . . . . .512
8–5: Insert FX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .513
8–7: IFX 1–12  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .515

Summary of Contents for NAUTILUS Series

Page 1: ...i Parameter Guide E 1...

Page 2: ...pped from the factory including Programs Combinations Multisamples Drumsamples Drum Kits Arpeggio Pattern Wave Sequences Drum Track Patterns Template Songs and Effect Presets PDF versions The NAUTILUS...

Page 3: ...6 1 OSC 1 AMS Mix 89 6 5 OSC 2 AMS Mixer 95 6 9 Common KeyTrack 96 PROGRAM IFX 98 8 1 Routing 98 8 5 Insert FX 101 8 7 IFX 1 12 103 8 9 Common FX LFO 105 PROGRAM MFX TFX 107 9 1 Routing 107 9 2 MFX1...

Page 4: ...String 211 4 1 Pluck Noise 211 4 2 PCM OSC 213 4 3 PCM OSC Pitch 216 4 4 Excitation Mixer 219 4 5 String Main 221 4 6 Damping Dispersion 225 4 7 String Pitch 227 4 8 Pickups Feedback 230 4 9 Mixer 232...

Page 5: ...ping 306 Ring Modulation 308 EXi PROGRAM MOD 7 Home 310 0 1 Overview 310 PROGRAM MOD 7 Patch Panel 312 4 1 Patch Panel 312 PROGRAM MOD 7 Oscillator 316 5 1 Osc Main 316 5 2 PCM Osc 320 5 3 PCM Mod 322...

Page 6: ...COMBINATION IFX 421 8 1 Routing1 421 8 2 Routing2 424 8 5 Insert FX 425 8 7 IFX 1 12 427 8 9 Common FX LFO 429 COMBINATION MFX TFX 430 9 1 Routing 430 9 2 MFX1 431 9 3 MFX2 432 9 4 TFX1 432 9 5 TFX2 4...

Page 7: ...631 0 2 Audio 637 0 3 KSC Auto Load 640 0 4 Sample Manage 643 0 5 Network 645 0 8 Quick Access 647 0 9 Manual Info 648 GLOBAL MIDI 649 1 1 MIDI 649 GLOBAL Controllers Scales 655 2 1 Controllers 655 2...

Page 8: ...Delay 4Taps 802 044 Multitap Cho Delay 6Taps 802 045 Bi Chorus 803 046 Ensemble 805 047 Polysix Ensemble 805 048 Stereo Flanger 806 049 Stereo Random Flanger 807 050 Stereo Envelope Flanger 807 051 St...

Page 9: ...7 P4EQ Chorus Flanger 881 148 P4EQ Phaser 881 149 P4EQ Multitap BPM Dly 881 150 Comp Comp 881 151 Comp Limiter 882 152 Comp Exciter 882 153 Comp OD Hi Gain 882 154 Comp Wah 882 155 Comp Chorus Flanger...

Page 10: ...CCs 921 Responses to standard MIDI controllers 921 Parameters controlled by MIDI CCs 70 79 924 MIDI applications 927 About MIDI 927 Connecting MIDI devices computers 927 USB MIDI controllers 928 Mess...

Page 11: ...le interpolation provides minimal aliasing crystal clear high frequencies and sound that is smooth rich and detailed across the entire audio spectrum Gigabytes of ROM and EXs sample libraries User Sam...

Page 12: ...ect 2 Select the desired page using the display 0 1 Overview This is the main page for selecting Programs which are the basic sounds of the NAUTILUS It also includes an interactive overview of the mos...

Page 13: ...po 040 00 300 00 EXT This is the tempo for the current Program which applies to tempo synced LFOs and Wave Sequences Arpeggiator Drum Track and tempo synced effects 040 00 300 00 allow you to set a sp...

Page 14: ...ost are not shown Touch this area to jump to the corresponding PROGRAM Amp EQ Amp1 Drive1 page Amp EG Graphic This shows the shape of the amp 1 EG Touch this area to jump to the corresponding PROGRAM...

Page 15: ...ograms will be shown by sub category 4 Select a program from the list You can touch a Program s name directly or use the and buttons or VALUE dial If there are more Programs than can be shown on the s...

Page 16: ...d Page Jump below 5 You can use the Find button to search for Programs by name The Find button is shown as a magnifying glass icon at the bottom of the display For more information see Find dialog on...

Page 17: ...of the Select menu for Programs Combinations Songs Set Lists Samples Multisamples Wave Sequences Drum Kits Effects and MOD 7 algorithms To use it 1 Press the magnifying glass to open the Find dialog 2...

Page 18: ...is means that the layer Program may not sound exactly the same as it did originally Caution messages If there are insufficient free IFX slots to completely merge the two sounds an exclamation point ic...

Page 19: ...ound other tracks will be muted The setting will alternate on off each time you press the Solo button MAIN PROG Program Select List of Programs By default this will be the currently selected Program Y...

Page 20: ...pplied to the Timbre Transpose parameters Effect All IFX MFX and TFX settings of the Main Program are copied IFX settings are packed forward when they are copied For the Layer or Split Program IFX set...

Page 21: ...rogram to the right hand upper side of the keyboard and the Main Program to the left hand lower side Note When using Quick Split the damper pedal is set to be enabled for the main Program but disabled...

Page 22: ...an then change it as desired When the ARP and DRUM buttons are turned on notes can be played using the arpeggiator drum track or step sequencer Note that you can t use both Arpeggiator Drum track Step...

Page 23: ...s includes all HD 1 and EXi voices Voice Stealing Sometimes if a lot of voices are already sounding there won t be enough free power to play a new voice When this happens the system stops older or low...

Page 24: ...ng IFX MFX and TFX Note that effects integrated into EXi use the voice CPUs instead and show up on the meters as EXi fixed resources as described above This meter may also show activity reflecting the...

Page 25: ...Switches the arpeggiator function on off DRUM Switches the drum function on off 0 6c RT Control knob Gate Velocity Length Swing Drum SD Displays the current values of the RT control knobs when ARP DR...

Page 26: ...eter More Open the Scene Common Setup detailed settings dialog box Common Scan Zone Scan Zone Bottom Key C 1 G9 Top Key C 1 G9 This sets the tonal range in which the arpeggiator operates or the tonal...

Page 27: ...equals a volume of 12 dB High settings of the Low Mid and High Gain controls can cause substantial increases in the overall level You can compensate for this by turning down the input trim Low Gain 1...

Page 28: ...h As noted above Drum Kits can have different Bus Select settings for each key as set on the Global P5 3 Voice Assign Mixer page Since the Drum Program shares the effects with the main Program these r...

Page 29: ...played in order of scale tones regardless of the order in which the note on signals were played Off unchecked The arpeggio is played in the order in which the note on signals occurred Key Sync Off On...

Page 30: ...nc with the nearest beat played by the arpeggiator that is currently running In SEQUENCER mode the drum track pattern will start with the trigger falling in sync with the beginning of the nearest meas...

Page 31: ...el Turn the accents of steps on off using the Accent Panel lower part of the matrix Inst Edit Selects the sound used by the step sequencer v 0 6 Page Menu Commands Compare p 112 Write Program p 112 Ex...

Page 32: ...s and HDR audio When sampling in stereo the odd numbered channel such as 1 or 3 corresponds to the left channel and the even numbered channel such as 2 or 4 corresponds to the right L R This lets you...

Page 33: ...AUDIO OUTPUT HEADPHONES L R Bus REC 1 2 REC 3 4 Bus L R or IFX1 12 Insert Effects Insert Effects REC Bus 1 2 Audio Inputs OSC Source Bus REC Bus 1 2 x Source Direct Solo Total Effects Master Effects S...

Page 34: ...t down before sampling begins This can be set only if Trigger is set to Sampling START button Off Sampling will begin immediately when you press the SAMPLING START STOP button from recording standby m...

Page 35: ...ono R Mono The right channel of the Source Bus will be sampled in mono Stereo The L and R channels of the bus specified by Source Bus will be sampled in stereo This will create a stereo multisample an...

Page 36: ...of outputs in stereo with the stereo position controlled by the Pan parameter Off The external audio signal will not be used FX Ctrl Bus FX Control Bus Off 1 2 This lets you send the audio input to o...

Page 37: ...he analog audio inputs is too high the ADC OVERLOAD indication will appear You ll need to adjust Audio Input Setup or the output level of your external audio source Recording Level Inf 72 0 0 0 18 0 T...

Page 38: ...ecified level is 4 dBu with 12 dB of headroom MIC Use the MIC setting if you are connecting a mic Analog Input Gain Use this to fine tune the gain after setting the gain in Input Select When Input Sel...

Page 39: ...t Program parameters without needing to save a different version of the original Program For more information on Tone Adjust in these modes see 0 9a Tone Adjust on page 394 Switches 1 16 button Switch...

Page 40: ...ers usually control a single Program parameter such as Oscillator 1 Transpose The Program and Tone Adjust parameters mirror one another when you change one the other will change to match Relative para...

Page 41: ...ators 1 and 2 Unless otherwise noted all of the Common Tone Adjust parameters are Relative Off This means that the Tone Adjust control has no effect Filter Cutoff 99 99 CC 74 This scales the cutoff fr...

Page 42: ...LFO For more information please see Delay on page 85 LFO2 Stop PROG Off On Absolute This Absolute parameter controls whether LFO2 is stopped or running For more information please see Stop on page 84...

Page 43: ...Wave Sequences and Drum Kits Wave Sequence and Drum Kit Banks are ignored all items in all banks are available in a continuous list via the Select parameter MS WS Type Off MS WavSeq Meta This Meta pa...

Page 44: ...ter LFO 2 Intensity to B 99 99 Absolute This controls the depth and direction of Filter B cutoff modulation from LFO2 as described under 3 3a LFO 1 2 on page 69 Pitch LFO 1 AMS Intensity 12 00 12 00 A...

Page 45: ...oscillator and Double Programs have two oscillators Each oscillator includes a complete synthesis voice with velocity switched multisamples dual filters EGs LFOs and so on The Drum and Double Drum mo...

Page 46: ...is released This is the opposite of playing detached When Mono Legato is On the first note in a legato phrase will sound normally and then subsequent notes will have a smoother sound for more gentle t...

Page 47: ...as below 14 cents L 14 cents R 10 cents L 10 cents R etc Depending on the Thickness setting the detuning may lean slightly to one side Detune 0 200 cents Detune is available when Unison is On This par...

Page 48: ...er is some of the purity of individual intervals offered by the scales below Pure Major In this temperament major chords of the selected key will be perfectly in tune Pure Minor In this temperament mi...

Page 49: ...f all of the Wave Sequences will be synchronized on the same step There is one exception to this however if Duration is modulated with velocity or note number the Wave Sequences can still progress at...

Page 50: ...Display This works in conjunction with the Home page s Show MS WS DKit Graphics menu command and its corresponding Global parameter to control whether the PROGRAM Home page shows the overview jump pa...

Page 51: ...Point and X and Y axis values for an example You can also use the X Y control to move its position automatically over time as shown below X Y control moving the X Y Point X Y Volume Control and CC Co...

Page 52: ...Center Volume parameters determine the way in which X Y position affects volume OSC1 Center Volume 0 25 50 75 100 This sets the volume of Oscillator 1 at the center of the X axis It applies only when...

Page 53: ...roller sent by the X X Y You can use this as an AMS source to control Program parameters or as a DMod source to control Effects parameters It will be grayed out if the X Y X Mode above is set to Negat...

Page 54: ...ontrol or for any of the EG s five points Oscillator Volume CC Display This read only display shows the volume and CC values for the current X Y point as selected by the Show Point parameter above v 1...

Page 55: ...synchronized When Key Sync is On each note s Volume Control EG will start at note on and go into release at note off All the notes will still share a single CC Control EG 1 6a Basic X Y Envelope On O...

Page 56: ...you were re tracing the EG shape in reverse For instance in the backwards section of a loop moving from Point 2 to Point 1 uses Point 1 s Transition time Forwards Backwards Loop Loop Type 1 3 X Y Off...

Page 57: ...Loop This sets the length of time that it takes to move from Point 3 to the first Point in the loop You can set this in either seconds milliseconds or rhythmic values depending on whether the Mode is...

Page 58: ...xer Control RT Control Off MIDI CC 119 When the Target is Mixer you can select the oscillator OSC1 OSC2 DRUM TRACK to be controlled Mixer Control EQ TRIM EQ LO GAIN EQ MID GAIN EQ MID FREQ EQ HI GAIN...

Page 59: ...button Assign View When the Target is Mixer this selects the mixer channel to control You can select multiple channels Switch2 Off Soft CC 67 Mode Toggle Momentary This assigns a function to SW2 The...

Page 60: ...e default is 0 8 The standard octave of a multisample is 0 8 Transpose 12 12 This adjusts the pitch in semitones over a range of 1 octave Tune 1200 1200 This adjusts the pitch in cents over a range of...

Page 61: ...amples ROM Multisamples are the built in factory sounds and are always available Smp SAMPLING Mode Multisamples are the ones that you can see and edit in SAMPLING mode These may include Akai SoundFont...

Page 62: ...ther the left or right channels will select the stereo pair Wave Sequence Select menu Use the tabs to select a bank and then select a Wave Sequence Press the OK button to confirm your selection or pre...

Page 63: ...its name lets you layer the two Multisamples together without any crossfading Crossfade Curves Linear means that the two samples will each be at 50 of their full volume in the middle of the crossfade...

Page 64: ...he keyboard Transpose 12 12 This adjusts the location of the instruments in the selected drum kit Unless you need to change this leave it at 0 Tune 1200 1200 This adjusts the pitch in one cent units T...

Page 65: ...itch bend set this to a positive value For example if you set this to 12 and move the joystick all the way to the right the pitch will rise one octave above the original pitch JS X 60 12 This sets the...

Page 66: ...he LFO JS Y Intensity LFO1 JS Y Int 12 00 12 00 Moving the joystick up from the center detent position away from yourself produces the JS Y controller You can use this to scale the amount of the LFO a...

Page 67: ...tamento on and off To do so 1 Go to the PROGRAM Basic X Y Controllers Switch page 2 Under Switch set either Switch1 or Switch2 to Portamento SW CC 65 Now the selected button will enable and disable Po...

Page 68: ...ters just like the keyboard tracking and LFOs Simply select the Pitch EG in the AMS list for the desired parameter 2 9a EG Reset AMS EG Reset AMS List of AMS Sources This selects an AMS source to rese...

Page 69: ...for the Pitch EG is always 0 Once it reaches the Sustain the EG will stay there until note off unless it is reset via AMS Release 00 99 This sets how long it takes the EG to move from the Sustain leve...

Page 70: ...arder If you instead set Start to 99 the Start level will decrease as you play harder Attack 99 99 This controls the depth and direction of the AMS modulation for the Attack level Break 99 99 This con...

Page 71: ...lope 99 99 This controls the depth and direction of the AMS modulation for the Slope time v 2 9 Page Menu Commands Compare p 112 Write Program p 112 Exclusive Solo p 113 Copy Oscillator p 119 Swap Osc...

Page 72: ...ls of each filter including modulation of resonance and output level 3 1a Filter Routing Filter Routing Single Serial Parallel 24dB 4 Pole Each oscillator has two filters Filter A and Filter B This pa...

Page 73: ...can create buzzy or nasal timbres Band Reject This filter type also called a notch filter cuts only the parts of the sound directly around the cutoff frequency Try modulating the cutoff with an LFO to...

Page 74: ...e values the resonance will decrease as you play more strongly and as you play more softly the resonance will approach the level specified by the Resonance setting The resonance level is determined by...

Page 75: ...brighter as you play higher pitches At its most basic keyboard tracking re creates this effect by increasing the cutoff frequency of a lowpass filter as you play higher on the keyboard Usually some am...

Page 76: ...tracking has no effect on the filter cutoff or on any AMS destinations High Break C 1 G9 This sets the breakpoint note between the two higher ramps the hinge of the upper door Entering notes from the...

Page 77: ...ter EG With positive values playing more strongly will increase the effect of the Filter EG as shown in example B above With negative values playing more strongly will introduce the opposite effect of...

Page 78: ...ces to control Filter B This modulation is added to the basic Filter A and B cutoff frequencies as set on the Filter 1 page Filter A AMS1 List of AMS Sources This selects the first modulation source f...

Page 79: ...O1 99 99 Moving the joystick down from the center detent position towards yourself produces the JS Y controller You can use this to scale the amount of the LFO applied to Filter A Negative settings wi...

Page 80: ...e EG has on the filters use the Filter EG parameters on the Filter Filter1 2 Mod page as described under 3 2b Filter EG on page 67 Filter EG is also an AMS source You can use the Filter EG as an AMS s...

Page 81: ...you can set the Start level to 99 in this case the EG will start instantaneously at its maximum value Decay 00 99 This sets the time it takes to move from the Attack level to the Break level Slope 00...

Page 82: ...this also means that modulating the Start level Attack level or Attack time will not affect notes that are already sounding unless the EG is then reset via AMS AMS List of AMS Sources Selects an AMS...

Page 83: ...Gs p 121 PAGE p 126 MODE p 126 3 5 Filter2 This page controls Oscillator 2 s basic filter settings It is available only when the Oscillator Mode is set to Double if not the page will be grayed out The...

Page 84: ...y voices are being played The two main parameters Drive and Low Boost work together to create the overall Driver effect Drive contributes edge and bite and Low Boost provides the body as well as boost...

Page 85: ...You can also control pan via MIDI Pan CC 10 A CC 10 value of 0 or 1 places the sound at the far left 64 places the sound at the location specified by the Pan parameter and 127 places the sound at the...

Page 86: ...values control the rate of change between each pair of keys For instance if the Low Center Ramp is set to 0 the value will stay the same between the Low Break key and the Center key You can think of t...

Page 87: ...reak key and the top of the MIDI note range For normal key track use positive values Inf and Inf ramps Inf and Inf are special settings which create abrupt changes for split like effects When a ramp i...

Page 88: ...e already raised the volume to its maximum level double the Amp Level and Amp EG level settings the volume cannot be increased any further With negative values of this parameter the volume will decrea...

Page 89: ...ers when passing through the threshold moving upwards When the threshold is negative the EG triggers when passing through the threshold moving downwards Note With some LFO shapes and with faster LFO s...

Page 90: ...more quickly at the beginning Amp EG Curve Different curve settings for up and down You may find that different amounts of curvature are suitable for segments which go up and segments which go down Fo...

Page 91: ...the Attack time For example if you set the AMS source to Velocity and set Attack to 99 the Attack time will get much longer at higher velocities If you instead set Attack to 99 the Attack time will g...

Page 92: ...Timbres by using the Combi and Sequence Auto Load Program EQ options 4 9a 3 Band Parametric EQ Bypass On Off When Bypass is checked all of the EQ will be disabled including the Input Trim Bypass can b...

Page 93: ...fades in slowly Set the LFO to sync to MIDI tempo 5 1a OSC 1 LFO 1 Waveform Triangle Random6 Continuous This selects the basic LFO waveform as shown in the graphic below Most of the waveforms should b...

Page 94: ...s is set to 00 the LFO speed is as set by the Frequency parameter When this is set to 99 it s the same as increasing the main Frequency value by 1 Stop Off On On checked When Stop is On the LFO does n...

Page 95: ...s pushed all the way up the AMS affects the frequency as shown below Intensity Mod AMS List of AMS Sources This selects a secondary AMS modulation source to scale the intensity of AMS1 For a list of A...

Page 96: ...described under 5 1 OSC1 LFO1 on page 83 except that LFO1 cannot modulate LFO2 5 5 OSC2 LFO1 This page controls Oscillator 2 s first LFO It is available only when the Oscillator Mode is set to Double...

Page 97: ...s please see the entry under LFO1 Shape on page 84 Note Shape does not affect the Square and Random 3 waveforms since their values are always either 99 or 99 AMS Shape List of AMS Sources This selects...

Page 98: ...d then swing all the way from 99 to 99 This parameter lets you shift the LFO up and down so that for instance it s centered on 50 and then swings from 49 to 149 For a complete description please see t...

Page 99: ...nstance if you use LFO 1 as an input to a AMS Mixer you can use the processed version of the LFO to control one AMS destination and the original version to control another Finally you can cascade the...

Page 100: ...A For instance you can control the amount of LFO1 with the Filter EG or the amount of the Pitch EG with the Joystick Y AMS Mixer Amt AxB example AMS A List of AMS Sources This selects the first AMS so...

Page 101: ...level of AMS A 199 doubles the original signal level while 199 doubles the level and inverts the phase The values are clipped only at the output internally they can be greater than the normal range o...

Page 102: ...AMS signals which already have some amount of slope such as EGs triangle and sine LFOs and so on It does not affect signals which only contain abrupt transitions such as square waves AMS A List of AMS...

Page 103: ...AMS Mixer Quantize examples AMS A List of AMS Sources This selects the AMS input source to be quantized For a list of AMS sources see Alternate Modulation Source AMS List on page 901 AMS A Of Steps 2...

Page 104: ...en the Control Source is less than the Threshold This only applies when Below Threshold is set to AMS A At Above Threshold Fixed Value AMS B This selects whether At Above Threshold uses a preset value...

Page 105: ...MS Mixer This page controls the two AMS Mixers for Oscillator 2 These are available only when the Oscillator Mode is set to Double if not the page will be grayed out The parameters are identical to th...

Page 106: ...more slowly or not at all in the higher octaves Make the modulation increase as you play lower on the keyboard Create abrupt changes at certain keys for split like effects Common Keyboard Tracking Ho...

Page 107: ...of the MIDI note range and the Low Break key For normal key track use negative values Low Center Inf 99 99 Inf This sets the slope between the Low Break and Center keys For normal key track use negat...

Page 108: ...us Scene Common Setup on the ARP DRUM page For more information see Bus on page 17 8 1b Use Dkit Setting Use Dkit Setting Off On This is shown if Oscillator Mode is set to Drums or Double Drums If Osc...

Page 109: ...des or for recording audio tracks in SEQUENCER mode In PROGRAM mode you can resample your keyboard or Arpeggiator performance or sample an external audio signal from the AUDIO INPUT jacks In order for...

Page 110: ...o Double and Bus Select is set to L R or Off CC 93 scales OSC 1 2 s Send 1 level and CC 91 scales the Send 2 level These are controlled on the global MIDI Channel GLOBAL 1 1a The actual send level is...

Page 111: ...the insert effect on off The setting will alternate between on and off each time you press the button If this is off the input will simply be passed to the output When 000 No Effect is selected there...

Page 112: ...127 Send2 000 127 These adjust the level at which the post IFX signal is sent to master effects 1 and 2 This is valid if Bus Select 8 5a is set to L R or Off You can use CC 93 to control the Send 1 le...

Page 113: ...ave the variations for the parameter settings per effect The effect settings you like are saved as presets and you can easily recall them from other Programs or modes The following presets can be save...

Page 114: ...effect 1 For details on the specific parameters of each effect please see Insert Effects IFX1 IFX12 on page 737 8 7b IFX2 12 This configures the parameters of insert effects 2 12 They have the same co...

Page 115: ...lation Source List on page 910 This will be off when the modulation source specified by Source has a value below 64 and on when the value is above 64 The LFO will be reset when this value rises from a...

Page 116: ...rt Effect p 122 Swap Insert Effect p 122 PAGE p 126 MODE p 126 Stereo Flanger Common FX LFO1 Common FX LFO Stereo Phaser Stereo Auto Pan Waveforem Triangle Generate original LFO waveform Frequency Hz...

Page 117: ...s output level in realtime showing the combined peak signals of the left and right channels Category MFX Select menu When you press the popup button the Category MFX Select menu will appear letting yo...

Page 118: ...t types by category Use the tabs to select an effect category and then choose an effect within that category Press the OK button to execute your choice or press the Cancel button to cancel You can als...

Page 119: ...On This turns master effect 1 on off It is linked with the on off setting in the MFX TFX Routing page P Effect Preset P00 P01 15 U00 15 This selects the effect preset For more information please see...

Page 120: ...9 3 MFX2 9 4 TFX1 9 5 TFX2 These pages let you edit the parameters of Master Effect 2 and Total Effects 1 and 2 The parameters for MFX2 TFX1 and TFX2 are the same as for MFX1 For more information see...

Page 121: ...under 0 9a Tone Adjust on page 29 Pitch LFO1 Intensity Filter LFO1 Intensity to A Amp LFO1 Intensity LFO1 Speed LFO1 Waveform Amp Velocity Intensity Drive Pitch Stretch Filter EG Decay Filter EG Susta...

Page 122: ...am Assign the Program to a Category Mark the Program as a Favorite Copy the Program to a different Bank and number Be sure to Write any Program that you wish to keep An edited Program cannot be recove...

Page 123: ...ay on page 40 This mirrors the Global parameter Show MS WS DKit Graphics on page 635 Changes to the menu are reflected in the Global parameter and vice versa To save this setting use the Write Global...

Page 124: ...ough room the Load button will be disabled To load the sample data 1 Choose Load required samples to open the dialog box 2 Select the Load only required samples radio button to load the listed data or...

Page 125: ...M COMBINATION SEQUENCER and SAMPLING modes 4 Convert to specifies whether the sample will automatically be converted into a program as soon as it has been sampled This is convenient when you want to h...

Page 126: ...gs you want to make Initialize Initializes the sampling related parameters to their default state Resample Program Play Sets the sampling related parameters to allow you to play a Program and resample...

Page 127: ...e Audio to select the external audio input source Audio Input 1 2 These are the analog audio inputs for either microphones or line level signals USB 1 2 These are the USB audio inputs for sampling fro...

Page 128: ...number 3 In the Timbre field if you ve selected a Combination or Track field if you ve selected a Song select the Timbre or Track to copy from Initialize Resample Program Combination Play REC Audio In...

Page 129: ...versa 4 If you check Tone Adjust too the Tone Adjust settings will temporarily be turned off and from the copy source Tone Adjust settings the Common portion and the assignments and current values of...

Page 130: ...n the Sample Parameters dialog 7 To keep your edits make sure to save the Multisample data in MEDIA mode Index 001 128 An Index is a key zone in a Multisample including a single Sample and all of its...

Page 131: ...es except for the Common LFO tab This command copies the settings of LFO1 to LFO2 and vice versa Note If LFO2 is being used to modulate LFO1 this command will erase that modulation routing since the L...

Page 132: ...chain are not included beginning with the insert effect set in To Note The insert effect in the copy source that is set to 000 No Effect will not be copied However it will be copied if 000 No Effect...

Page 133: ...following IFX If the IFX you ve inserted is not inside a chain Auto Chain does nothing 4 Press the OK button to execute the Insert IFX Slot command or press the Cancel button to cancel If there are no...

Page 134: ...the existing routings If editing an IFX chain results in unused slots or if the connections in a chain have become disorganized you can execute this command to clean up the routing 1 Access the Inser...

Page 135: ...utton To cancel press the Cancel button Write FX Preset Write FX Preset is available on all of the effects parameter editing pages including IFX 1 12 MFX 1 and 2 and TFX 1 and 2 1 Select Write FX Pres...

Page 136: ...changed the stored data directly and do not require a separate Write command 3 Set the From parameter to the old Multisample and or Sample bank the one you ll be changing to the new bank For instance...

Page 137: ...an STR 1 Plucked String MS 20EX analog modeling synth PolysixEX analog modeling synth MOD 7 Waveshaping VPM synthesizer SGX 2 Premium Piano EP 1 MDS Electric Piano You can combine any two EXi within a...

Page 138: ...the individual EXi documentation for details The graphics give you a quick way to check all of these settings at a glance They also let you jump instantly to any of the displayed parameters Just touc...

Page 139: ...see 0 2 Performance Meter on page 13 0 6 ARP DRUM This page lets you make basic adjustments to Arpeggiator This is the same as with HD 1 programs For more information see 0 6 ARP DRUM on page 15 0 7...

Page 140: ...deled tone wheel organ the MOD 7 is a patch panel based VPM Waveshaping and sample mangling synthesizer and so on You can select either one or two EXi s for the Program Unlike HD 1 Programs there is n...

Page 141: ...envelopes and LFOs and samples if the EXi supports samples will not be reset Instead only the pitch of the oscillator will change This setting is particularly effective for wind instruments and analo...

Page 142: ...l still be detuned down by 12 cents voice two will be detuned down by 4 cents voice three will be detuned up by 4 cents and voice 4 will be detuned up by 12 cents Thickness Off 01 09 Thickness is avai...

Page 143: ...0ms 5000ms KeyOff This controls the note on delay for EXi 2 For more information see EXi 1 Delay on page 133 4 1g Half Damper Control A half damper pedal is a special type of continuous foot pedal suc...

Page 144: ...PROCESSOR ESP on page 273 MOD 7 5 1f EXi Audio Input on page 319 You can override these settings if desired in COMBINATION and SEQUENCER modes For more information see 2 6 EXi Audio Input on page 412...

Page 145: ...ecial because it s the only programmable modulation source which lets you modulate both Program and Effects parameters The X Y Envelope is different from the other envelopes in several ways Each point...

Page 146: ...Differences from per voice Step Sequencers There is only a single Common Step Sequencer shared by the entire Program It starts running as soon as you select the Program and only resets when you tell...

Page 147: ...an AL 1 and assign the Step Sequencer to modulate Filter Cutoff 1 In a single EXi Program set EXi1 to AL 1 2 Set the Filter Type to Lowpass and the Routing to 24dB 4 pole 3 Set the Filter Cutoff to 00...

Page 148: ...AMS Input S H grabs the level of the Value AMS Input source at the start of the step and then maintains that single value for the duration of the step Duration Base Note 1 32 This sets the basic leng...

Page 149: ...ents You can use these Common keytracks as AMS sources for modulating most AMS destinations The Common Key Track parameters are shared by the entire Program but the actual AMS values are calculated in...

Page 150: ...previously used the same EXi Instrument Type as the source From then the Tone Adjust settings of the destination will be preserved If the EXi Instrument Types were different all Tone Adjust settings...

Page 151: ...s of polyphony Access to all standard EXi Program features including the Common LFO Common Step Sequencer Key Track 1 2 Arpeggiator EQ and effects Unsupported EXi Common parameters The AL 1 supports a...

Page 152: ...llator It also shows the level and balance settings for the three Oscillators plus the Ring Modulator and Noise Generator Levels are shown in red and balance settings in green Press this area to jump...

Page 153: ...hics These show the shapes of the five EGs Touch any of them to jump directly to the corresponding edit page LFO 1 2 3 4 Graphic These show the waveforms and shapes of the four LFOs Touch any of them...

Page 154: ...ness on page 132 Oscillator interaction see Initial Phase on page 145 Basic filter characteristics see Filter Routing on page 154 Filter timbre see Resonance Bass on page 156 Monophonic voice assignme...

Page 155: ...between the two Sawtooth waves When Waveform is set to Detuned Saw 1 or 2 this is named Detune and controls the detune amount between the two Saws The adjustments are in half cent increments so that...

Page 156: ...er settings the signal will roll around in interesting ways This feature is similar to a classic five voice analog synthesizer s Osc B to Freq A function except that the depth can be up to eight times...

Page 157: ...produces the traditional ring modulation effect AM includes both the traditional ring modulation effect and the dry signal of the Carrier input Rectify means that any negative parts of the Modulator s...

Page 158: ...Filter B or a combination of the two and then modulate that routing via AMS Select an audio input to route through the filters driver ring modulator and effects 4 3a OSC1 Level 0 99 This controls the...

Page 159: ...cribed under 4 3a OSC1 above this section has controls for using an external audio input Mode Sub OSC External Audio Input This selects whether the mixer input will be used for the Sub Oscillator or t...

Page 160: ...60 Sets how much the pitch will change in semitones when you move the joystick to the right Normally this is set to a positive value For instance when the value is set to 12 and you move the joystick...

Page 161: ...ch tab select the RT Control by the Target of either Switch1 or Switch2 and set the RT Control to Portamento SW CC 65 Now the selected button will enable and disable Portamento It will also send the M...

Page 162: ...raise the pitch and negative values lower the pitch When the Intensity is set to a negative value the effect of the EG is reversed positive EG values mean lower pitches and negative EG values mean hi...

Page 163: ...tensity Mod AMS List of AMS Sources You can modulate AMS 2 s Intensity from another AMS source This selects that source Intensity 48 00 semitones This controls the depth and direction of the Intensity...

Page 164: ...Filter A first and then through Filter B Standard parallel configuration To create a standard parallel filter configuration 1 Set the Filter Routing to Parallel 2 Set all of the mixer s Balance contr...

Page 165: ...nd the oscillator s multisample With low resonance settings you can use the Band Pass filter to create telephone or vintage phonograph sounds With higher resonance settings it can create buzzy or nasa...

Page 166: ...s a modulation source to control the Resonance amount For a list of AMS sources see Alternate Modulation Source AMS List on page 901 Intensity 99 99 This controls the depth and direction of the Resona...

Page 167: ...ge and vice versa 5 2b Mode Crossfade Mode 1 List of filter types This sets the filter type for Mode 1 Low Pass High Pass Band Pass and Band Reject are the standard filter types For more information s...

Page 168: ...ve v 5 2 Page Menu Commands Compare p 112 Write Program p 112 Exclusive Solo p 113 PAGE p 126 MODE p 126 5 3 Filter Mod This page contains all of the settings for Filter Frequency modulation except fo...

Page 169: ...r and High Break keys For normal key track use positive values High Top Inf 99 99 Inf This sets the slope between the High Break key and the top of the MIDI note range For normal key track use positiv...

Page 170: ...sity 99 99 This controls the depth and direction of the Frequency modulation Intensity Mod AMS List of AMS Sources This selects an AMS source to modulate the intensity of AMS 1 Intensity 99 99 This co...

Page 171: ...invert the phase of the LFO JS Y Intensity 99 99 Moving the joystick down from the center detent position towards yourself produces the JS Y controller You can use this to scale the amount of the LFO...

Page 172: ...rovides the body as well as boosting the bass Although the oscillators themselves have extremely low aliasing the Driver can produce aliasing especially at higher frequencies If your goal is a complet...

Page 173: ...ely see Pan on page 156 and the AL 1 can create a stereo output In this case Pan steers the stereo image while maintaining the relative volumes of the AL 1 s left and right outputs For instance as you...

Page 174: ...ed by Portamento so that it changes smoothly during glides Key Low Break C 1 G9 This sets the breakpoint note between the two lower ramps Center C 1 G9 This sets the center of the keyboard tracking At...

Page 175: ...ternate Modulation Source AMS List on page 901 Intensity 99 99 This controls the depth and direction of the Intensity Mod AMS Even if the main AMS1 Intensity is set to 0 Intensity Mod AMS can still co...

Page 176: ...gers when passing through the threshold moving upwards When the threshold is negative the EG triggers when passing through the threshold moving downwards Note With some LFO shapes and with faster LFO...

Page 177: ...Sustain level to the Release level 6 3c Level Modulation These settings let you use an AMS source to control the Level parameters of the EG The Start Attack and Break levels share a single AMS source...

Page 178: ...rolling the EG s Time parameters Each has its own intensities for Attack Decay Slope and Release The parameters of both AMS2 and AMS 3 are identical to those of AMS1 above v 6 3 Page Menu Commands Com...

Page 179: ...up an AMS source such as an LFO to restart the EG One thing that you can t do on this page is to control how much effect the EG has on the parameters it modulates To do that you ll need to adjust the...

Page 180: ...to move from the Break level to the Sustain level Once it reaches the Sustain level the EG will stay there until note off unless it is reset via AMS Release 00 99 This sets how long it takes the EG t...

Page 181: ...he depth and direction of the AMS modulation for the Start level For example if you set the AMS source to Velocity and set Start to 99 the Start level will increase as you play harder If you instead s...

Page 182: ...rameters Each has its own intensities for Attack Decay Slope and Release The parameters of both AMS2 and AMS 3 are identical to those of AMS1 above v 7 1 Page Menu Commands Compare p 112 Write Program...

Page 183: ...ic patterns with the Step Sequencer on page 136 Using Smoothing to create envelope like shapes on page 137 Using Smoothing to make step transitions more gentle on page 137 8 1a Step Sequencer Mode Loo...

Page 184: ...Note With some LFO shapes and with faster LFO speeds the LFO may not always reach the extreme values of 99 or 99 In this case setting the Threshold to these values may cause inconsistent behavior or m...

Page 185: ...alf notes 2 This halves the duration of the steps or the x Multiply Base Note by value For example it would turn quarter notes into eighth notes and eighth notes into sixteenth notes v 8 1 Page Menu C...

Page 186: ...spend more time at the lower frequencies LFO Shape Note Shape does not affect the Square and Random 3 waveforms since their values are always either 99 or 99 When these are selected Shape is grayed o...

Page 187: ...ar waveform which is designed to emulate bending a string on a guitar so that the pitch only goes up and not down Because of this the waveform is centered on 50 and not on 0 Of course you can always u...

Page 188: ...e amount of modulation from AMS2 8 2c Frequency MIDI Tempo Sync MIDI Tempo Sync Off On On checked The LFO will synchronize to the system tempo as set by either the Tempo knob or MIDI Clock The LFO spe...

Page 189: ...ype of processing performed by AMS Mixer 1 Each of the Mixer Types is discussed in detail elsewhere in the manual A B adds two AMS sources together For more information see A B on page 90 Amt Ax B sca...

Page 190: ...parate for each EXi as opposed to being shared by both EXi in the Program All of the additional parameters are listed below Each is marked as either relative meaning that it scales the existing parame...

Page 191: ...djust EG parameters the AL 1 adds the following separate controls for both EG3 and EG4 Attack time relative Decay Slope time relative Sustain level relative Release time relative LFOs In addition to s...

Page 192: ...1 Select Swap Envelope to open the dialog box 2 Use the Source 1 and Source 2 fields to select the two envelopes you want to swap 3 Press the OK button to execute the Swap Envelope operation If you de...

Page 193: ...not playing any notes Because of this you can use a maximum of eight CX 3s simultaneously in a Combination or Song If other EXis with fixed resources are in use the maximum number of CX 3s will be re...

Page 194: ...e settings at a glance They also let you jump instantly to any of the displayed parameters Just touch one of the graphics and you ll jump to the page containing its parameters For instance if you touc...

Page 195: ...he Upper drawbars Press this area to jump to the PROGRAM Amp VC Rotary Speaker Amp V C page EX Drawbars This shows the Upper EX drawbar settings Press this area to jump to the PROGRAM CX 3 Split Drawb...

Page 196: ...rve Bright Mellow This controls the way in which the tone wheel levels change in relation to pitch which contributes to the overall brightness of the sound Bright produces a crisp effect slightly brig...

Page 197: ...eo sensation timbre and authenticity The Vibrato Chorus has been updated as well and is now better sounding and more true to the original hardware Changing a Program from Classic CX 3 to Custom The re...

Page 198: ...ulate Expression For a list of AMS sources see Alternate Modulation Source AMS List on page 901 This parameter is grayed out if Mode below is set to Level Only NOTE The MIDI Expression controller CC 1...

Page 199: ...e Alternate Modulation Source AMS List on page 901 AMS Mode Toggle Momentary This parameter controls the way in which the Wheel Brake AMS works When this is set to Toggle the Wheel Brake AMS will alte...

Page 200: ...t on and off For a list of AMS sources see Alternate Modulation Source AMS List on page 901 AMS Mode Momentary Toggle This determines the behavior of Split Enable AMS For details see AMS Mode on page...

Page 201: ...signed to either the Upper or Lower split When the Drawbar Mode is set to Normal and percussion is turned on the 1 drawbar of the split assigned to percussion becomes silent The other side of the spli...

Page 202: ...around to sound an octave higher For more details see Wrap around on page 191 In particular this means that high settings of the EX Drawbar 1 4 Pitch parameters below may only be perceptible in the lo...

Page 203: ...idual EX drawbar pitches and volume levels for the Upper split The controls are identical to those for the Lower EX Drawbars as described above 5 3e Drag Across Drawbars Drag Across Drawbars Off On Th...

Page 204: ...wer instead allows you to play a bass line with percussion If Split is Off Percussion is automatically assigned to the Upper drawbars 6 1b Level Level Soft Loud This toggles the Percussion Level betwe...

Page 205: ...details see AMS Mode on page 189 Fast Decay Time 00 99 This sets the decay time when the Decay parameter is set to Fast Slow Decay Time 00 99 This sets the decay time when the Decay parameter is set...

Page 206: ...2nd or 3rd harmonic 2 2 3 or 4 drawbars depending on the setting of the Percussion Harmonic parameter 16 0 8 This sets the volume of the 16 drawbar within the Percussion pulse 5 1 3 0 8 This sets the...

Page 207: ...Amp Gain For a list of AMS sources see Alternate Modulation Source AMS List on page 901 Intensity 99 99 This controls the depth and direction of the AMS modulation of Amp Gain 7 1b EQ Treble 10 10 Thi...

Page 208: ...on page 901 Intensity 05 05 This controls the depth and direction of the AMS modulation for the Type 7 1e Custom These parameters are available only if the Mode above is set to Custom Mix 0 100 This...

Page 209: ...For more information see Amp Type on page 197 Rotary On Off On This enables and disables the Rotary Speaker It s different from simply stopping the rotation which you can do with the Mode parameter b...

Page 210: ...e behavior of the Speed switch AMS For details see AMS Mode on page 189 Fast Overrides Stop Off On When this is enabled switching the Speed to Fast via AMS will always push the Rotary Speaker into Fas...

Page 211: ...the Rotor Speaker Simulator Off On This enables and disables modeling of the speaker tone Note The Speaker Simulator may still affect the tone even when the Rotary Speaker is turned off depending on...

Page 212: ...ntize This controls the type of processing performed by AMS Mixer 1 A B adds two AMS sources together For more information see A B on page 90 Amt AxB scales the amount of one AMS source with the other...

Page 213: ...o it does not support the Common Tone Adjust parameters Instead it adds a number of its own unique parameters as described below All of these parameter are absolute which means that they over write th...

Page 214: ...Decay Slow Fast Harmonic 2nd 3rd EX Percussion levels 1 5 Vibrato Chorus Vibrato Chorus Type Upper Drawbars V C On Off Lower Drawbars V C On Off Expression Expression Level Amp Amp Gain EQ Bass EQ Mid...

Page 215: ...tive offsets you can directly set the values for Percussion Slow and Fast Decay and Percussion Loud and Soft Vibrato Chorus custom mode added In addition to the six traditional presets you can create...

Page 216: ...fy the copy source drawbars 3 Use the To field to specify the copy destination drawbars 4 Press the OK button to execute the Copy Drawbars operation If you decide to cancel press the Cancel button Swa...

Page 217: ...HD 1 Dual multi mode resonant filters including Korg s Multi Filter as first introduced in the AL 1 plus an additional multi mode resonant filter dedicated to the string excitation Live audio input in...

Page 218: ...e maximum number of STR 1s will be reduced accordingly Each EXi in each Program counts towards the maximum for instance a Program with two STR 1s counts as two not as one For more information see CX 3...

Page 219: ...is area to jump to the STR 1 String Pluck Noise page PCM Oscillator This area shows the four Multisamples selected for the PCM Oscillator Colors are used to distinguish between the various possibiliti...

Page 220: ...set on the Common section s Program Basic page in relation to the entire MIDI note range The range of the 61 73 or 88 note keyboard is also shown as appropriate Press this area to jump to the PROGRAM...

Page 221: ...more midrange harmonics Smooth Pulse This has very few harmonics for a mellow and full tone Resonant Pulse This is similar to Smooth Pulse but brighter and more resonant Dark Clav Midrange Clav Brigh...

Page 222: ...y when using the PCM oscillator or noise generator as the excitation use an EG to control the level at the Excitation mixer or the cutoff of the Excitation Filter and then scale the EG times so that t...

Page 223: ...g a bit of constant Harmonic Pressure can produce a good effect among other things this removes some energy from the string Using the string as a comb filter for PCM You can use the string as a comb f...

Page 224: ...h hasn t yet been saved to drive as a User Sample Bank For instance this might happen if you ve loaded an old KSC file loaded individual Samples or Multisamples or recorded some new samples Once the K...

Page 225: ...yback from the beginning ROM and EXs Multisamples can have up to 8 different pre programmed alternate starting points Similarly SAMPLING mode and User Sample Bank Multisamples can play either from the...

Page 226: ...et is different from Tune in that when used to detune the two oscillators it can create a constant beat frequency across the range of the keyboard Pitch Slope 1 00 0 00 2 00 Normally this should be se...

Page 227: ...n t change any glides which are already in progress Intensity 127 127 This controls the depth and direction of the Portamento Time AMS modulation 4 3c LFO LFO Select LFO 1 LFO 2 LFO 3 LFO 4 Common LFO...

Page 228: ...List on page 901 Intensity 48 00 semitones This controls the depth and direction of the AMS 1 pitch modulation in semitones Intensity Mod AMS List of AMS Sources You can modulate AMS 1 s Intensity fro...

Page 229: ...urce to control the PCM Oscillator Level For a list of AMS sources see Alternate Modulation Source AMS List on page 901 Intensity 99 99 This controls the depth and direction of AMS 2 4 4b Pluck These...

Page 230: ...ng the Frequency For a list of AMS sources see Alternate Modulation Source AMS List on page 901 Intensity 99 99 This controls the depth and direction of the AMS 1 Frequency modulation Intensity Mod AM...

Page 231: ...er Excitation Position How Position affects the timbre Depending upon the Position some overtones will be emphasized and others de emphasized At specific positions certain overtones will disappear com...

Page 232: ...gnals including plucks with very low or negative Width values Other Tone settings will make the comb filter described under Position above work differently Settings between 100 and 0 will reduce the e...

Page 233: ...uld be left at 0 0 and then modulated via AMS For instance 1 Follow the instructions under Creating an initialized STR 1 Program on page 214 2 Assign EG3 to Harmonic AMS1 and set the Intensity to 100...

Page 234: ...rall release time for the string the time that it takes to fade away after note off Note The Amp EG still controls the output level of the STR 1 as a whole so the final release time will be a combinat...

Page 235: ...For a list of AMS sources see Alternate Modulation Source AMS List on page 901 Intensity 100 0 100 0 This controls the depth and direction of AMS 2 AMS 3 List of AMS Sources This selects a third modul...

Page 236: ...This controls the depth and direction of the Intensity Mod AMS AMS 2 List of AMS Sources This selects a second modulation source to control the Dispersion For a list of AMS sources see Alternate Modul...

Page 237: ...tick to the left For normal pitch bend set this to a negative value 4 7b Portamento Portamento lets the pitch glide smoothly between notes instead of changing abruptly Portamento and MIDI If Portament...

Page 238: ...sources see Alternate Modulation Source AMS List on page 901 Intensity 48 00 48 00 This controls the depth and direction of the LFO AMS modulation in semitones 4 7d Pitch EG EG Select EG 1 Filter EG 2...

Page 239: ...direction of the AMS 2 pitch modulation in semitones Intensity Mod AMS List of AMS Sources You can modulate AMS 2 s Intensity from another AMS source This selects that source Intensity 48 00 semitone...

Page 240: ...ng vibrates very little beyond it the string doesn t vibrate at all Pickups don t hear the entire string they only hear the part of the string directly above them If that part of the string isn t vibr...

Page 241: ...ou can use this to model the classic effect of holding an electric guitar near an amp until it feeds back and then varying the pitch of the feedback by changing the guitar s orientation in relation to...

Page 242: ...pplies only when the Filter Routing is set to either Serial or Parallel otherwise it is grayed out 0 is the default and means that the String goes into Filter A If the Filter Routing is set to Serial...

Page 243: ...String 4 9 Mixer 233 4 9e Pickup 2 Pickup 2 has the same mixer parameters as described under 4 9a String above v 4 9 Page Menu Commands Compare p 112 Write Program p 112 Exclusive Solo p 113 PAGE p 1...

Page 244: ...B Standard parallel configuration To create a standard parallel filter configuration 1 Set the Filter Routing to Parallel 2 Set all of the mixer s Balance controls to 50 This routes all of the inputs...

Page 245: ...e settings you can use the Band Pass filter to create telephone or vintage phonograph sounds With higher resonance settings it can create buzzy or nasal timbres Band Reject This filter type also calle...

Page 246: ...a modulation source to control the Resonance amount For a list of AMS sources see Alternate Modulation Source AMS List on page 901 Intensity 99 99 This controls the depth and direction of the Resonan...

Page 247: ...and Reject are the standard filter types For more information see Filter Type on page 235 The following types combine two or more filters at equal volumes Dry is the un filtered input signal The minus...

Page 248: ...reated by an equal combination of High Pass and Low Pass Try it and see Lowpass 99 99 This controls the volume of the Lowpass filter output Negative values invert the phase Highpass 99 99 This sets th...

Page 249: ...that it changes smoothly during glides Intensity to A 99 99 This controls how much the keyboard tracking will affect Filter A s cutoff frequency The overall effect of the Keyboard Track is a combinati...

Page 250: ...of parameters In the midst of all this flexibility we thought it would also be good to provide a little structure With this in mind EG 1 is named EG 1 Filter and EG 2 is labeled EG 2 Pitch Please tak...

Page 251: ...before any JS Y or AMS modulation Negative settings will invert the phase of the LFO JS Y Intensity 99 99 Moving the joystick down from the center detent position towards yourself produces the JS Y co...

Page 252: ...001 places the sound at the far left C064 in the center and R127 to the far right When Filter Routing is set to Parallel the two filters can be panned separately see Pan on page 236 and the STR 1 can...

Page 253: ...ameters please see 4 2a Keyboard Track on page 76 There is one difference between the two however the STR 1 s Amp tracking is affected by Portamento so that it changes smoothly during glides Key Low B...

Page 254: ...source to scale the intensity of AMS1 For a list of AMS sources see Alternate Modulation Source AMS List on page 901 Intensity 99 99 This controls the depth and direction of the Intensity Mod AMS Eve...

Page 255: ...rs when passing through the threshold moving upwards When the threshold is negative the EG triggers when passing through the threshold moving downwards Note With some LFO shapes and with faster LFO sp...

Page 256: ...rom the Sustain level to the Release level 6 3c Level Modulation These settings let you use an AMS source to control the Level parameters of the EG The Start Attack and Break levels share a single AMS...

Page 257: ...rolling the EG s Time parameters Each has its own intensities for Attack Decay Slope and Release The parameters of both AMS2 and AMS 3 are identical to those of AMS1 above v 6 3 Page Menu Commands Com...

Page 258: ...Pitch Please take these names as suggestions rather than restrictions If you like you re free to use these envelopes to control any EG or AMS destination or to use other EGs to control Filter Frequen...

Page 259: ...characteristics of the different strings such as different materials as with the nylon and steel strings of an acoustic guitar different gauges of strings and so on 9 1 AMS Mixers 1 2 9 2 AMS Mixers 3...

Page 260: ...n other words the combination of Fret Position and its AMS is itself available as the AMS source named appropriately Fret Position AMS List of AMS Sources This selects a modulation source to control t...

Page 261: ...y both EXi in the Program All of the additional parameters are listed below Tone Adjust parameters may affect the internal parameters in one of two ways they may be Relative in which case they scale t...

Page 262: ...Intensity Feedback Distance AMS Intensity Feedback Orientation AMS Intensity Mixer String Level PCM Oscillator Level Noise Level Pickup 1 Level Pickup 2 Level Filter A In addition to the standard Ton...

Page 263: ...s 9 9 String Track 253 EXi STR 1 Page Menu Commands Compare p 112 Write Program p 112 Exclusive Solo p 113 Remap MS Sample Banks p 125 Copy Envelope p 182 Swap Envelope p 182 Copy LFO p 182 Swap LFO p...

Page 264: ...EXi STR 1 Plucked String 254...

Page 265: ...s AMS modulation of all original MS 20 parameters along with four AMS Mixers Live audio input External Signal Processor with dedicated filters triggering and audio to CV conversion Access to all stand...

Page 266: ...appear around the knob showing that it has been selected The Parameter Details area will change to show the name and value of the current parameter along with other related information 2 Touch and th...

Page 267: ...ing you back to this page Oscillators and Filters This section shows the waveforms for Oscillators 1 and 2 and the cutoff frequencies for the Highpass and Lowpass filters Touch this area to jump direc...

Page 268: ...Instrument Volume 000 127 Drum Track Volume 000 127 This is the same as with HD 1 programs For more information please see 0 1d Common on page 4 v 0 1 Page Menu Commands Compare p 112 Write Program p...

Page 269: ...nal MS 20 manual suggests using this for wind surf gunshot percussion and other such effects PW 0 00 10 00 50 0 This adjusts the pulse width when Oscillator 1 s Waveform is set to Square Pulse 0 00 pr...

Page 270: ...QUENCY MODULATION controls affects both VCO 1 and VCO 2 MG T EXT 0 00 10 00 If nothing is connected to the patch panel s TOTAL input jack this adjusts the depth of pitch modulation from the MG s Trian...

Page 271: ...the HPF s CUTOFF FREQ input jack this controls the depth of modulation from that signal 4 1c Low Pass Filter VOLTAGE CONTROLLED LOWPASS FILTER The Lowpass Filter cuts out the parts of the sound which...

Page 272: ...Alternate Modulation Source AMS List on page 901 Intensity range depends on parameter This controls the depth and direction of the AMS modulation For unipolar parameters the range is the same as that...

Page 273: ...may act together to control the output volume For instance EG 1 and EGs 3 6 may be routed to the Patch Panel s VCA INITIAL GAIN input EGs 3 6 may control the VOLUME knob via AMS Via AMS EGs 3 6 may al...

Page 274: ...t higher values mean a faster MG Frequency Times LED This LED gives a visual indication of the LFO speed Note that the LED is on when the MG s pulse square waveform is low Initially this seems like th...

Page 275: ...f the main VOLUME knob to control the amplitude from any of the multi segment EGs 3 6 To do so 1 On the Patch Panel page select the main VOLUME knob 2 Set the VOLUME knob to 0 3 Set the VOLUME AMS Int...

Page 276: ...level and polarity of the first input LEVEL B 10 00 10 00 This sets the level and polarity of the second input 5 1h Parameter Details When you touch a knob a yellow square appears around it showing th...

Page 277: ...strength remains the same as if you were using a distribution amplifier Connections from one input to another or from one output to another are not allowed Making connections You can make connections...

Page 278: ...0V portion of the control signal It will only operate from 0V to 5V Always consider both the characteristics of the output and the input Patch Panel modifications new inputs outputs shown in red Patc...

Page 279: ...jack on page 275 6 1a VCOs 1 and 2 For descriptions of the VCO parameters see 4 1a Oscillators on page 259 VCO 1 OUT jack This Patch Panel modification provides the output of VCO 1 VCO 2 OUT jack Thi...

Page 280: ...OUT It also clips with distortion at around 5dB below the max output level 6 1d MODULATION GENERATOR and SAMPLE HOLD MODULATION GENERATOR MG The MG has separate outputs for its two basic waveforms so...

Page 281: ...ENVELOPE GENERATORS 1 and 2 EG outputs For descriptions of the EG parameters see 5 1c ENVELOPE GENERATOR 1 on page 264 and 5 1d ENVELOPE GENERATOR 2 on page 264 EG 1 OUT jack This allows you to route...

Page 282: ...nal This could be the Mod Wheel if you wish but it could also be any other AMS source Mod Switch jack This lets you select scale and route the second AMS signal You can use any AMS source including co...

Page 283: ...ance you can route the audio through the HPF LPF or BPF mix it with the built in VCOs and noise generator and so on You can also use the ESP to convert the audio to a trigger or CV source as described...

Page 284: ...rom the audio signal You can connect this to the EG 1 2 TRIG IN jack the EG1 TRIG IN jack or the SAMPLE HOLD CLOCK input TRIG OUT LED Off On This LED shows that input signal is over the trigger THRESH...

Page 285: ...onality described under Input and Output Jacks above these jacks allow you to select any AMS source use Intensity to scale the signal and then route it into the patch panel Note that the Mod Switch ca...

Page 286: ...ows the name and exact value of the parameter You can edit the parameter value with any of the standard data entry controls AMS List of AMS Sources This selects a modulation source to control the sele...

Page 287: ...s EGs 3 6 are identical to the AL 1 s EG1 For detailed explanations please see 7 1 EG 1 Filter on page 169 PROGRAM MS 20EX LFO The MS 20EX has four assignable LFOs in addition to the original MS 20 MG...

Page 288: ...is also means that the original unmodified inputs to the AMS Mixers are still available as well For instance if you use Aftertouch as an input to a AMS Mixer you can use the processed version of the A...

Page 289: ...CC 74 This scales the cutoff frequency of the lowpass filter To adjust the highpass filter use the separate MS 20EX specific Tone Adjust parameters Filter Resonance 99 99 CC 71 This scales the resona...

Page 290: ...sting parameter value or Absolute in which case they over write the existing value Unless otherwise noted all of the MS 20EX parameters are Absolute VCO1 VCO1 WAVEFORM VCO1 PW VCO1 Scale VCO2 VCO2 WAV...

Page 291: ...g the standard Tone Adjust LFO parameters the MS 20EX adds the following separate controls LFO 1 2 3 and 4 Waveform LFO 1 2 3 and 4 Shape LFO 3 Speed relative LFO 3 Fade relative LFO 3 Delay relative...

Page 292: ...112 Exclusive Solo p 113 Copy Envelope p 182 Swap Envelope p 182 Copy LFO p 182 Swap LFO p 182 Delete All Connections p 282 PAGE p 126 MODE p 126 Delete All Connections This command removes all of the...

Page 293: ...Common LFO Common Step Sequencer Key Track 1 2 Arpeggiator EQ and effects as well as layering with any other EXi including using two PolysixEXs together PolysixEX uses EXi fixed resources The PolysixE...

Page 294: ...ch showing that it has been selected The Parameter Details area will change to show the name and value of the current parameter along with other related information 2 Touch and then drag the knob to c...

Page 295: ...back to this page VCO VCF EG MG This section shows the most important oscillator filter envelope and modulation generator parameters Touch this area to jump directly to the main PolysixEX page Arpegg...

Page 296: ...EXi PolysixEX 286 v 0 1 Page Menu Commands Compare p 112 Write Program p 112 Exclusive Solo p 113 Show MS WS DKit Graphics p 113 Add To Set List p 113 Initialize Program p 113 PAGE p 126 MODE p 126...

Page 297: ...o modulate the waveform The speed of the LFO is controlled by PWM SPEED below The PW PWM setting determines the maximum width PW PWM 0 00 10 00 When WAVEFORM is set to PW this directly controls the sh...

Page 298: ...lets This value is then multiplied by the FREQUENCY TIMES knob below When TEMPO SYNC is OFF this parameter has no effect This parameter is not modulatable via AMS FREQUENCY TIMES 0 00 10 00 16 1 If TE...

Page 299: ...nd 2 key tracking etc 4 1f OUTPUT PAN Random L001 C064 R127 This controls the stereo pan of the PolysixEX at the very end of the signal chain A setting of L001 places the sound at the far left C064 in...

Page 300: ...r parameters the range is the same as that of the selected parameter in both positive and negative directions For instance if the parameter range is 0 00 10 00 the Intensity range will be 10 00 10 00...

Page 301: ...This allows you to route a second AMS source to the same list of mod destinations The parameters are identical to those under Source 1 above 5 1b ARPEGGIATOR ON OFF Off On Switches the arpeggiator on...

Page 302: ...see Alternate Modulation Source AMS List on page 901 Intensity range depends on parameter This controls the depth and direction of the Intensity Mod The result is summed with the main AMS Intensity t...

Page 303: ...MS Mixers The AMS mixer lets you combine two AMS sources into one or process an AMS source to make it into something new For instance you can multiply two AMS sources or use a single AMS source to cha...

Page 304: ...99 99 Not supported Filter Amp EG Attack Time 99 99 CC 73 This scales the attack time of the PolysixEX EG It interacts with CC 73 Filter Amp EG Decay Time 99 99 CC 75 This scales the decay time of the...

Page 305: ...PW PWM PW PWM AMS Int PWM Speed PWM Speed AMS Int Sub Osc Sub Osc AMS Int VCF Filter Cutoff Filter Cutoff AMS Int Filter Resonance Filter Resonance AMS Int Filter EG Intensity Filter EG Intensity AMS...

Page 306: ...arameters the PolysixEX adds the following separate controls LFO 1 and 2Waveform LFO 1 and 2 Shape EXi PolysixEX Page Menu Commands Compare p 112 Write Program p 112 Exclusive Solo p 113 Copy Envelope...

Page 307: ...mixers and two filters Connections can include multiple cables from a single output hybrid serial parallel routings and feedback paths Vast sample mangling capabilities with incredible flexibility and...

Page 308: ...1 LFO1 LFO1 4 LFO1 LFO1 LFO1 EG 1 9 LFO1 LFO1 LFO1 AMS Mixer 1 4 Per voice step sequencer LFO1 LFO1 LFO1 AMS Mixer 5 8 Filter Key Track Amp Key Track Amp EG Filters Filter 24dB oct Filter A w Multi Fi...

Page 309: ...have AMS modulation shown only in the Parameter Details area are marked with either a black D or a white D for Details and an arrow The black D indicates that the Parameter Details area includes the...

Page 310: ...bank of DX7 sounds To load a bank of DX7 sounds 1 Transfer the DX7 SYX file to NAUTILUS readable media such as a USB flash drive 2 Connect the media to the NAUTILUS 3 Press the front panel MODE button...

Page 311: ...s or a combination of the two The more complex the routing and frequency relationships the more difficult it can be for even experienced sound designers to predict the results As legend has it the mai...

Page 312: ...lter The VPM Oscillators are shown as a line of six boxes running from 1 at the top to 6 at the bottom The boxes are labeled simply with the numbers 1 through 6 Each has two input jacks colored red an...

Page 313: ...keyboard press the switch 1 to turn it on and off This enables and disables VPM Oscillator 1 When it s off you ll hear VPM Oscillator 2 on its own a pure sine wave When programming this is a handy wa...

Page 314: ...s creates percussive sounds with woody or metallic characters Modulating Ratio So far we ve been using Tone Adjust to control Ratio You may also sometimes want to modulate this with other controllers...

Page 315: ...Filter A s Type to Band Pass 11 While playing sweep Slider 7 between the minimum all the way left and the middle This produces interesting sounds definitely filter like but not the same as using a fil...

Page 316: ...x acoustic Multisample will give different results than a simple sine wave Using Offset By modulating offset we can make a quick and simple reed piano sound using only a single VPM Oscillator Continui...

Page 317: ...elocity and set the Intensity to 50 16 Set the Makeup Gain to 24dB 17 Play a slow bass line on the keyboard Notice the filter sweep sound This comes entirely from modulating the drive through the tabl...

Page 318: ...VPM Osc 2 page 8 Set the Ratio to 2 9 In Parameter Details set Pitch Modulation AMS1 to EG3 and set the Intensity to 00 10 This small amount of pitch modulation will create a more subtle ring modulati...

Page 319: ...s techniques provided by the MOD 7 including subtractive VPM PCM VPM waveshaping and ring modulation To step beyond the basics try looking through some of the factory sounds to see how they work There...

Page 320: ...ch cables and the selected algorithm s normalled connections Touch this area to jump directly to the Patch Panel page Filter Filter This shows a graphic representation of the filter frequency response...

Page 321: ...000 127 EXi2 Instrument Volume 000 127 Drum Track Volume 000 127 This is the same as with HD 1 programs For more information please see 0 1d Common on page 4 v 0 1 Page Menu Commands Compare p 112 Wri...

Page 322: ...oute two outputs to a single input use one of the mixers to merge the outputs first Plugging a cable into an output jack lets you use the signal elsewhere on the patch panel and does not interrupt the...

Page 323: ...rithm with only the simplest of connections VPM Oscillator 1 goes straight into the Output Mixer Use this if you want to build your own algorithm from the ground up PCM VPM offers a selection of VPM c...

Page 324: ...llel filters 20 PCM all carriers parallel filters 21 PCM Filter VPM PCM 4 2 2 pole I 22 PCM 4 2 2 pole II 23 PCM 3 3 2 pole I 24 PCM 3 3 2 pole II 25 PCM 2 2 2 2 pole I 26 PCM 2 2 2 2 pole II 27 PCM 2...

Page 325: ...rentheses Input or Output Level 0 100 This sets the input or output volume level of the jack It duplicates the similarly named parameter on the block s page Jump Press the Jump button to go directly t...

Page 326: ...t all it will be as if you re always playing C4 This can be useful for special effects sounds for instance If you want to create more complex effects you can assign key tracking as an AMS source Pitch...

Page 327: ...On This parameter allows you to control Portamento through your playing style When it s enabled playing legato will turn on Portamento and playing detached will turn it off again This option is only...

Page 328: ...e signal for added crunch Subtle variations in saturation are more noticeable with very low Filter Frequency settings see below allowing you to create organic rumbling timbres Filter Freq 0 99 This is...

Page 329: ...s maximum Expressed mathematically this is Volume Level AMS Multiply This is the default and is similar to the way that most other NAUTILUS Amp modulation works AMS and Level are multiplied together E...

Page 330: ...set the Bottom Velocity to 1 Type Off Multisample This selects whether MS1 will play a Multisample or nothing at all You can use this to disable any of the four Multisamples If all four MS are set to...

Page 331: ...se Off On This lets you play the selected multisample backwards without looping Note If the individual samples within a Multisample are already set to Reverse they will still play in reverse regardles...

Page 332: ...cillator in octaves The default is 0 8 Transpose 12 12 This adjusts the pitch in semitones over a range of 1 octave Tune 1200 1200 This adjusts the pitch in cents over a range of 1 octave A cent is 1...

Page 333: ...has no effect The two folding doors swing out from this center point to create changes in the higher and lower ranges of the keyboard Key Low Break C 1 G9 This sets the breakpoint note between the tw...

Page 334: ...to 0 Key Tracking can t bring the level back up again The AMS Mode parameter determines how AMS modulation including Int Mod interacts with these other modulators Add AMS is added in after Level Veloc...

Page 335: ...tionality of the VPM Oscillator Depending on the selected Mode other parameters in the VPM Oscillator may be grayed out The Mode also affects the required processing power Triangle Square and Sine Wav...

Page 336: ...This sets the basic tuning for the oscillator You can create in between settings including 0 5 by using Fine below 0 means that the pitch will not change in response to the note number For the classic...

Page 337: ...MS1 Int Mod List of AMS Sources You can modulate AMS 1 s Intensity from another AMS source This selects that source Intensity 48 00 0 00 48 00 This controls the depth and direction of the Intensity Mo...

Page 338: ...htest for the broadest range of timbres Sine2 is darker and Sine is darker still these offer finer control with Drive modulation for more subtle coloration Sine4 When Drive is at 0dB this table is lik...

Page 339: ...level and responds well to AMS modulation With full scale input Drive settings over 0dB will cause clipping TX Waves TX Wave 2 3 4 7 and 8 With full scale sine input these produce waveforms similar to...

Page 340: ...such as tanh step tube and diode are specifically made for clipping With these tables the harder you drive the more saturation overdrive you ll get Drive and Offset Fuzzy Fuzzy Tube Get Fuzzy Sine Saw...

Page 341: ...lating Drive can be extremely useful for creating dynamic timbres Depending on the selected table this modulation will also often cause significant changes in overall level You can compensate for this...

Page 342: ...ower on the keyboard and positive ramps make the output go higher Center High and High Top negative ramps make the keyboard tracking s output go down as you play higher on the keyboard and positive ra...

Page 343: ...tion You can modulate this value in real time as described under Crossfade Parameter Details below More details on ring modulation In the most simple case when both the Carrier and Modulator are sine...

Page 344: ...tails These items appear in the Parameter Details area when any of the parameters in the Output section are selected This includes On Output Level EG Select and Velocity Sens AMS Mode Add Multiply To...

Page 345: ...ion appears when any of the parameters in the Output section are selected v 5 4 Page Menu Commands Compare p 112 Write Program p 112 Exclusive Solo p 113 Copy VPM Oscillator p 347 Swap VPM Oscillators...

Page 346: ...for all 6 inputs For detailed descriptions of the filter parameters see 5 1 Basic on page 154 For information about using the filters in the MOD 7 including hands on tutorials see Filtered VPM on pag...

Page 347: ...mixer set input 1 s level to 100 and input 2 s level to 0 4 Set an AMS Mixer to Gate 5 In the AMS Mixer set the Source to Note Number to create a keyboard split or to Velocity or Exp Velocity to crea...

Page 348: ...Mixer The Output Mixer is a 6 in stereo out mixer which takes signals from the Patch Panel and routes them to the Amp section Important In order to hear the output of any block on the Patch Panel inc...

Page 349: ...the Waveform to Random 1 6 Enable the Stop check box Stop makes the LFO generate a single value at note on and then hold that value Now the input will have a different random pan position each time y...

Page 350: ...Sources This selects an AMS source to reset the EG to the start point For instance you can use a tempo synced LFO to trigger the EG in a repeating rhythm For a list of AMS sources see Alternate Modul...

Page 351: ...make it go down Start 99 99 This sets the initial EG level at note on Attack 99 99 This sets the level at the end of the Attack time Break 99 99 Break short for Break Point sets the level at the end o...

Page 352: ...e and dramatic changes to the EG shape as shown below EG Level Modulation Once an EG segment begins it can t be modulated Once the EG has started a segment between two points that segment can no longe...

Page 353: ...me will get much longer at higher velocities If you instead set Attack to 99 the Attack time will get much shorter at higher velocities Decay 99 99 This controls the depth and direction of the AMS mod...

Page 354: ...ep Sequencer identical to that of the AL 1 For detailed explanations please see 8 1 Step Sequencer on page 173 9 2 LFO 1 9 3 LFO 2 9 4 LFO 3 9 5 LFO 4 The MOD 7 s LFOs 1 2 3 and 4 are identical to tho...

Page 355: ...is scales the attack time of EG8 and the Amp EG It interacts with CC 73 Filter Amp EG Decay Time 99 99 CC 75 This scales the decay time of EG8 and the Amp EG It interacts with CC 75 Filter Amp EG Sust...

Page 356: ...existing parameter value or Absolute in which case they over write the existing value Unless otherwise noted all of the MOD 7 parameters are Absolute Macro Parameters Brightness Brightness Vel Sens Ti...

Page 357: ...on Oscillators within the current Program Swap VPM Oscillators This command swaps all of the parameters between two VPM Oscillators like copying each to the other in a single step Note that it does no...

Page 358: ...EXi MOD 7 Waveshaping VPM Synthesizer 348...

Page 359: ...chromatically sampled with multiple velocity layers Modeled string resonance Dedicated Una Corda samples provided only with certain Piano Types No loops sounds decay naturally High polyphony up to 10...

Page 360: ...onents and levels This section shows the status and volume levels of the Damper Resonance Damper Noise Mechanical Noise and Note Release components If a component is turned off it s shown in gray Touc...

Page 361: ...M SGX 2 Home 0 1 Overview 351 v 0 1 Page Menu Commands Compare p 112 Write Program p 112 Exclusive Solo p 113 Show MS WS DKit Graphics p 113 Add To Set List p 113 Initialize Program p 113 PAGE p 126 M...

Page 362: ...overall volume of the piano It s the same as the standard EXi Volume changes in one place are reflected in the other Pan Random L001 C064 R127 This controls the stereo position of the piano leaning t...

Page 363: ...behaviors This parameter controls the triggering of new Damper Resonance samples Editing the parameter does not affect currently sounding notes Level 48 dB 6 dB This sets the volume level for the Dam...

Page 364: ...orda pedal also called the soft pedal the sostenuto pedal and the sustain or damper pedal When the soft Una Corda pedal is pressed the piano action shifts slightly to the right This changes the positi...

Page 365: ...PROGRAM SGX 2 String Resonance Una Corda 5 1 String Resonance Una Corda 355 v 5 1 Page Menu Commands Compare p 112 Write Program p 112 Exclusive Solo p 113 PAGE p 126 MODE p 126...

Page 366: ...lease Time Common LFO Speed 99 99 Relative This scales the EXi Program s Common LFO Frequency When the LFO is in MIDI Tempo mode this adjusts the Base Note Common Step Sequencer Attack Smoothing 00 99...

Page 367: ...the Program All of the SGX 2 Tone Adjust parameters are of the Absolute type which directly correspond to the main parameter values Setup Volume Pan Velocity Bias Lid Position Stereo Perspective Tran...

Page 368: ...EXi SGX 2 Premium Piano 358...

Page 369: ...ud and sweet to strong without the telltale velocity switching of traditional sample playback Time becomes flexible so that you can control the decay and release in a natural way without resorting to...

Page 370: ...area will change to show the name and value of the current parameter along with other related information 2 Touch and then drag the knob to change its value You can use either up down or right left ge...

Page 371: ...this area to jump to the EP 1 s Basic Oscillator page For more information see EXi PROGRAM EP 1 Basic Oscillator on page 362 Panel IFX This section shows the EP s front panel settings the selected ef...

Page 372: ...yboard Normally this should be set to the default of 1 0 When Pitch Slope is set to 0 playing different notes on the keyboard won t change the pitch at all it will be as if you re always playing C4 Th...

Page 373: ...EXi PROGRAM EP 1 Basic Oscillator 4 1 Basic 363 v 4 1 Page Menu Commands Compare p 112 Write Program p 112 Exclusive Solo p 113 PAGE p 126 MODE p 126...

Page 374: ...ntrol the Release For a list of AMS sources see Alternate Modulation Source AMS List on page 901 Intensity 100 100 This controls the depth and direction of the Release AMS modulation 4 2b Attack Relea...

Page 375: ...ts an AMS source to control the Hammer Width For a list of AMS sources see Alternate Modulation Source AMS List on page 901 Intensity 100 100 This controls the depth and direction of the Hammer Width...

Page 376: ...ition so this is for special effects only You can also control pan via MIDI Pan CC 10 A CC 10 value of 0 or 1 places the sound at the far left 64 places the sound at the location specified by the Pan...

Page 377: ...page 901 AMS Mode Toggle Momentary This controls the way in which the vibrato ON OFF AMS works When this is set to Toggle the vibrato ON OFF AMS will alternate between on and off For instance if vibr...

Page 378: ...which the amp and cabinet Enable AMS works For more information please see AMS Mode on page 367 DRIVE 00 0 10 0 This controls the amount of overdrive and distortion in the amp At lower settings the a...

Page 379: ...ob without a separate on off switch AMS List of AMS Sources This selects an AMS source to control the INTENSITY For a list of AMS sources see Alternate Modulation Source AMS List on page 901 Intensity...

Page 380: ...on page 910 Amount 10 0 10 0 This controls the depth and direction of the Speed modulation Depth 0 100 Sets the depth of LFO modulation Source List of Dmod Sources This selects a modulation source to...

Page 381: ...quiet operation and especially well suited to tine electric pianos Speed Hz 0 10 10 00 This controls the speed of the LFO The default is 0 8 Hz Source List of Dmod Sources This selects a modulation s...

Page 382: ...on Depth 0 100 Sets the depth of LFO modulation The default is 71 Source List of Dmod Sources This selects a modulation source to control the Depth Amount 100 100 This controls the depth and direction...

Page 383: ...wah follow the input signal s volume envelope This is the default Pedal Wah lets you control the wah frequency directly via a modulation source just like a wah pedal Pedal Wah These parameters appear...

Page 384: ...EXi EP 1 MDS Electric Piano 374 EXi PROGRAM EP 1 AMS Mixers The EP 1 s AMS Mixers are identical to those of the AL 1 For detailed explanations please see 9 1 AMS Mixer on page 179...

Page 385: ...Absolute parameter sets amount of attack smoothing for the Common Step Sequencer For more information please see Smoothing on page 137 Common Step Sequencer Decay Smoothing 00 99 Absolute This Absolu...

Page 386: ...spond to the main parameter values Some parameters with longer names may show an abbreviation for the slider and switch labels Oscillator Harmonic Sound Level Harmonic Sound Decay Harmonic Sound Relea...

Page 387: ...e EXIT button will bring you to the next step in the longest case Other pages besides Home The parameters on the last page you selected in the Home page Combination Select on the Home Mixer page 0 1a...

Page 388: ...re Choose Program Select and turn the VALUE dial or use the buttons From the Bank Program Select menu you can view and select programs by bank From the Category Program Select menu you can view and se...

Page 389: ...than one timbre If Exclusive Solo is on pressing a Solo button will turn Solo on for only that timbre Solo settings are not preserved when you write a combination 0 1c Volume Pan RND L001 C064 R127 T...

Page 390: ...EXi in use you may not be able to fit in more EXi Programs especially those using the CX 3 or EP 1 even if the Performance Meter page shows EXi fixed resources at somewhat below 50 Gray Timbre Track n...

Page 391: ...a tab in the left or right column to select a category You cannot choose a category tab to which no combinations have been assigned 3 Press a tab in the top of column to select a sub category The Com...

Page 392: ...he OK button to execute or press the Cancel button to cancel your selection Favorite Off On On checked Turns on the Favorite setting for combinations Only combinations that you marked as favorites wil...

Page 393: ...as well The volume balance of timbres 1 16 will be maintained This is useful when you wish to adjust the overall volume v 0 1 Page Menu Commands Compare p 112 Write Combination p 433 Exclusive Solo p...

Page 394: ...caution icon will appear see Caution messages below and the Main Combination may not sound exactly the same Effects As long as there are enough insert effect IFX slots the selected Program s insert ef...

Page 395: ...ly copy the Layer Program s insert effects In the same way the Send1 and Send2 values will be copied to the master effect However the values will not be copied if there are not enough insert effects a...

Page 396: ...will be copied When the ARP and DRUM buttons are turned on notes can be played using the arpeggiator drum track or step sequencer Note You cannot play the arpeggiator drum track or step sequencers of...

Page 397: ...he arpeggiator will be automatically adjusted if possible and the sounds might not be the same Split Controls Keyboard Graphic Select Split Mode Lower Main Main Upper This controls whether the Split P...

Page 398: ...time you press the Solo button Category image This display only graphic represents the category or sub category of the Main Combination Octave 2 1 0 1 2 This sets the pitch of the Main Combination in...

Page 399: ...DRUM is selected you can then change it as desired Write Splitted Combi When you ve created a split sound that you like press the Write Splitted Combi button to save it as a combination The Write Comb...

Page 400: ...transmitted to an external device Scene Cue Mode Select either Immediately or Measure for the timing to be used when you change scenes while they are playing Immediately The scene will be changed righ...

Page 401: ...h to the timbre via the MIDI channel specified in Output Ch when the arpeggiator function is off On checked When the arpeggiator function is off the MIDI data received by each arpeggiator will be tran...

Page 402: ...ct Solo Off On Trigger Sampling START button Note On Metronome Precount Off 4 8 3 6 Sample to Disk 16 bit 24 bit This sets the bit depth for sampling to drive For more information please see Sample to...

Page 403: ...pplies to all of COMBINATION mode and is not saved with individual Combis 0 8d Metronome Setup Here you can specify the output destination and volume of the metronome sound that is heard when you begi...

Page 404: ...thout affecting the way that it sounds in PROGRAM mode or in any other Combis or Songs Switches 1 16 button Switches to the Switch page of Tone Adjust Sliders 1 8 9 17 buttons Switches to the Slider p...

Page 405: ...tle differently than sliders When a switch is assigned to a Relative parameter or an Absolute parameter with more than two states Switch On On Value see below Switch Off the Program s stored value Whe...

Page 406: ...mines whether or not the Program s EQ settings will be loaded as well Once the Program has been loaded you can change any or all of the EQ settings as desired All such edits are stored in the Combinat...

Page 407: ...tor Synthesis please see What does Vector mean on page 41 Program and Combi Vectors work together In COMBINATION mode each Timbre s Program still has its own X Y Envelope which controls volume and CCs...

Page 408: ...grams each sounding at the same volume and assigned to a different axis You could then add a fifth Program assign it to one of the axes and then use the Timbre volume sliders to reduce the levels of b...

Page 409: ...rsettings X YControl MIDIIn GlobalChan X YCCMIDIOutput Combination Globalswitch X YMIDIOut X YControl X YCCControl X YCCMIDIOutput GlobalControllers MIDICCAssignments Defaults X 118 Y 119 Program X YE...

Page 410: ...sign X Enable Program X Y Volume Off On When this is turned On the Program s X Y Volume control will function as it does in PROGRAM mode crossfading between Oscillators 1 and 2 The crossfade will be c...

Page 411: ...Normally this will only affect internal sounds and effects If you like however you can also enable a Global parameter to send these generated CCs to external MIDI devices Note that in COMBINATION mode...

Page 412: ...volume values for the current X Y point as selected by the Show Point parameter above Timbre 01 Enable Combi X Y CC Off On This controls whether or not the Timbre will receive the Combi X Y CCs If thi...

Page 413: ...s release phase Each note then has its own additional Volume Control X Y Envelope which lets you crossfade between Programs to create complex evolving timbres The Key Sync parameter applies only to th...

Page 414: ...ore information please see RT Control Knobs 1 6 Assignments on page 914 The functions that you set here are enabled when you select a USER with the SELECT button and then operate the RT control knobs...

Page 415: ...ding there won t be enough free power to play a new voice When this happens the system stops older or lower priority voices to free enough CPU power for the new voice If Timbre Priority is On then the...

Page 416: ...i1 OSC2 EXi2 or both For HD 1 programs whose Oscillator Mode PROGRAM 1 1b is Double this setting lets you specify that only OSC1 or OSC2 will sound For EXi programs in which EXi1 and EXi2 are not turn...

Page 417: ...Voice Assign Mode is set to Poly or when Force Osc Mode has been set to Poly With Mono it has no effect This setting does not limit the Unison Number of Voices For instance if Max of Notes is set to...

Page 418: ...rks depends on whether or not the Timbre uses an HD 1 Drum Program If the Timbre does not use an HD 1 Drum Program for example if it uses a Single or Double HD 1 Program or an EXi Program then MIDI RP...

Page 419: ...elay time will be equivalent to 1000 ms Time ms 0000 6000ms KeyOff Specifies the delay time from note on until the Timbre begins to produce sound in units of ms 1 1000th of a second This setting is av...

Page 420: ...OGRAM 1 1e of the program selected for the timbre This setting is valid if the program uses a wave sequence PRG The setting of the program is used 300 300 The Swing specified here is used regardless o...

Page 421: ...sound as usual when the ARP button is off Use this when you are using a arpeggiator to control multiple timbres that are set to the same MIDI channel and want a specific timbre to be silent only when...

Page 422: ...X 1 2 This selects the input source for EXi1 You can use this to create a feedback loop if desired PRG uses the setting stored in the Program For more information see 4 2 EXi Audio Input on page 134 O...

Page 423: ...l change as Knob 1 2 3 or 4 has been assigned in MIDI Filter pages 1 and 2 the settings in MIDI Filter pages 1 and 2 will take priority Also if the same control change is assigned to two or more contr...

Page 424: ...Note MIDI CC 16 can also be transmitted and received by assigning each MIDI CC to the RT control knobs or foot pedal For more information please see Controller Assignments on page 913 Timbres 02 16 Th...

Page 425: ...hen you select SOUND with the SELECT button Enable Realtime Control Knob 4 Off On Sets whether to receive MIDI CC 72 the filter amp EG release times of the NAUTILUS from RT control knob 4 when you sel...

Page 426: ...page This filter setting is valid when a MIDI control change is assigned Enable Foot Pedal Off On Specifies whether or not the effect of the ASSIGNABLE PEDAL will be received The function is assigned...

Page 427: ...grayed portion to overlap the sounds will overlap and the proportion of the overlap will change according to the keyboard location 3 5a Zone Map This area provides a graphic display of the note and ve...

Page 428: ...l be at the original level from the bottom key 12 The volume will increase gradually as you play upward and will reach the original volume one octave above the bottom key 72 The volume will increase g...

Page 429: ...ons of the zones are displayed in a different color Under the Key Zone graphic a keyboard graphic shows the most recently played note in green aligned with the keyboard zones To the left of the Veloci...

Page 430: ...These are the velocity zone settings for timbres 2 through 16 They are the same as for timbre 1 See Timbre 01 v 3 6 Page Menu Commands Compare p 112 Write Combination p 433 Exclusive Solo p 113 Copy...

Page 431: ...Effect Guide on page 729 8 1 Routing1 Specifies the bus to which the program oscillator s used by each timbre 1 16 will be sent You can also set the send levels to the master effects from this page 8...

Page 432: ...d The Bus Select FX Control Bus and Send 1 2 settings will be used All drum instruments will be sent to the specified bus Bus Select IFX Indiv Out Assign L R IFX1 12 1 4 1 2 3 4 Off This specifies the...

Page 433: ...r 1 2 3 4 these settings are ignored Control change CC 93 can be used to control the Send 1 level and CC 91 to control the Send 2 and modify their respective settings These messages will be received o...

Page 434: ...buses for recording used for sampling in the various modes or for recording audio tracks in SEQUENCER mode In COMBINATION mode you can resample your keyboard or Arpeggiator performance or sample an ex...

Page 435: ...ollowing parameters are the same as in PROGRAM mode For more information please see 8 5a IFX on page 101 However unlike in PROGRAM mode you can use a different MIDI channel to modulate each effect if...

Page 436: ...FX7 Chain to IFX8 IFX12 IFX8 Chain to IFX9 IFX12 IFX9 Chain to IFX10 IFX12 IFX10 Chain to IFX11 IFX12 IFX11 Chain to IFX12 v 8 5 Page Menu Commands Compare p 112 Write Combination p 433 Exclusive Solo...

Page 437: ...el settings are routed through the same IFX this parameter specifies which of these channels will be used to control the effect G ch The global MIDI Channel GLOBAL 1 1a will be used to control the eff...

Page 438: ...COMBINATION mode 428 v 8 7 Page Menu commands Compare p 112 Write Combination p 433 Exclusive Solo p 113 Copy Insert Effect p 122 Swap Insert Effect p 122 Write FX Preset p 125 PAGE p 126 MODE p 126...

Page 439: ...Common 1 or 2 to use the Common LFOs 8 9a Common FX LFO1 Ch Control Channel Ch01 Ch16 G ch Specifies the MIDI channel that will control dynamic modulation Dmod for Common LFO 1 and 2 G ch The global M...

Page 440: ...to the L R bus The total effects are inserted into the L R bus 9 1a MFX1 2 MFX1 MFX1 000 197 MFX1 On Off Off On Return 1 000 127 MFX2 MFX2 000 197 MFX2 On Off Off On Return 2 000 127 Chain Chain On Of...

Page 441: ...sets can be saved to and loaded from drive Note that edits to effects parameters are automatically stored with the Combination you don t need to store them as an Effect Preset Presets just make it eas...

Page 442: ...py MFX TFX p 125 Swap MFX TFX p 125 Write FX Preset p 125 PAGE p 126 MODE p 126 9 3 MFX2 9 4 TFX1 9 5 TFX2 These pages let you edit the parameters of Master Effect 2 and Total Effects 1 and 2 The para...

Page 443: ...he Write Combination command This allows the system time to complete the process which includes saving a backup of the data to the internal drive For more information please see Write Program on page...

Page 444: ...estination of the drum program 7 Press the OK button to copy or press the Cancel button if you decide not to copy Edit Program This command available on the Home Mixer page in COMBINATION mode and the...

Page 445: ...age This command restores all Combination settings to their defaults so that you can start with a clean slate Note that any edits you ve made to the Combination will be lost You can either initialize...

Page 446: ...ies all of the Tone Adjust parameters and their values assigned to the switches and sliders Assignments Only Copies only the parameters assigned to the switches and sliders Values will not be copied 5...

Page 447: ...value press the Cancel button Note Since this command does not affect the sample data itself and always over writes the previous Detune amount using it repeatedly has no cumulative effect Copy Extern...

Page 448: ...ess the Reset button to restore the same settings Copy MFX TFX This command copies effect settings from PROGRAM COMBINATION SEQUENCER or SAMPLING modes For more information please see Copy MFX TFX on...

Page 449: ...ettings and so on that are selected in the song as a template song use the Save Template Song page menu command When you create audio tracks we recommend that you save them on the internal drive since...

Page 450: ...m loops The NAUTILUS provides an In Track Sampling function which lets you sample an external audio source while the song plays back and will automatically create note data to trigger that sample at t...

Page 451: ...ers can be automated simply by changing them while recording into a MIDI track in real time Changing the parameter sends a MIDI message and when that MIDI message is played back the parameter changes...

Page 452: ...iles on page 724 If you power off without deleting these WAVE files a dialog box with the following message will appear the next time you power on asking you whether you want to delete these WAVE file...

Page 453: ...these values the current location will change When MIDI Clock GLOBAL 1 1a is set to Internal or Auto if no MIDI clocks are being received the NAUTILUS will transmit Song Position Pointer messages whe...

Page 454: ...u record the first track and select when recording subsequent tracks Changing the time signature in the middle of a song If you know beforehand the location at which you wish to change time signatures...

Page 455: ...o if no MIDI clocks are being received changing the song will cause Song Select and Song Position Pointer messages to be transmitted If MIDI Clock is set to External MIDI or USB or Auto MIDI or USB if...

Page 456: ...synchronize to your external sequencer Tempo changes cannot be recorded Off unchecked Single track recording setup will be selected Recording will occur on the track selected by Track Select This cann...

Page 457: ...e Solo function applies to MIDI tracks 1 16 audio tracks 1 16 and audio inputs 1 2 If MIDI tracks whose Status 2 1a is Both EXT or EX2 are muted by Mute or by the Solo function note on off messages wi...

Page 458: ...SEQUENCER mode 448 Track 02 16 Track Number For more information please see Track 01 Track Number on page 446...

Page 459: ...audio track For more information see 0 1b Status Play Mute on page 446 Track 01 Track Number This indicates the audio track number The parameters below this track number are the settings for that tra...

Page 460: ...S Insert Effects L R BUS REC 1 2 REC 3 4 Indiv 1 2 Sequencer Playback Keyboard Level Pan Insert Effects Audio Input 1 Audio Input 2 REC Source Audio Input 1 2 1 2 x Source Direct Solo Total Effects Ma...

Page 461: ...nd REC Bus 2 4 is sent to even numbered tracks REC Source L R Insert Effects L R Bus Total Effects Master Effects Sequencer Playback Keyboard Bus L R or IFX1 12 CLIP L MONO R AUDIO OUTPUT HEADPHONES R...

Page 462: ...ng Audio Track Pan and Volume The pan and volume that you specify here will be used when you playback or record from the beginning of the song If you modify these settings while recording your changes...

Page 463: ...o p 113 Rename Song p 521 Initialize Song p 522 Copy From Song p 522 Load Template Song p 522 Save Template Song p 523 FF REW Speed p 523 Set Location for Locate Key p 523 GM Initialize p 523 Copy fro...

Page 464: ...checked After the measures before the specified Loop Start Measure are played once the region of Loop Start Measure Loop End Measure will be played repeatedly For example you can use this on a drum tr...

Page 465: ...21 Initialize Song p 522 Copy From Song p 522 Load Template Song p 522 Save Template Song p 523 FF REW Speed p 523 Set Location for Locate Key p 523 GM Initialize p 523 Copy from Combi p 525 Copy From...

Page 466: ...ess the SEQUENCER START STOP button once again If you use this method to record on a track that has already been recorded the result will differ depending on the track or type of event as follows MIDI...

Page 467: ...s the key is held If you want to delete audio track automation events check Automation Only 0 6b choose Loop All Tracks and begin recording Then check Remove Data 0 5a and hold down the SEQUENCER REC...

Page 468: ...he CLIP indication The upper part of the level meter slider shows the corresponding audio track number If you re using single track recording Recording Level 1 and Level Meter 1 are valid If you re us...

Page 469: ...take number will not be included in the name of the subsequently recorded region and WAVE files Take No 00 99 This specifies the take number that will be used if Take is checked After each recording t...

Page 470: ...gram of the timbre that is set to the same MIDI channel Tch The MIDI channel will automatically be set to the MIDI Channel GLOBAL 1 1a of the track selected in Track Select for output The Status setti...

Page 471: ...ack Pattern More Refer to PROGRAM mode for the respective settings For more information see Scene1 4 Setup on page 18 Input Ch 01 16 Tch Sets the MIDI input channel for each arpeggiator Out of all MID...

Page 472: ...ou can also use the NAUTILUS as a 4 in 6 out effect processor You can t record a Song or pattern while sampling Nor can you sample while recording a Song or pattern 0 8a Sampling Setup Here you can se...

Page 473: ...Setting Off On Each Song can either use the single Global audio input mixer setup or have its own custom settings For more information see Use Global setting on page 26 Input 1 2 USB 1 2 Bus Select IF...

Page 474: ...affecting the way that it sounds in PROGRAM mode or in any other Combis or Songs Switches 1 16 button Switches to the Switch page of Tone Adjust Sliders 1 8 9 17 buttons Switches to the Slider page of...

Page 475: ...rameter or an Absolute parameter with more than two states Switch On On Value see below Switch Off the Program s stored value When a switch is assigned to a two state Absolute parameter such as Hold t...

Page 476: ...l of the RPPR assignments if there are many of them You can use the Pattern Edit page to see all of the RPPR assignments Track Number This indicates the MIDI track number The various parameters below...

Page 477: ...10 00kHz This sets the center frequency for the Mid sweep EQ Mid Gain 18 0 18 0dB This controls the gain of the Mid Sweep EQ in increments of 0 5dB Low Gain 18 0 18 0dB This controls the gain of the...

Page 478: ...ke here are used when you play back or record from the beginning of the song If settings other than Bypass are modified during recording the changes are recorded to each audio track as automation even...

Page 479: ...ms including between HD 1 and different EXi instruments 1 5a X Y Volume Control X Y Volume Control lets you adjust the relative volumes of the 16 Tracks by moving the X Y Envelope from left to right o...

Page 480: ...hannelOnly SongX YVolumeControl Songswitch EnableVolumecontrol X YModulationof TrackVolume Track1 16CenterVolume andEqualPowersettings X YControl MIDIIn GlobalChan X YCCMIDIOutput Song Globalswitch X...

Page 481: ...set to Off The volumes at the extreme ends of the axis are fixed depending on the setting of the X Y Assign parameter For instance if X Y Assign is set to X the Track will always be at 100 volume on t...

Page 482: ...s If you like however you can also enable a Global parameter to send these generated CCs to external MIDI devices Note that in SEQUENCER mode only the Song s X Y CCs can be sent to external MIDI instr...

Page 483: ...le Song X Y CC Off On This controls whether or not the Track will receive the Song s X Y CCs If this is On the Track will receive the CCs and the Track s Program will respond to them according to its...

Page 484: ...ld down on the keyboard When you release all of the notes the EG goes into its release phase Each note then has its own additional Volume Control X Y Envelope which lets you crossfade between Programs...

Page 485: ...p 521 Exclusive Solo p 113 Rename Song p 521 Initialize Song p 522 Copy From Song p 522 Load Template Song p 522 Save Template Song p 523 FF REW Speed p 523 Set Location for Locate Key p 523 GM Initia...

Page 486: ...ed to them will be recorded 1 8a Knob Here you can assign the function of the RT control knobs 1 through 6 Most of the functions that can be assigned are control changes For more information please se...

Page 487: ...W1 button Toggle The function will alternate between on and off each time you press the SW1 button Momentary The function will be on only while you continue holding down the SW1 button Assign View Whe...

Page 488: ...s the internal tone generator of the NAUTILUS will sound and at the same time MIDI data will also be transmitted to an external device EXT When the musical data recorded in the MIDI track is played ba...

Page 489: ...then the Track s voices can only be stolen by other priority voices all voices with Track Priority Off will be stolen first In a Song with many active Tracks you can enable Track Priority for sounds w...

Page 490: ...ento Time and CC 65 Portamento Switch can be received to control this and change the setting If the setting is PRG CC 05 Portamento Time will not be received When you switch songs or return to the beg...

Page 491: ...rack 1 See Track 01 v 2 2 Page Menu Commands Compare p 112 Memory Status p 521 Exclusive Solo p 113 Rename Song p 521 Initialize Song p 522 Copy From Song p 522 Load Template Song p 522 Save Template...

Page 492: ...and Fine Tune will be combined to control Detune The overall range is 1 octave for coarse tune and fine tune together Bend Range PRG 24 00 24 Specifies the amount of pitch change that will occur when...

Page 493: ...is EXT this setting will affect the note number of the note messages transmitted via MIDI v 2 3 Page Menu Commands Compare p 112 Memory Status p 521 Exclusive Solo p 113 Rename Song p 521 Initialize...

Page 494: ...s 01 32 This setting is available is Mode is set to Tempo It specifies the time delay time from note on until the MIDI track begins to produce sound in terms of a note value relative to the Tempo 0 1a...

Page 495: ...e this to synchronize all of the Wave Sequences at note on Note that Quantize Trigger applies only when the Wave Sequence s Mode is set to Tempo For more information see Mode on page 662 PRG The setti...

Page 496: ...ign this key to MIDI CC 00 95 but in order to avoid confusion when receiving another CC you should use CC 14 ARP ON OFF GLOBAL 2 1b will also be set to MIDI CC 14 if you execute the page menu command...

Page 497: ...f you use Program Change messages to switch between two EXi Programs and wish to have the input enabled for one but disabled for the other For more information see 4 2 EXi Audio Input on page 134 Off...

Page 498: ...empo Time ms 0000 6000 Base Note Times 01 32 For more information please see 2 4a Delay on page 484 v 2 7 Page Menu Commands Compare p 112 Memory Status p 521 Exclusive Solo p 113 Rename Song p 521 In...

Page 499: ...performed for these control changes In this case any control change filtering that is being performed in the MIDI Filter 1 and 2 pages will be given priority Furthermore if the same control change is...

Page 500: ...ee Track 01 v 3 1 Page Menu Commands Compare p 112 Memory Status p 521 Exclusive Solo p 113 Rename Song p 521 Initialize Song p 522 Copy From Song p 522 Load Template Song p 522 Save Template Song p 5...

Page 501: ...b 4 Off On Sets whether to receive MIDI CC 72 the filter amp EG release times of the NAUTILUS from RT control knob 4 when you select SOUND with the SELECT button Enable Realtime Control Knob 5 Off On...

Page 502: ...es whether or not the effect of the ASSIGNABLE PEDAL will be received The function is assigned in GLOBAL Controllers Scales Controllers page This filter setting is valid when a MIDI control change is...

Page 503: ...n green aligned with the keyboard zones To the left of the Velocity Zone graphic a meter shows the velocity of the most recently played note red dots above the graphic show the Zone s triggered by tha...

Page 504: ...Bottom Key settings can also be input by holding down the ENTER button and playing a note on the keyboard It is not possible to set the bottom key above the top key of the same track Nor is it possib...

Page 505: ...y of the most recently played note red dots above the graphic show the Zone s triggered by that velocity For more information please see 3 5a Zone Map on page 493 3 6b Velocity Zones Track 01 Track Nu...

Page 506: ...ee Track 01 v 3 6 Page Menu Commands Compare p 112 Memory Status p 521 Exclusive Solo p 113 Rename Song p 521 Initialize Song p 522 Copy From Song p 522 Load Template Song p 522 Save Template Song p 5...

Page 507: ...ect the track you want to edit and use From Measure and To End of Measure parameters to specify the region that you want to edit Then choose a command from the page menu and execute the edit For detai...

Page 508: ...of Measure to specify the ending measure Link To Current Off On When this check box is enabled the From Measure setting will continuously update to match the current location including during playbac...

Page 509: ...rd commercially available is connected you can use this to enter text instead of the on screen keyboard For more information see Editing names and entering text on page 202 of the OG v 4 2 Page Menu C...

Page 510: ...ialog box and set the name as desired up to 24 characters If a USB QWERTY keyboard commercially available is connected you can use this to enter text instead of the on screen keyboard For more informa...

Page 511: ...nd or Copy Pattern command You can also copy a preset pattern to a user pattern and edit it You can t directly edit a preset pattern Preset patterns and user patterns can be placed in or copied into a...

Page 512: ...l return to the first measure and can continue recording while adding more material For details see Loop All Tracks on page 457 If you want to perform step recording select the page menu command Step...

Page 513: ...d you can use this to enter text instead of the on screen keyboard For more information see Editing names and entering text on page 202 of the OG v 5 2 Page Menu Commands Compare p 112 Memory Status p...

Page 514: ...rnal sequencer See Local Control On settings on page 928 In the RPPR Setup page RPPR is turned on automatically This will be the same result as when the RPPR check box 0 1a in each page is checked 5 3...

Page 515: ...he complete pattern will playback once to the end and then stop Manual The pattern will continue repeating as long as you continue holding the key and will stop as soon as you release the key Endless...

Page 516: ...g C2 or any lower note twice in succession Copy This copies the Assign Pattern Bank Pattern Track Mode Shift and Sync settings of the selected KEY into a copy buffer Paste This pastes the settings fro...

Page 517: ...also be edited from the IFX MIDI Routing 2 page On checked The Bus Select FX Control Bus Send1 and Send2 settings for each key of the selected drum kit will be used Check this setting if you want to a...

Page 518: ...recorded as performance data the send amounts will change accordingly during playback You can also modify these settings during playback However if Send 1 and 2 data has been recorded the settings wi...

Page 519: ...modes or for recording audio tracks in SEQUENCER mode In SEQUENCER mode you can use these buses to record audio tracks onto the drive or to sample You will normally use audio track recording to record...

Page 520: ...ds Compare p 112 Memory Status p 521 Exclusive Solo p 113 Copy Insert Effect p 122 Swap Insert Effect p 122 Drum Kit IFX Patch p 437 Put Effect Setting to Track p 554 FF REW Speed p 523 Set Location f...

Page 521: ...L R or Off When IFX 1 12 are selected the send levels to master effects 1 and 2 are set by the Send1 and Send2 parameters of the Insert FX page after the sound has passed through IFX1 12 If Bus Select...

Page 522: ...an FX Control bus two channel stereo FX Ctrl 1 or 2 For more information please see FX Control Bus on page 509 For examples see FX Control Buses on page 733 REC Bus Off 1 2 3 4 1 2 3 4 These settings...

Page 523: ...ge the settings while recording a MIDI track the changes will be recorded as part of the musical data and the settings will change when the data is played back You can also change these settings durin...

Page 524: ...IFX12 IFX9 Chain to IFX10 IFX12 IFX10 Chain to IFX11 IFX12 IFX11 Chain to IFX12 v 8 5 Page Menu Commands Compare p 112 Memory Status p 521 Exclusive Solo p 113 Copy Insert Effect p 122 Swap Insert Eff...

Page 525: ...ifferent MIDI channel settings are routed through the same IFX this parameter specifies which of these channels will be used to control the effect Note If you want to control an IFX to which an audio...

Page 526: ...nds Compare p 112 Memory Status p 521 Exclusive Solo p 113 Copy Insert Effect p 122 Swap Insert Effect p 122 Write FX Preset p 125 Put Effect Setting to Track p 554 FF REW Speed p 523 Set Location for...

Page 527: ...trol Channel Ch01 Ch16 Gch Specifies the MIDI channel that will control dynamic modulation Dmod for Common LFO 1 and 2 G ch The global MIDI channel GLOBAL 1 1a will be used for control This is the def...

Page 528: ...bus These parameters are the same as in PROGRAM mode For more information please see 9 1 Routing on page 107 9 1a MFX1 2 MFX1 MFX1 000 197 MFX1 On Off Off On Return 1 000 127 MFX2 MFX2 000 197 MFX2 O...

Page 529: ...nnel Ch01 16 G ch Specifies the MIDI channel that will control dynamic modulation Dmod for the master effect Ch01 Ch16 The specified MIDI channel will be used for control G ch The global MIDI Channel...

Page 530: ...pages let you edit the parameters of Master Effect 2 and Total Effects 1 and 2 To select different effects types use the P9 Routing page The parameters of MFX2 TFX1 and TFX2 are the same as for MFX1 F...

Page 531: ...ote p 546 Modify Velocity p 547 Region Edit p 547 Volume Ramp p 549 Copy Song s Tempo to Region p 550 Adjust Song s Tempo to Region p 550 Adjust Region to Song s Tempo p 550 Step Recording Loop Type p...

Page 532: ...ata for song tracks and patterns audio data or settings that govern how the musical data is played back including Meter Metronome PLAY MUTE and Track Play Loop including Start End measure While loadin...

Page 533: ...t forward and rewind will be performed as fast as possible The speed of fast forward and rewind will differ between sections where the playback data is dense and sections where it is sparse If this it...

Page 534: ...tch Transpose 00 00 Detune 0000 0000 Bend Range PRG PRG Use Program s Scale Delay Mode Time Time Time 0000 0000 Wave Seq ARP Wave Sequence Key Sync PRG PRG Wave Sequence Swing PRG PRG Wave Sequence Qu...

Page 535: ...ndby setting On The Status will automatically be set to REC for MIDI tracks corresponding to valid timbres in the copy source combination In addition Multi REC 0 1a will automatically be turned on and...

Page 536: ...be created Original Key SAMPLING 0 1b specifies the location of the original key The multisample will be created with an Index SAMPLING 0 1d having this key as its Top Key SAMPLING 0 1d Original Key...

Page 537: ...button to execute the command If you decide not to execute press the Cancel button For more information see Auto HDR Sampling Setup Automatically set parameters and their values on page 531 HDR Audio...

Page 538: ...ton For more information see Auto HDR Sampling Setup Automatically set parameters and their values on page 531 After completing the steps above the tracks are set up and you re ready to record the bou...

Page 539: ...ify the convert destination program 4 Press the OK button to execute the command If you decide not to execute press the Cancel button For more information see Auto HDR Sampling Setup Automatically set...

Page 540: ...ART STOP button to begin playback 4 At the point where you want to start sampling press the SAMPLING START STOP button In Track Sampling will begin 5 Play the instrument etc that is connected to the A...

Page 541: ...2 6 Bus Select Off IFX Off FX Ctrl Bus Off REC Bus Off 1 2 Send1 2 000 Level 127 Input 1 USB 1 Pan L000 Input 2 USB 2 Pan R127 Audio Track Play Rec Mute Play Recording Track REC 8 To Mode REC 8 Solo...

Page 542: ...phic will update accordingly The window will cover the parameters for some of the Tracks on either the right or left sides of the display If you select one of these Tracks the window will automaticall...

Page 543: ...s When you press a key on the keyboard that note number will be input as a note of the length specified in step 4 When you press a chord on the keyboard those note numbers will be input as chords of t...

Page 544: ...e you can move the event within the measure You can edit each event by modifying its data value s When you select a note event it will sound 7 You can press the buttons located at the bottom of the di...

Page 545: ...the audio track you want to edit and use From Measure 4 1b to select the measure at which you want to begin editing 2 Choose the Audio Event Edit command to open the dialog box 3 Measure and Index loc...

Page 546: ...the event that follows the location at which you want to insert and press the Insert button If you press the Insert button without having previously used the Copy button or Cut button to load audio e...

Page 547: ...On On checked When you set Edit Range Start or Edit Range End you will only be able to select zero cross points i e addresses at which the waveform level is at the center zero line Use the VALUE dial...

Page 548: ...Beat Tick at which you wish to insert an event and press the Insert button to insert an event Deleting an event Select the event that you wish to delete and press the Cut button to delete the event Mo...

Page 549: ...ed Note WAVE files and regions will not be erased 4 Press the OK button to execute Erase Track If you decide not to execute press the Cancel button Copy Track This command copies musical data from the...

Page 550: ...ain Low Gain Send 1 2 Erase only Send 1 and Send 2 data Pan Erase only pan data Volume Erase only volume data 5 Select the track s for which you want to execute the command If you execute with All Tra...

Page 551: ...nature and tempo of the measures that were moved forward as a result of the Delete operation will change If in step 4 you check All Tracks and execute this operation the specified measures of musical...

Page 552: ...audio tracks 7 To execute the Insert Measure command press the OK button To cancel press the Cancel button If you execute Insert Measure at a location in the middle of an audio event that spans severa...

Page 553: ...d Note The WAVE file itself will not be modified Copy Measure This command copies the measures of musical data specified as the From source to the beginning of the measure specified as the To location...

Page 554: ...To cancel press the Cancel button If you move a portion of an audio event that spans several measures or if you move to a portion of an audio event that spans several measures a new region will automa...

Page 555: ...mand corrects the timing of MIDI data of the type you specify note data control change aftertouch pitch bend program change etc in the track When you execute the Quantize operation the musical data wi...

Page 556: ...e Note This command shifts moves or erases the specified note numbers in a specified MIDI track and range of measures 1 In Track Select select the MIDI track on which you wish to execute the Shift Era...

Page 557: ...velocity will not change With a setting of 100 the velocity will be exactly as described by the curve 7 Curve lets you select from six types of curve to specify how the velocity will change over time...

Page 558: ...Commands that are available if Song is checked Insert region Select the region at which you want to insert and press the Insert button to insert a region Cut region Select the region that you want to...

Page 559: ...n t want to save your changes press the Cancel button If you press the Cancel button the region will revert to the state prior to entering the Trim dialog box 9 When you re finished with Region Edit p...

Page 560: ...ure to select the last measure By default From Measure and To End of Measure will be the range of measures you specified in the Track Edit page 4 If you want to create tempo events based on all audio...

Page 561: ...time signature is only temporary and when you put or copy the pattern in a track of a song the pattern will play according to the time signature of that measure 5 To execute the Pattern Parameter set...

Page 562: ...e Cancel button Put To MIDI Track This command places a pattern into a MIDI track Unlike the Copy To MIDI Track menu command this command only places the pattern number in the song so that when playba...

Page 563: ...l patterns in the song that contain note events will be copied starting at the number you specified in step 3 5 If you execute with Note Only checked only the note events will be copied 6 Press the OK...

Page 564: ...for the effect change to occur In addition the sound may not change smoothly if sound is being produced at that time Be aware of the timing of your playback data and make the appropriate adjustments...

Page 565: ...usive messages into MIDI track 3 so that the insert effect IFX3 uses 051 Stereo Phaser for measures 1 through 8 and 048 Stereo Flanger for measures 9 and following 1 Select the desired program for MID...

Page 566: ...Create song S001 2 Use the Copy From Song page menu command to copy from Song 000 to Song 001 4 In song 001 make the effect settings that you want to use from measure 9 Go to the IFX Insert FX page a...

Page 567: ...ck only one of these two Enable settings in GLOBAL mode MIDI Filter Front panel Page Parameter Front panel ARP DRUM ARP LATCH DRUM buttons RT Knob Gate Velocity Length Swing Drum SD Home MIDI Prog Mix...

Page 568: ...SEQUENCER mode 558...

Page 569: ...let the previous sound and its effects ring out naturally making it easy to change sounds during a live performance Set Lists give you greater control over these transitions in comparison to the othe...

Page 570: ...ed to the slot or the name for that slot Slot Name 1 1a link is displayed Slot names that are set for slots will be displayed first if they exist Line 3 left Shows the mode bank and number of the soun...

Page 571: ...Slots button 0 1b To select a slot simply touch it You can also use other methods as described below To move to another group of Slots use the Previous and Next buttons at the bottom of the display Se...

Page 572: ...2 Press Inc or the Program Up footswitch Slot 0 of Set List 6 is selected Similarly 1 Select Slot 0 in Set List 5 2 Press Dec or the Program Down footswitch Slot 127 of Set List 4 is selected If you...

Page 573: ...EXi1 2 You can adjust the 3 band EQ that is exclusively used by the drum track Note There is no EQ for the audio input Send Adjusts the send levels for the OSC EXi drum track and audio input When usin...

Page 574: ...s 1 Use the Set List to set the name as desired If a USB QWERTY keyboard commercially available is connected you can use this to enter text instead of the on screen keyboard 2 Select the location to s...

Page 575: ...To select the Slot use the buttons below 1 1a Slot parameters Item Type Program Combination Song Each slot can hold either a Program a Combination or a Song Program Combination Song Select List This...

Page 576: ...w added features in comparison to the standard text editor Text is displayed using the Slot s selected font Touch and drag in the text display to select text and move the cursor Use the LF button to i...

Page 577: ...d stand out when playing backing parts in a band ensemble or when playing a solo The sound will not change when the knob is in center position For layered and split sounds the dynamics effect will be...

Page 578: ...an use this to add items to Set Lists while browsing through sounds without needing to hop back and forth between modes For more information see Add To Set List on page 113 v 1 1 Page Menu Commands Co...

Page 579: ...a backup of the data to the internal drive Initialize Set List This brings up a confirmation dialog with the text Initialize Set List Are You Sure An OK button confirms the initialization a Cancel but...

Page 580: ...SET LIST mode 570...

Page 581: ...lable for SAMPLING mode The more space used by EXs and User Sample Banks the less is available for SAMPLING mode The amount of sampling time depends on the amount of free RAM as shown below You can ch...

Page 582: ...including processing with filters and effects You could even re sample that Program and start all over again Multisamples can be used in Wave Sequences Individual samples can also be used in drum kit...

Page 583: ...sfade function allows you to join two samples into a single sample You can also crossfade the overlapping portion of the samples at this time so that the volume changes gradually producing a natural s...

Page 584: ...nput on page 581 0 1a Multisample Select MS Multisample Select MS 0000 3999 This selects the multisample Each multisample consists of the samples for one or more indexes an Index is a range or zone of...

Page 585: ...nge to sound that sample The sample you select here is the sample that will be affected by your sampling and editing operations in the various pages This parameter is also available in each page of Sa...

Page 586: ...ample If you checked Stereo when creating a new multisample i e selected a new multisample in Multisample Select 0 1a If you executed the MS Mono To Stereo page menu command If you sampled with Mode 0...

Page 587: ...destination to which the data will be written during sampling RAM The sound will be sampled into RAM for use in SAMPLING mode You can check the remaining amount of RAM in the section labeled 0 1f Free...

Page 588: ...s are normally reduced in volume by 12dB to reduce the chance of clipping when playing many voices simultaneously This parameter lets you defeat the volume reduction for individual samples when desire...

Page 589: ...lay that note 2 Keys 127 Keys The sample will change pitch in semitone steps across the specified number of keys centered on the original key Original Key 0 1b 3 1b If Constant Pitch 3 1b is checked t...

Page 590: ...ve Sample p 607 Sample Mono To Stereo Change Sample Type p 607 Delete MS Delete Multisample p 608 Copy MS Copy Multisample p 608 Rename MS Rename Multisample p 608 Move MS Move Multisample p 608 Conve...

Page 591: ...udio sent to the output or bus including internal Programs or Combis effects audio inputs and HDR audio When sampling in stereo the odd numbered channel such as 1 or 3 corresponds to the left channel...

Page 592: ...ill end automatically if it continues to the time specified for Sample Time 0 1d Pre Trigger REC 000 500ms If you want a portion of sound immediately before the start of sampling to be included in the...

Page 593: ...s the metronome You can also set the tempo by using the TAP button Note that this is the main system tempo and will affect all other tempo synchronized functions such as delays and LFOs Output Bus L R...

Page 594: ...vely Level 0 127 This controls the level of the external audio signal The default is 127 The meter to the left of the slider shows the audio input volume before the Level control in realtime Note The...

Page 595: ...Sample Type p 607 Delete MS Delete Multisample p 608 Copy MS Copy Multisample p 608 Rename MS Rename Multisample p 608 Move MS Move Multisample p 608 Convert MS Multisample To Program p 609 MS Mono To...

Page 596: ...display 0 1a Note An index can also be selected by holding down the ENTER button and playing a note on the keyboard The index that includes this note will be selected The key you played will be the b...

Page 597: ...ted base key displayed in green Keyboard 0 1a Resolution 3 3 3 3 This specifies the resolution of the grid The grid is defined by this setting and Tempo Tempo 040 00 480 00 This specifies the spacing...

Page 598: ...608 Move MS Move Multisample p 608 Convert MS Multisample To Program p 609 MS Mono To Stereo MS Stereo To Mono Change Multisample Type p 610 Optimize RAM p 114 Select Directory File for Sample To Disk...

Page 599: ...e 574 2 1b Index Sample Select Range Index xxx 001 127 yyy 001 127 Selects the index whose loop and other sample parameters you wish to edit Your edits will apply to the sample of the index selected h...

Page 600: ...uring sampling by enabling the Auto 12dB check box For more information see Auto 12dB On on page 578 This setting is saved in Korg format sample files KSF and is recognized by the KRONOS OASYS M3 TRIT...

Page 601: ...e p 608 Copy MS Copy Multisample p 608 Rename MS Rename Multisample p 608 Move MS Move Multisample p 608 Convert MS Multisample To Program p 609 MS Mono To Stereo MS Stereo To Mono Change Multisample...

Page 602: ...f the sample that is assigned to the selected index You can also select the sample here 0 1b Stereo This area will indicate Stereo if a stereo multisample or sample is selected or if you sampled with...

Page 603: ...the same time The sample will automatically be copied or assigned to a different number If it is not possible to create a new index when you execute Create or Insert a dialog box will appear If this o...

Page 604: ...t trim Freq Response Graphic Low Gain 18 0 00 0 18 0dB This controls the gain of the 80Hz Low Shelf EQ in increments of 0 5dB Mid Frequency 100 500 10Hz step 1 0k 20Hz step 2 0K 50Hz step 10 0k 100Hz...

Page 605: ...ogram or combination to save it in internal memory Then in SAMPLING mode use Copy Insert Effect to load the effect settings from the program or combination so that they can be used in SAMPLING mode Yo...

Page 606: ...cording Off The oscillator output will not be sent to the REC buses Normally you will leave this Off 1 4 The oscillator output will be sent in monaural to the corresponding REC bus 1 2 3 4 The oscilla...

Page 607: ...alues of 1 127 restore the original setting The global MIDI channel specified by MIDI Channel is used for this message Chain to IFX2 IFX12 You can chain up to twelve insert effects together in series...

Page 608: ...control the Send 1 level and CC 91 to control the Send 2 level The global MIDI channel specified by MIDI Channel is used for these messages IFX2 12 Here you can specify each insert effect s effect ty...

Page 609: ...in the Insert FX page P Effect Preset P00 P01 15 U00 15 This selects the effect preset For more information please see Effect preset function on page 103 IFX1 Parameters Set the parameters for the eff...

Page 610: ...ameter select Individual to use the effect s settings or Common 1 or 2 to use the Common LFOs Dmod Dynamic Modulation is controlled on the global MIDI channel specified in GLOBAL mode MIDI page Tempo...

Page 611: ...ng the combined peak signals of the left and right channels MFX1 MFX1 000 197 This selects the effect type for master effect 1 Choose from 000 No Effect 197 Rotary Speaker Pro CX Custom If you choose...

Page 612: ...CX Custom Category TFX Select menu When you press the popup button the Category TFX Select menu will appear letting you choose effect types by category Use the tabs to select an effect category and th...

Page 613: ...ff It is linked with the on off setting in the MFX TFX Master Total Effect Routing page P Effect Preset P00 P01 15 U00 15 This selects the effect preset For more information please see Effect preset f...

Page 614: ...t the parameters of Master Effect 2 and Total Effects 1 and 2 To select different effects types use the Routing page as described under 9 1 Routing on page 601 The parameters for MFX2 TFX1 and TFX2 ar...

Page 615: ...ll be created If you Copy a stereo sample into the buffer and then Insert Mix or Paste it to a mono sample the L and R side data in the buffer will be mixed to mono and then inserted mixed or pasted T...

Page 616: ...576 1 Use Sample Select 0 1b to select the copy source sample 2 Select Copy Sample to open the dialog box 3 Specify the sample number of the copy destination When copying a stereo sample specify both...

Page 617: ...k Optimize Empty Sample No 4 If Adjust Sample Assign in Drum Kit is checked and if the samples being moved are mapped to used by a drum kit those sample numbers will also be automatically modified Nor...

Page 618: ...ple will also be copied at the same time At this time they will be automatically copied to vacant sample numbers The sample data waveform data will be shared between the copy source and copy destinati...

Page 619: ...convert the SAMPLING mode settings into a new program without having to make any PROGRAM mode settings as described above 1 Use Multisample Select MS 0 1a to select the multisample that you want to co...

Page 620: ...ll of the remaining memory If you run out of memory try using Optimize RAM The remaining amount of RAM can be checked under 0 1f Free Sample Memory Locations as described on page 579 1 Select Optimize...

Page 621: ...cally set parameters and their values on page 613 REC Audio Input If you select REC Audio Input 1 Use Source Audio to select the external audio input source Audio Input 1 2 These are the analog audio...

Page 622: ...hich the sample you want to resample is assigned 4 Use IFX Insert Effect to make effect settings To hear the sound play the note you specified in Key 5 To begin resampling press the SAMPLING REC butto...

Page 623: ...le Select 1 1b to select the sample that you wish to edit and use Start and End to specify the editing range You can press the Play button to hear the portion that will be left by the Truncate command...

Page 624: ...alog box 3 The range to be edited is shown by Range Start and End 4 In Save to No specify the save destination sample number By default an unused sample number will be selected If Overwrite is checked...

Page 625: ...In Save to No specify the save destination sample number By default an unused sample number will be selected If Overwrite is checked the sample number will be fixed to the current sample and cannot be...

Page 626: ...paste If you select No Assign for Sample Select and then open the dialog box for this command a vacant sample number will be selected automatically The Start and End settings will be ignored and will...

Page 627: ...evel of the clipped signal the waveform will remain distorted Also if executing Level with negative settings causes any portion of the sample data to reach a zero level the zero data will not return t...

Page 628: ...stination sample number By default an unused sample number will be selected If Overwrite is checked the sample number will be fixed to the current sample and cannot be changed See About Overwrite on p...

Page 629: ...fy the length over which the crossfade will occur If you specify a value the proportion in relation to the entire Front Sample will be calculated automatically If you specify 50 the last half of the F...

Page 630: ...n sample number By default an unused sample number will be selected If Overwrite is checked the sample number will be fixed to the current sample and cannot be changed See About Overwrite on page 605...

Page 631: ...al key of the source waveform 4 To execute Time Slice press the OK button To cancel without executing press the Cancel button When you press the OK button the attacks will be detected the sample will...

Page 632: ...rily correspond to the waveform level Depending on the sample the desired slicing may not occur even if you increase the Sensitivity If the attack portion of the following sample has overlapped into t...

Page 633: ...the hi hat attack is heard cleanly Pay attention to these points as you adjust Sensitivity If necessary use the methods described above to edit each sample The noise occurring at the end of the sampl...

Page 634: ...mediately Normally you will check both of these boxes If you choose the Pattern radio button pattern data will be created Use Song Pattern and Meter to specify the song number pattern number and time...

Page 635: ...ox where you can select the desired time stretch method 3 Use the radio buttons to select Sustaining Then press the OK button to execute or the Cancel button to cancel without executing If the L and R...

Page 636: ...l sample data will be displayed above and the R channel data below ZOOM This controls horizontal and vertical zoom in out for the waveform shown in the Sample waveform display 1 1f Start End Specify t...

Page 637: ...d value is incorrect change Source BPM to the correct value For example if you have a one measure 120 BPM sample in 4 4 time you would set Beat to 4 The Source BPM will be calculated automatically If...

Page 638: ...n re do the time stretch Execute Time Stretch using the same procedure as in step 5 If the sample slice locations are not appropriate this will also affect the result of Time Stretch For details on se...

Page 639: ...non linearly Sometimes a setting of Linear will produce the impression that the volume has dropped in the middle of the curve In such cases use Power 5 In Save to No specify the save destination samp...

Page 640: ...ect For more information please see Swap Insert Effect on page 122 Insert IFX Slot For more information please see Insert IFX Slot on page 122 Cut IFX Slot For more information please see Cut IFX Slot...

Page 641: ...ster Fine Tuning message on the Global MIDI Channel This is a Universal System Exclusive message with the format F0 7F nn 04 03 vv mm F7 nn MIDI channel vv mm value Additionally MIDI RPN Fine Tune mes...

Page 642: ...m below Incoming data will automatically use the velocity curve number 4 shown in the right hand diagram With a setting of Post MIDI variations in keyboard playing dynamics and in the velocity of inco...

Page 643: ...um functionality will be disabled The Drum will not play even if the DRUM button is on Off unchecked The Drum will play normally based on the DRUM button setting Click ON OFF This turns the click soun...

Page 644: ...l be recalled to the NAUTILUS s RT control knobs 1 6 In the same way when you use SELECT button to switch the function of the knobs the value of these functions will be recalled and shown At this time...

Page 645: ...ams can show a graphic on the Home page instead of the Multisample Wave Sequence or Drum Kit names Each Program controls which graphics to show or whether to show the names instead For more informatio...

Page 646: ...er the arpeggio pattern memory will be protected On checked The following data cannot be written to or read from the arpeggio pattern memory of the NAUTILUS as it is protected Arpeggio patterns write...

Page 647: ...n PROGRAM COMBINATION and SEQUENCER modes if the Sampling page s Use Global Setting check box is On This can be set independently for each Program Combination and Song In other pages of GLOBAL mode if...

Page 648: ...h Solo operates depends on the setting of the Exclusive Solo menu command in the previously selected mode Exclusive Solo Off Multiple channels can be soloed The solo status will change each time you p...

Page 649: ...AUX 1 0 0 15 MON U 2 0 0 15 U 3 0 0 15 U 4 0 0 15 5 6 5 6 SHIFT 0 15 15 HI 0 12 12 MID 0 15 15 LO EQ 0 L R PAN SOLO 9 MUTE ALT 3 4 OL 20 U 0 0 U AUX 1 0 0 15 MON U 2 0 0 15 U 3 0 0 15 U 4 0 0 15 5 6...

Page 650: ...ime to complete the process which includes saving the settings to the internal drive Applying changes immediately Normally changes only take affect after the next restart To load and un load KSCs imme...

Page 651: ...load Check box If this box is checked the KSC will be auto loaded If it is un checked the KSC remains in the list but is not auto loaded You can keep frequently used KSC files in the list for easy ac...

Page 652: ...want to proceed Cancel OK If you press OK the system clears all RAM and EXs sample data and then goes through the auto load process immediately Note that this may take time to complete The Do auto lo...

Page 653: ...ividual items from the list and then use the Unload or Change load method buttons to affect the selected items To select two or more items at once enable the Multiple Select check box below the list T...

Page 654: ...the list of stereo Samples or Multisamples However the remaining channel is still available as a mono sound Change load method Change load method This button lets you change how the currently selected...

Page 655: ...P to Off Cable unplugged appears if the NAUTILUS initially connected with the network but the cable was then physically disconnected DHCP timed out appears if the Address Method is set to DHCP but the...

Page 656: ...s method is set to Manual Otherwise these parameters are grayed out A detailed discussion of TCP IP is outside the scope of this manual If you need more information about how to configure the TCP IP s...

Page 657: ...p 684 Set Program Bank Type p 684 Change all bank references p 685 Touch Panel Calibration p 685 Half Damper Calibration p 685 LCD Setup p 686 Update System Software p 686 Display Public ID p 687 Auto...

Page 658: ...n as a 2D code Use the camera on your smartphone or other device to read the 2D code and view download the PDF data v 0 9 Page Menu Commands Write Global Setting p 684 Set Program Bank Type p 684 Chan...

Page 659: ...n following IFX sends 1 2 MFX 1 2 and TFX1 2 use the global MIDI channel when in the PROGRAM or SAMPLING mode while in the COMBINATION or SEQUENCER modes use the channel specified separately by Ctrl C...

Page 660: ...ing specifies whether even numbered odd numbered or all note numbers will be sounded when note data is received from the NAUTILUS s keyboard or from an external MIDI device By connecting the NAUTILUS...

Page 661: ...Clock messages are received It will then switch back to internal tempo in the following circumstances If after receiving a MIDI Clock Start or Continue message no new MIDI Clock message is received w...

Page 662: ...ARP Module Off Local Control On On You can also use MIDI input to trigger ARP For instance you can control ARP from an external controller Or use an external sequencer to record only the notes you ph...

Page 663: ...ion in SET LIST mode Combination Change Off On On checked When in COMBINATION P0 Play an incoming program change message on the global MIDI channel set by MIDI Channel 1 1a will switch Combinations Th...

Page 664: ...and stops in response to the global MIDI channel However you can also play the drums Program directly via MIDI on a separate channel and optionally transmit the drum Pattern step sequence to MIDI out...

Page 665: ...r pedal connected to the DAMPER jack If the polarity does not match operating the damper pedal will not produce the correct result If no damper pedal is connected set this to Korg Standard Korg Standa...

Page 666: ...ge messages to the DRUM button GATE Off MIDI CC 00 MIDI CC 119 Assigns control change messages to the ARP DRUM Gate knob VELOCITY Off MIDI CC 00 MIDI CC 119 Assigns control change messages to the ARP...

Page 667: ...tch approximately a semitone below normal pitch A setting of 99 raises the pitch approximately a semitone above normal pitch The note can also be selected by holding down the ENTER button and playing...

Page 668: ...IDI CC to the RT control knobs 1 5 which are used when ARP DRUM is selected with the SELECT button For more information see 2 1b MIDI CC Assign Controllers on page 655 2 3a Special Function Assignment...

Page 669: ...transpose the NAUTILUS s local keyboard up or down by one octave CC values 64 127 activate the transposition and values 0 63 turn deactivate it Important Note that these affect the local keyboard onl...

Page 670: ...ign a Program or Combination to a category and sub category during the Write process For more information see Write Program on page 112 and Write Combination on page 433 To save changes to category na...

Page 671: ...mands Write Global Setting p 684 PAGE p 126 MODE p 126 3 2 Combi Category This specifies the combination category and sub category names For more information see 3 1 Program Category v 3 2 Page Menu C...

Page 672: ...e complex evolving timbres Modulating the Start Step Position and Duration makes the sound even more organic so that every note can play the Wave Sequence a little differently Velocity Switching Wave...

Page 673: ...of the up beats relative to the Wave Sequence s Resolution setting For instance if the Resolution is set to 1 8 Swing affects every other 8th note When Swing is set to 100 these notes will be moved o...

Page 674: ...modulation moves the Start Step later in the sequence to the limit of the End Step End Step 1 64 This sets the number of steps in the Wave Sequence Length Read Only 1 64 This read only display shows t...

Page 675: ...will make the Wave Sequence play as follows 1st note 2 3 4 5 6 2nd note 3 4 5 6 3rd note 4 5 6 4th note 5 6 5th note 6 6th note 2 3 4 5 6 7th note 3 4 5 6 8th note 4 5 6 9th note 5 6 10th note 6 11th...

Page 676: ...100 times shorter than their programmed settings 400 means that at the maximum AMS value step durations and crossfade times will be four times longer than their programmed settings Put another way va...

Page 677: ...e Banks There are four types of Multisample Banks ROM SAMPLING mode EXs and User Sample Banks ROM Multisamples are the built in factory sounds and are always available Smp SAMPLING Mode Multisamples a...

Page 678: ...note Xfade 0ms 10 sec This determines the time it takes to fade into the next step For example Step 1 s Crossfade determines the time to fade between Step 1 and Step 2 Crossfades use millisecond unit...

Page 679: ...pecified percentage Duration Time dialog box Expand Compress 0 100 000 100 means the current duration and crossfade times Values 99 and below make the times shorter and values 101 and above make them...

Page 680: ...if it were in the Program s Oscillator 1 The Drum Kit in Oscillator 2 will continue to sound as well although you can t edit it directly OSC1 Basic Octave setting In order for the note mappings to mat...

Page 681: ...contents Note GM0 GM8 are GM2 compatible preset Drum Kits As with GM bank Programs they can be edited but must be saved to a non GM location KEY C 1 G9 Selects the key to which the drum sample and its...

Page 682: ...ibed below Smp file name will appear when a User Sample Bank has been loaded into SAMPLING mode The name is the file name itself along with those of all its enclosing folders EXs These are the NAUTILU...

Page 683: ...e Xfade Range is set to 20 DS2 will start to fade in at velocities of 84 and below When velocities are within the Xfade Range the Oscillator will use twice as much polyphony as it would normally Note...

Page 684: ...g this value to the amp EG Decay Time of the Program that uses this drum kit Transpose 64 63 Adjusts the pitch in semitone steps 12 is one octave up and 12 is one octave down Tune 99 99 This adjusts t...

Page 685: ...lied to the Low Gain Mid Gain and High Gain PROGRAM 4 9a settings of the programs that use this drum kit DS2 7 and DS8 Low These are the parameters for the remaining drum samples The parameters are th...

Page 686: ...ceive is checked note off messages will be received and the sound will stop the release segment of the EG will begin when the key is released 5 3b Mixer Drum kits will sound using the settings of the...

Page 687: ...Random L001 C064 R127 Specifies the panning for each key L001 places the sound at far left and R127 places the signal at far right With a setting of Random the drum sample will be panned randomly at...

Page 688: ...e arpeggiator was off when you switched from SEQUENCER mode you can use the ARP button to turn it on However the arpeggiator may not sound even when turned on depending on the settings Check the arpeg...

Page 689: ...Resolution in the specified number the pattern returns to the beginning Edit Opens the ARP Pattern Edit dialog box Arpeggio Tone Mode Normal Fixed Note This sets the Tone type for the arpeggio patter...

Page 690: ...n For example when Resolution in the Scene 1 4 Setup detailed settings dialog box is set to and you input an eight beat rhythm you ll get an eight beat swing effect x4 Swing will be applied to steps 5...

Page 691: ...ibuted when multiple Tones are assigned to the same step 00 All Tones will sound simultaneously 01 to 99 The sounds will be distributed and played in order of their Tone number When Sort is on they wi...

Page 692: ...ton Demo options are installed on the system but have not yet been purchased and authorized When an option is in demo mode you can play edit and save Programs Combinations and Songs which use it but u...

Page 693: ...zing options on the NAUTILUS below Purchasing option licenses from your Korg distributor If you do not have access to the internet your national Korg distributor will be happy to assist you in purchas...

Page 694: ...ite Global Setting to open the dialog box 2 To write the data press the OK button To cancel without writing press the Cancel button Do not turn off the power for at least 10 seconds after using the Wr...

Page 695: ...e dialog box 2 If you are unable to select this command from the page menu go to the Basic Setup page and then hold down the ENTER button and press QUICK ACCESS D button This will call up the calibrat...

Page 696: ...m any part of the system press the GLOBAL button to enter GLOBAL mode and press the EXIT switch up to four times This always takes you to the first page of the selected mode 8 Open the menu and select...

Page 697: ...dialog box indicating the time until automatic power off will appear immediately after start up The dialog box will close automatically after a few seconds The hourglass icon shows how much time is l...

Page 698: ...ank or a single Combination For more information see System Exclusive Data Dumps on page 689 Dump Drum Kit This command lets you send the internal memory s Drum Kit data as a System Exclusive data dum...

Page 699: ...he data was transmitted 3 Turn on the Enable Exclusive check box in the MIDI Filter section of the GLOBAL P1 MIDI page 4 Transmit the data from the other device For the procedure refer to the owner s...

Page 700: ...y located at the right as well Stretch cannot be selected if To is User All Notes Scale 3 In To selects the copy destination scale 4 To execute the Copy Scale command press the OK button To cancel pre...

Page 701: ...to execute the Write Drum Kit command or press the Cancel button to cancel without executing Do not turn off the power for at least 10 seconds after using the Write Drum Kit command This allows the sy...

Page 702: ...e Another dialog box will appear showing that the uninstall is in progress After the uninstall is complete a third dialog box will appear EXs name and number sample data deleted Related PCG KSC etc ma...

Page 703: ...files and directories as DOS files and DOS directories Different types of DOS file are distinguished by the extension added to their filename In the case of a DOS file with an extension other than li...

Page 704: ...P 1 effect All presets U 1 effect 1 preset P 1 effect 1 preset U Partition AKAI S1000 S3000 Volume AKAI format Program file AKAI format Sample file KMP file KSF file WAV file 16bit AIF file MID file E...

Page 705: ...being played through the parameter settings of the previously selected Program or Combination This includes filter settings envelopes etc So before you start auditioning sounds it s best to first sel...

Page 706: ...listen to the media directly without loading it The sound will likely not play correctly if you have not loaded the relevant RAM or EXi samples For Combinations the Programs for the timbre in use wil...

Page 707: ...one Section Size This is the size of the file in bytes Date This is the date and time at which the file was saved From the left this is the year month day hour minute and second To set the current dat...

Page 708: ...File date and time The NAUTILUS contains an internal calendar and clock When you save a file it is marked with the current date and time This can be particularly helpful if you have more than one vers...

Page 709: ...g any of the Utility commands This allows the system time to complete the process which may continue in the background even after the drive operation appears to be complete v 0 3 Page Menu Commands Hi...

Page 710: ...ype The type of format If not formatted this will indicate Unformatted Total Size The capacity of the media in bytes Free Size The free capacity of the media in bytes Write Protect The write protect s...

Page 711: ...e entry in the form of name St This can make long lists more compact and easier to read When this is disabled shown as un checked in the menu the left and right channels of stereo Multisamples Drum Sa...

Page 712: ...cases If when loading a KSC file a KMP file used by it cannot be found If when loading a KMP file a KSF file cannot be found If when loading an S1000 S3000 format Program file a Sample file cannot be...

Page 713: ...ee diagram below Select this method when you wish to load song data from drive without erasing the song data that is already in memory The region data used by the song s audio tracks will be loaded fo...

Page 714: ...the bank you specify 1 In To select the loading destination bank 2 To load the data press the OK button To cancel without loading press the Cancel button Note Data cannot be loaded into INT G You can...

Page 715: ...nvenient when you want to audition the combination to be loaded See Auditioning sounds from disk on page 695 2 In To Combination lower line select the bank and combination into which the data will be...

Page 716: ...For the Arp Pattern upper row when loading an arpeggio pattern other than the one selected reselect the arpeggio pattern to load Note The selected arpeggio pattern will sound when you play the keyboar...

Page 717: ...ong numbers starting after the last song in memory which contains data At this time the song data in the SNG file being loaded will be packed forward See the diagram SNG Allocation on page 703 Select...

Page 718: ...Load Pattern Data The selected user pattern will be loaded into a user pattern of the selected loading destination song 1 If you wish to load a user pattern other than the one already selected use Pat...

Page 719: ...be loaded 1 To load the data press the OK button To cancel without loading press the Cancel button Load Presets P01 15 Preset preset data P01 15 for the selected effect will be loaded Load Presets P01...

Page 720: ...All data from the EXL file will be loaded and transmitted from the MIDI OUT connector 1 If the EXL file contains two or more exclusive data items use Transmit Interval Time to specify the time interv...

Page 721: ...are useful Wildcards are two special characters the asterisk and question mark which stand in for any other characters The question mark stands for any single character such as 4 y or _ the asterisk...

Page 722: ...y to EXs and User Sample Bank data SAMPLING mode data is always loaded into RAM RAM The samples will be loaded into RAM This has the advantage of allowing reverse playback Virtual Memory The samples w...

Page 723: ...loading a file that was saved across media on page 702 Since sample RAM overflow checking is performed when loading each KSF file an overflow may occur during the loading process Load KSF The selected...

Page 724: ...multisamples When the above files are loaded L and R will automatically be moved to the end of the sample name or multisample name 23 and 24 character so that they can automatically be recognized as...

Page 725: ...ample names end in L and R an L and R will automatically be added to the end 23 and 24 characters of the multisample name Note When you load two multisamples whose multisample names are identical exce...

Page 726: ...s a stereo multisample In some cases depending on the structure of the sound data the data will be converted into multiple programs and one combination when you load it In this case the maximum number...

Page 727: ...those Programs To ensure that those Combinations and Songs sound correctly all Programs that they require will also be loaded even if they use only ROM data Program data whose bank type is EXi will no...

Page 728: ...All lets you save all of the internal data to disk in a single step including PCG file Programs combinations drum kits Arpeggio Pattern wave sequences global settings SNG file Songs region data KSC fi...

Page 729: ...t 1 Select Save PCG SEQ to open the dialog box Save PCG SEQ Data 2 Use the text edit button to open the text edit dialog box and set the name as desired The name will be shared by all of the saved fil...

Page 730: ...d will contain the WAVE files used by the regions of each audio track in each song File red Save Sampling Data This command lets you save any or all of the data from SAMPLING mode either created throu...

Page 731: ...P 001 108bpmDrLoop00 108BP001 KMP One Sample The selected sample will be saved as a KSF file The filename will automatically be set to the first four characters uppercase of the sixteen character Samp...

Page 732: ...d of the on screen keyboard For more information see Editing names and entering text on page 202 of the OG 4 To save the data press the OK button To cancel without saving press the Cancel button Save...

Page 733: ...F Sample selected for index 002 MS001002 AIF When exporting All Samples or Samples in One MS and all of the sample data does not fit on one volume of media another dialog box will appear directing you...

Page 734: ...owed by any single character will be copied i e PRELOAD1 PCG PRELOAD2 PCG PRELOAD3 PCG etc When wildcards are used only files will be copied Directories will not be copied Delete This command deletes...

Page 735: ...d Be sure to double check before you format After formatting it is not possible to execute Page menu command Compare to return to the previous state 1 Make sure that the media you want to format is in...

Page 736: ...oard commercially available is connected you can use this to enter text instead of the on screen keyboard For more information see Editing names and entering text on page 202 of the OG 5 Press the OK...

Page 737: ...appear and the installation is complete The EXs sample data itself is installed on an invisible protected part of the drive To use the EXs you ll load its associated files KSC PCG etc for the location...

Page 738: ...MEDIA mode 728...

Page 739: ...fect on the Insert FX page The settings cannot be saved here P01 P15 This area includes the preset data U00 U15 This area is for saving user settings Some effects do not contain preset data This will...

Page 740: ...ch song In SEQUENCER mode you can switch between effects or modify the effect parameters and record these changes so that effects will switch automatically or effect parameters will be modified automa...

Page 741: ...pes or parameter settings may cause oscillation to occur If this occurs adjust the input level output level or effect parameters Please be aware of this particularly when using an effect that has a hi...

Page 742: ...e Note and Times x parameters to set the rhythmic value of the LFO For instance if you set Base Note to 1 8 and Times x to 2 each cycle of the LFO will last for a quarter note two eighth notes Synchro...

Page 743: ...S includes two stereo FX Control Buses which can be used with the following effects Vocoder 026 Vocoder Compressor limiter and gate effects 002 Stereo Compressor 003 Stereo Expander 005 Stereo Limiter...

Page 744: ...Vocoder PROGRAM mode Vocoder effects produce their distinctive sound by using an audio signal the modulator to modulate a different audio signal the carrier In the diagram the combined output of OSC1...

Page 745: ...FX Control Bus input You can save the effect in this state At this point the compressor is simply serving as a way to access the FX Control Bus and you can use it to start the parallel branch of the e...

Page 746: ...r1 2 MS 20EX MG EG and Modulation page Volume MS 20EX Patch Panel page Output Volume PolysixEX Main page Level MOD 7 Oscillator page Output Level MOD 7 Oscillator page Filter Output Level MOD 7 Filter...

Page 747: ...r to L001 and R127 respectively Example IFX1 148 P4EQ Phaser Track 1 Piano is sent to the L channel P4EQ and Track 2 E Piano is sent to the R channel Phaser Use the IFX Insert FX page Pan parameter to...

Page 748: ...ROGRAM 8 5a to specify the destination to which the signal will be chained If you check the IFX1 checkbox the output of IFX1 will be sent to the input of the IFX you specify in Chain to Effects can be...

Page 749: ...ting 739 If you de select the box all drum instrument outputs are sent to the bus specified by Bus Select PROGRAM 8 1c You may apply any Insert Effects to all drum instruments regardless of the DrumKi...

Page 750: ...erting a separate IFX into each timbre and inserting another IFX later Example Sharing part of a timbre s IFX chain with another timbre As with PROGRAM mode select L R IFX1 12 1 4 1 2 3 4 or Off for e...

Page 751: ...ugh the TFX1 and 2 then goes to AUDIO OUTPUT MAIN L MONO and R In the diagram Fig 2 2b IFX1 s Chain check box is checked and Chain to set to IFX2 sending the output of IFX1 to IFX2 Timbre 1 is being p...

Page 752: ...to the Programs used by other timbres and tracks you can view the routing so that these DrumKit sounds are routed to IFX3 and IFX7 respectively Patching is possible only if the Bus Select GLOBAL 5 3b...

Page 753: ...Insert Effects IFX1 IFX12 Routing 743 Fig 2 2e...

Page 754: ...effect while sampling choose IFX1 12 In the example shown in the diagram Fig 2 3a the signal from AUDIO INPUT 1 and 2 is being sent to IFX1 Use the IFX page to select an insert effect and edit its pa...

Page 755: ...external audio sources to audio tracks In each mode use Audio Input Sampling page to make settings for the audio inputs Alternatively you can check Use Global Settings and use the GLOBAL mode Audio s...

Page 756: ...fy the destination bus for the post IFX signals L R is a common setting to send signals to the Total Effects TFX1 TFX2 before they are routed to the OUTPUT MAIN L MONO and R outputs Select 1 4 or 1 2...

Page 757: ...n play a guitar through NAUTILUS IFX while listening to a ARP drum phrase and record the processed guitar without recording the drums Individual Programs Combi Timbres Sequencer Tracks both MIDI and A...

Page 758: ...that timbre will be valid if any IFX1 12 is set to All Routed regardless of the drum kit s Bus Select settings and the settings of the Drum Kit IFX Patch page menu command SEQUENCER mode Use Ch param...

Page 759: ...ts 001 197 Mono Mono Parallel 141 P4EQ P4EQ 185 Mt BPM Dly Mt BPM Dly These effects are typically stereo in stereo out but they have a special structure The L channel and R channel of the stereo input...

Page 760: ...age for the post IFX1 12 signals to set the Master Effect send level If you have set Bus Select to L R or Off Send1 to MFX1 and Send2 to MFX2 of the Routing page are effective These parameters can be...

Page 761: ...If Send1 to MFX1 and Send2 MFX2 for each timbre track are effective the parameter will be controlled on the MIDI channels set for the corresponding timbres and tracks If the Send1 and Send2 parameter...

Page 762: ...e IFX Insert FX page settings post IFX1 12 Send1 and Send2 settings to adjust the send levels to the master effects Send1 can be controlled by receiving CC 93 and Send2 by receiving CC 91 These parame...

Page 763: ...ed by the Return1 or Return2 value is sent to the L R bus and mixed with the IFX Routing page Bus Select L R or Insert FX page Bus Select L R output For example with MFX1 Wet Dry set to 50 50 50 and R...

Page 764: ...n COMBINATION and SEQUENCER modes the control channel for MFX1 and MFX2 are specified by the Ch Control Channel setting in the MFX1 and 2 pages You can choose Ch01 16 or Gch Ch01 16 Select this option...

Page 765: ...s if 000 No Effect is selected Separately from this ON OFF button MIDI control change CC 95 can be received to turn TFX1 and TFX2 off A control change value of 0 turns them off and a value of 1 127 re...

Page 766: ...s are controlled on the global MIDI channel COMBINATION and SEQUENCER modes In COMBINATION and SEQUENCER modes the control channel for TFX1 and TFX2 are specified by the Ch Control Channel setting in...

Page 767: ...rmance setups If the signal is going through one or more insert effects the output is set at the last IFX in the chain via the Bus Select parameter on the IFX Insert Effects page If a Program Timbre o...

Page 768: ...t Mixer Block Diagram in Program Mode P8 Insert Effect Post IFX Send1 2 P9 Master Total Effect Analog Input 1 Analog Input 2 Bus Select L R Bus Select IFX5 Program P0 Audio Input Sampling Drum Track B...

Page 769: ...FX Send1 2 P9 Master Total Effect Analog Input 1 Analog Input 2 Bus Select L R Bus Select IFX5 Combi Seq P0 Audio Input Sampling Combi Seq P0 Audio Input Sampling Input Send1 Send2 USB IN 1 Bus Select...

Page 770: ...t Sampling Sampling P0 Audio Input Sampling Input Send1 Send2 USB IN 1 Bus Select L R Bus Select L R Bus Select L R IFX6 Bus IFX6 IFX7 Bus IFX7 Bus Select L R stereo stereo Bus Select L R IFX8 Bus IFX...

Page 771: ...ut signal in stereo L R Mix is generally the best choice for stereo signals this compresses both channels equally based on the combined volumes of the left and right channels L R Individually splits t...

Page 772: ...00 Sensitivity 40 Dry Wet Time Level Dyna Compressor Sensitivity Louder Dry Wet Time Level Attack 80 Attack 20 Dyna Compressor Attack The light gray area shows the Soft Knee Width Notice how the slope...

Page 773: ...se it to alter the response of the compressor so that it reacts or does not react only to specific frequencies For instance if you want the compressor to ignore cymbal crashes adjust the sidechain EQ...

Page 774: ...rately follow changes in the trigger input Gain Adjust dB Inf 38 24 Sets the output gain It s often useful to increase the gain since compression causes the entire level to be reduced Source Off Tempo...

Page 775: ...ion see Attack msec on page 764 Release msec 5 5000 Sets the release time For more information see Release msec on page 764 Lookahead Check box Switches level detection look ahead expander input delay...

Page 776: ...d only the bands for which this is On will be heard Normally this should be turned Off for all bands Bypass Check box You can bypass compression for each band individually When this is On you ll hear...

Page 777: ...For more information see Attack msec on page 764 Release msec 5 5000 Sets the band s release time Gain dB 18 0 18 0 Sets the band s output gain OUTPUT This is the standard effects output section with...

Page 778: ...hain EQ See Side Chain Monitor on page 763 SIDE CHAIN EQ This EQ applies only to the control signal and not to the main audio path Use it to alter the response of the limiter so that it reacts or does...

Page 779: ...for each range to adjust the relative levels of the low mid and high ranges with very different results from EQ Threshold Offsets The three bands share common settings for ratio attack and release ti...

Page 780: ...version 006 Multiband Limiter above LIMITER Ratio 1 0 1 50 0 1 Inf 1 Sets the signal compression ratio For more information see Ratio on page 763 Threshold dB 40 0 Sets the level above which the compr...

Page 781: ...Generally settings between 1 0 and 5 0 milliseconds will be most effective For more information see Release msec on page 764 OUTPUT Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and t...

Page 782: ...parameters are identical to those in the Stereo Limiter for more information see SIDE CHAIN EQ on page 768 GATE Threshold 0 100 Sets the level at which gating is applied Note that this does not apply...

Page 783: ...input signal FX Control Bus 1 or FX Control Bus 2 p 762 Envelope Select L R Mix Left Right Selects whether the compressor is linked between left right controlled only by the left signal only by the ri...

Page 784: ...Hz 50 10 00k Sets the center frequency of Band 2 Q 0 5 10 0 Sets the bandwidth of Band 2 Gain dB 18 0 18 0 Sets the gain of Band 2 Band3 Fc Hz 300 10 00k Sets the center frequency of Band 3 Q 0 5 10...

Page 785: ...from 80Hz to 18kHz if you route three Graphic 7Band EQ effects in series with a setting of 7 Low 9 Mid and 11 High for each EQ Trim 0 100 Sets the input level Band1 8 Gain dB 18 0 18 0 These controls...

Page 786: ...ing type Q 0 5 10 0 Sets the bandwidth of the Mid EQ Gain dB 18 0 18 0 Sets the gain of the Mid EQ High Cutoff Hz 500 20 00k Sets the cutoff frequency of the High EQ shelving type Gain dB 18 0 18 0 Se...

Page 787: ...Positive values give a frequency pattern to be emphasized different from negative values Source Off Tempo Selects the modulation source for the Exciter intensity Amount 100 Sets the modulation amount...

Page 788: ...high frequency gain will be modulated OUTPUT This is the standard effects output section with modulatable control over wet dry balance For more information see OUTPUT on page 762 016 Stereo Wah Auto W...

Page 789: ...the LFO uses the frequency or tempo sync of the selected Common LFO so that you can synchronize multiple LFO based effects together For more information see Common FX LFOs on page 733 Common LFO Phase...

Page 790: ...LFOs For more information see LFO Type on page 779 Common LFO Phase Offset degrees 180 When Type is set to Common FX LFO 1 or 2 this lets you offset the phase from the master LFO WAH Mode Preset Cust...

Page 791: ...the Step Freq Phase degrees 18 18 This sets the LFO phase difference between the left and right in steps of 10 degrees Offsetting the left and right phases alters how modulation is applied to the left...

Page 792: ...s the cutoff frequency center frequency Source Off Tempo Selects the modulation source of the cutoff Amount 100 Sets the modulation amount of the cutoff Depth 0 100 Sets the depth to which the LFO wil...

Page 793: ...itivity with which very low harmonics are added Shape 100 Sets the oscillator s volume envelope curve SUB OSCILLATOR OSC Mode Note Key Follow Fixed This determines whether the oscillator frequency fol...

Page 794: ...apply the effect to a higher range sound set this parameter to a higher value to apply the effect to a lower range sound set this to a lower value Resonance 0 100 Sets the Level of resonance of the v...

Page 795: ...th With lower settings the sound may be distorted and the volume may increase You can use the Output Level parameter below to adjust the volume as necessary Output Level 0 100 Sets the output level So...

Page 796: ...ccurs once every rotation of the turntable This simulation reproduces record noise and the noise generated after the music on a vinyl record finishes Source Off Tempo Selects the modulation source for...

Page 797: ...Selects the cutoff frequency low or mid low of the low range equalizer LEQ Gain dB 15 0 15 0 Sets the gain of the Low EQ HEQ Fc High Mid High Selects the cutoff frequency high or mid high of the high...

Page 798: ...able control over wet dry balance For more information see OUTPUT on page 762 026 Vocoder Vocoder overview Vocoder effects superimpose the timbre of one signal the modulator onto that of a second sign...

Page 799: ...noise if desired You can also modulate the Noise Level using Dmod controlled by the Source and Amount parameters below Source Off Tempo Selects the modulation source for the Noise Level Amount 100 Se...

Page 800: ...the distortion Use this to create a sharper tone Drive Mode Overdrive Hi Gain This switches between two different distortion timbres overdrive and hi gain distortion Drive 1 100 The amount of distorti...

Page 801: ...Sets the degree of distortion For more information see DRIVE on page 790 Direct Mix 0 50 Amount of the dry sound mixed to the distortion Speaker Simulation Check box Speaker simulation on off Output...

Page 802: ...93 Gain 0 100 Sets the input gain Volume 0 100 Sets the output level Source Off Tempo Selects the modulation source for the output level Amount 100 Sets the modulation amount of the output level Bass...

Page 803: ...el of a high end 100W hand made amp BOUTIQUE CL Clean channel of a high end hand made 100W amp BLACK 2x12 2x12 combo amp indispensable for country or blues players TWEED 1x12 Combo amp covered in twee...

Page 804: ...mulates a bass amp BASS AMP MODEL Type LA STUDIO JAZZ GOLD PANEL SCOOPED VALVE2 VALVE CLASSIC Selects the type of the amplifier For more information see 034 Bass Amp Model Cabinet on page 795 Volume 0...

Page 805: ...e modulation amount of the output level Bass 0 100 Sets the bass low range level Middle 0 100 Sets the middle mid range level Mid Range 0 4 Sets the mid frequency range Treble 0 100 Sets the treble hi...

Page 806: ...s the presence high frequency tone CABINET SIMULATOR Cabinet Sim SW Check box Switches the cabinet simulator on off Cabinet Type LA 4x10 MDN 4x10 MTL 4x10 CLS 8x10 UK 4x12 STD 1x15 JAZ 1x15 AC 2x15 US...

Page 807: ...ill be inverted between stage 1 and stage 2 Since Bias is applied to the inverted signal in stage 2 this will change the tonal character TUBE PREAMP2 Low Cut Hz Thru 21 8 00k High Cut Hz 53 20 00k Thr...

Page 808: ...e Bias 0 100 This expresses the effect that changes in vacuum tube bias have on the distortion of the waveform Higher settings of this value will produce distortion even at low gain levels Since this...

Page 809: ...in Hz MIDI Tempo Sync Check box BPM MIDI 40 00 300 00 Base Note Times x1 x32 When MIDI Tempo Sync is on the LFO speed is set by BPM Base Note and Times instead of Frequency For more information see M...

Page 810: ...hase degrees 180 180 Sets the LFO phase difference between the left and right See Phase degrees on page 781 Frequency Hz 0 02 20 00 This sets the LFO speed in Hz It applies only when MIDI Tempo Sync b...

Page 811: ...he left and right channels LFO1 Frequency Hz 0 02 30 00 This sets the speed of LFO1 in Hz LFO2 Frequency Hz 0 02 30 00 This sets the speed of LFO2 in Hz Source Off Tempo Selects a source to modulate t...

Page 812: ...LFO Phase Ofs deg 180 180 When Type is set to Common FX LFO 1 or 2 this lets you offset the phase from the master LFO OUTPUT This is the standard effects output section with modulatable control over...

Page 813: ...t chorus flanger units in series or in parallel If placed in series feedback can be applied to the sound that has passed through the two chorus modules creating even more complex modulation CHORUS1 Ma...

Page 814: ...n the diagram Routing Dual Serial Selects parallel or serial connection for chorus 1 and 2 If Routing is set to Serial the Chorus 1 Output Level Chorus 2 Output Level and Chorus 2 Feedback settings ar...

Page 815: ...more shimmering making the chorus effect more complex and richer OUTPUT This is the standard effects output section with modulatable control over wet dry balance For more information see OUTPUT on pag...

Page 816: ...ce between the left and right See Phase degrees on page 781 Frequency Hz 0 02 20 00 This sets the LFO speed in Hz It applies only when MIDI Tempo Sync below is Off Source Off Tempo This selects a modu...

Page 817: ...od When Sweep Mode is set to EG the envelope generator controls the flanger Note that this is the effect s own EG and isn t related to the Program s other EGs Filter Amp etc The Source parameter below...

Page 818: ...Dry will enhance the effect For maximum intensity set Resonance and Wet Dry so that they are either both positive or both negative this emphasizes the phaser s harmonic peaks High Damp 0 100 This set...

Page 819: ...ase degrees 180 180 Sets the LFO phase difference between the left and right See Phase degrees on page 781 Frequency Hz 0 02 20 00 Step Frequency Hz 0 05 50 00 Source Off Tempo Amount 20 00 20 00 Step...

Page 820: ...triggers the EG when EG is selected for Sweep Mode or modulation source that causes the phaser to sweep when Dmod is selected for Sweep Mode For more information see Source on page 807 EG Attack 1 100...

Page 821: ...g Dual Serial Selects whether the phasers are connected in parallel or in series If Routing is set to Serial the Phaser 1 Output Level and Phaser 2 Output Level settings are ignored Output Mode Mono S...

Page 822: ...Sets the depth of LFO modulation Source Off Tempo Selects the modulation source of the LFO modulation depth Amount 100 Sets the modulation amount of the LFO modulation depth LFO Waveform Triangle Sin...

Page 823: ...ount See Feedback on page 800 High Damp 0 100 Sets the amount of high frequency attenuation for the feedback path LFO Waveform Triangle Sine Selects the LFO Waveform Shape 100 Changes the curvature of...

Page 824: ...s applies to both LFO and Dmod LFO Frequency Hz 0 02 20 00 This sets the LFO speed in Hz It applies only when MIDI Tempo Sync below is Off MIDI Tempo Sync Check box BPM MIDI 40 00 300 00 Base Note Tim...

Page 825: ...er below Note that this requires you to manually trigger the effect otherwise you won t hear the Doppler at all Dmod Sync Check box When this is On and Mode is set to Loop you can reset the LFO via Dm...

Page 826: ...Cross Fade This controls how the dry sound is mixed with the effected sound To use this parameter effectively set Wet Dry to Wet Always On The dry sound is always heard at the output and the scratch e...

Page 827: ...over wet dry balance For more information see OUTPUT on page 762 061 Stereo Tremolo This effect modulates the volume level of the input signal The effect is stereo and offsetting the LFO of the left...

Page 828: ...e envelope is at maximum Modulation Example The graphic below shows an example of tremolo modulation with negative modulation of both Depth and Frequency At the start of the note the input is at maxim...

Page 829: ...ght channels Frequency Hz 0 02 20 00 This sets the LFO speed in Hz It applies only when MIDI Tempo Sync below is Off Source Off Tempo This selects a modulation source for the Frequency Amount 20 00 20...

Page 830: ...set both simultaneously Phaser the phaser s left and right LFOs are in phase with one another Phaser LR the phaser s left and right LFOs are 180 degrees out of phase enhancing the stereo effect Tremol...

Page 831: ...lator frequency when OSC Mode is set to Fixed Source Off Tempo Selects the modulation source for the oscillator frequency when OSC Mode is set to Fixed Amount 12 00k 12 00k Sets the oscillator frequen...

Page 832: ...nc below is Off Source Off Tempo This selects a modulation source for the Frequency Amount 20 00 20 00 This sets the Frequency modulation amount in Hz MIDI Tempo Sync Check box BPM MIDI 40 00 300 00 B...

Page 833: ...ols the basic operation of the pitch shifter Slow preserves the tonal quality of the input but adds a fixed amount of delay This generally works best with moderate Pitch Shift settings Fast provides a...

Page 834: ...s raised and the pitch of the right channel is lowered Pitch Shift 1 2 steps 24 24 This sets the basic amount of pitch shifting in semitones You can also make precise adjustments using Fine cents belo...

Page 835: ...240 sets the tempo manually for this individual effect Time Over OVER The maximum delay time is 2 000msec If the channel s combination of BPM Base Note and Times exceeds this limit the error message...

Page 836: ...825 Time Over L OVER Display the error message if the left channel delay time exceeds the upper limit p 825 Time Over R OVER Display the error message if the right channel delay time exceeds the uppe...

Page 837: ...ntered LFO Waveform Triangle Square Selects the LFO Waveform Frequency Hz 0 02 20 00 Sets the LFO speed in Hz Source Off Tempo Selects a modulation source for LFO speed Amount 20 00 20 00 Sets the mod...

Page 838: ...Amount 20 00 20 00 Sets the modulation amount for controlling the vibrato speed OUTPUT This is the standard effects output section with modulatable control over wet dry balance For more information s...

Page 839: ...m a selected modulation source instead of just switching between Slow and Fast If you don t want to use manual control set this to Off HORN Ratio Stop 0 50 2 00 Adjusts the horn rotation speed which a...

Page 840: ...turn it on and values below 64 turn it off Gain 0 100 Determines the degree of distortion Level 0 100 Sets the overdrive output level Tone 0 15 Sets the tonal quality of the overdrive HORN These param...

Page 841: ...l always stay stopped regardless of the Speed Switch Horn Stop Phase degrees Free 180 180 When the Mode Switch is set to Stop the Horn gradually comes to rest pointing one way or another This allows y...

Page 842: ...the corresponding Amp1 or 2 setting If Amp Type Pre Amp turn this parameter Off MIC These settings model two pairs of stereo microphones recording the rotary speaker one pair each for the horn and ro...

Page 843: ...the feedback loop which damps reduces low frequencies Higher settings mean more damping resulting in increasingly highpassed lighter timbres as the feedback continues Spread 0 50 This controls the ste...

Page 844: ...mpo Selects the modulation source for the input level p 823 DELAY Stereo Cross Stereo Cross Switches between stereo delay and cross feedback delay L Delay Time msec 0 0 1360 0 Sets the delay time for...

Page 845: ...uency damping in the feedback loop See Low Damp on page 833 Spread 50 50 This controls the stereo width of the effect The stereo image is widest with a value of 50 and narrows to mono with a value of...

Page 846: ...the Dmod source modulates both left and right delays equally L R the Dmod source modulates left and right inversely for a deeper stereo effect Source Off Tempo Selects a modulation source to control t...

Page 847: ...s get softer when the input is loud the delays duck to get out of the way Gated delays in which the delays are louder when the input is loud For instance you can create a thick layered lead sound usin...

Page 848: ...ency damping in the feedback loop See Low Damp on page 833 LFO Waveform Triangle Sine Selects the LFO Waveform Shape 100 Changes the curvature of the LFO Waveform See Shape on page 782 Phase degrees 1...

Page 849: ...e Tap3 Position 0 100 Sets the delay time of Tap 3 as a percentage of Tap 1 s delay time Level and Pan 1 3 Each tap has its own controls for level and pan Tap1 3 Level 0 100 Sets the tap s output leve...

Page 850: ...the panning for band 1 Feedback 100 Sets the feedback amount for band 1 Amt Feedback Amount 100 Sets the amount of modulation for the band 1 feedback Low Damp 0 100 Sets the amount of low frequency a...

Page 851: ...the feedback alternates between playing backwards and forwards as shown below Feedback 100 Sets the feedback amount Source Off Tempo Selects the modulation source of feedback amount Amount 100 Sets t...

Page 852: ...modulation for the entire duration of the loop but do make sure to hold it for about half a second to ensure that the loop is completely cleared Manual Reset Control Check box This check box manually...

Page 853: ...ied modulation Source is 64 or higher Input the input signal will be recorded only when its level exceeds the Threshold level Source Off Tempo Selects the modulation source that controls recording whe...

Page 854: ...low The feedback time is always a quarter note Tap1 Pan L 1 99 R Sets the panning of Tap1 Tap2 Pan L 1 99 R Sets the panning of Tap2 Tap3 Pan L 1 99 R Sets the panning of Tap3 Tap4 Pan L 1 99 R Sets t...

Page 855: ...ed eighth note Level 0 50 Sets the output level of the Left Delay C Delay Base Note This sets the basic length of the Center Delay relative to the BPM setting Times x1 x32 This multiplies the length o...

Page 856: ...s the basic length of the Center Delay relative to the BPM setting Times x1 x32 This multiplies the length of the Center Delay s Base Note Level 0 50 Sets the output level of the Center Delay R Delay...

Page 857: ...e and Times is set to 3 the delay length will be a dotted eighth note Adjust 2 50 2 50 This adjusts the left channel delay time by up to 2 5 in either direction for subtle control over the feel of the...

Page 858: ...be a dotted eighth note Adjust 2 50 2 50 This adjusts the left channel delay time by up to 2 5 in either direction for subtle control over the feel of the delay R Delay Base Note This sets the basic...

Page 859: ...teenth note and Times is set to 3 the delay length will be a dotted eighth note Tap 2 Base Note This sets the basic length of Tap 2 relative to the BPM setting Times x1 x32 This multiplies the length...

Page 860: ...hase above For example if you set the Source to Gate 2 playing on the keyboard will reset the LFOs so that the modulation sounds the same at the start of each phrase The LFOs are reset when the modula...

Page 861: ...th of the Base Note For instance if the Base Note is set to a sixteenth note and Times is set to 3 the delay length will be a dotted eighth note R Delay Base Note This sets the basic length of the Rig...

Page 862: ...curs change the delay time parameters so that this message no longer appears Delay Tap1 Note This sets the basic delay time of Tap 1 relative to the system tempo The values range from a 32nd note to a...

Page 863: ...e error message OVER will appear If this occurs change the delay time parameters so that this message no longer appears Reverse Base Note This sets the basic length of the Reverse Delay relative to th...

Page 864: ...ncy attenuation Sync Source Off Tempo Selects the modulation source that will reset the point at which the sound is captured for reverse playback For more information see Reverse Time and Sync Source...

Page 865: ...of the initial reflections Setting both diffusers to around 50 generally produces sufficient diffusion for smooth reverbs extremely high levels may cause ringing Some source material such as vocals ma...

Page 866: ...verb Dry Plate below 102 Reverb Smooth Hall This hall type reverb simulates the reverberation of larger halls and stadiums and creates a smooth release For detailed explanations of the parameters see...

Page 867: ...lizer LEQ Gain dB 15 0 15 0 Sets the gain of the Low EQ HEQ Fc High Mid High Selects the cutoff frequency high or mid high of the high range equalizer HEQ Gain dB 15 0 15 0 Sets the gain of the High E...

Page 868: ...le control over wet dry balance For more information see OUTPUT on page 762 108 Early Reflections Hi Dens This early reflection effect has more precise early reflections with twice the maximum length...

Page 869: ...e Selects the decay curve for the early reflections For more information see Type on page 858 ER Time msec 10 1600 Sets the time length of early reflection OUTPUT This is the standard effects output s...

Page 870: ...Exciter effect For more information see Blend on page 777 MULTITAP DELAY Tap1 Time msec 0 0 1360 0 Sets the Tap1 delay time Tap2 Time msec 0 0 1360 0 Sets the Tap2 delay time Tap1 Level 0 100 Sets th...

Page 871: ...18 Sets the gain of Mid High EQ 1 Mid2 Fc Hz 500 20 00k Sets the center frequency for Mid High EQ 2 peaking type Q 0 5 10 0 Sets the band width of Mid High EQ 2 For more information see Q on page 774...

Page 872: ...input Negative values invert the phase of the wet signal This interacts with Feedback as described above Note 138 Cho Flanger Multitap Dly does not include Wet Dry modulation for the Chorus Flanger s...

Page 873: ...ction with modulatable control over wet dry balance For more information see OUTPUT on page 762 111 P4EQ Chorus Flanger This effect combines a mono four band parametric equalizer and a chorus flanger...

Page 874: ...114 Comp Wah This effect combines a mono compressor and a wah You can change the order of the connection Routing Routing Comp Wah Wah Comp Switches the order of the compressor and wah COMPRESSOR Pre E...

Page 875: ...rmation see OD HI GAIN on page 861 OUTPUT This is the standard effects output section with modulatable control over wet dry balance For more information see OUTPUT on page 762 117 Comp P4EQ This effec...

Page 876: ...r This effect combines a mono compressor and a phaser You can change the order of the effects Routing Routing Comp Phaser Phaser Comp Switches the order of the compressor and phaser When Routing is se...

Page 877: ...n see PARAMETRIC EQ on page 860 OUTPUT This is the standard effects output section with modulatable control over wet dry balance For more information see OUTPUT on page 762 122 Limiter Chorus Flanger...

Page 878: ...standard effects output section with modulatable control over wet dry balance For more information see OUTPUT on page 762 124 Limiter Multitap Delay This effect combines a mono limiter and a multitap...

Page 879: ...This is the standard effects output section with modulatable control over wet dry balance For more information see OUTPUT on page 762 127 Exciter Chorus Flanger This effect combines a mono limiter and...

Page 880: ...62 130 OD Hi Gain Amp Sim This effect combines a mono overdrive high gain distortion and an amp simulation You can change the order of the effects Routing Routing OD HG Amp Amp OD HG Switches the orde...

Page 881: ...N on page 861 PHASER This is a mono phaser effect For detailed information see PHASER on page 862 OUTPUT This is the standard effects output section with modulatable control over wet dry balance For m...

Page 882: ...lowered sampling on and off See Pre LPF on page 785 Sampling Frequency Hz 1 00k 48 00k Sets the sampling frequency High Damp 0 100 Sets the amount of high frequency attenuation BIT SHAPE For more inf...

Page 883: ...table control over wet dry balance For more information see OUTPUT on page 762 137 Amp Sim Tremolo This effect combines a mono amp simulation and a tremolo AMP SIM Amplifier Type SS EL84 6L6 Selects t...

Page 884: ...tput section with modulatable control over wet dry balance For more information see OUTPUT on page 762 140 Reverb Gate This effect combines a mono reverb and a gate REVERB Pre EQ Trim 0 100 Sets the E...

Page 885: ...and reverb output signals for controlling the gate Normally set Input Reverb Mix to Dry so that the gate is controlled only by the dry input If you wish to extend the gate time increase the Input Rev...

Page 886: ...gain of Band 4 OUTPUT Pan L000 C064 R127 Sets the stereo image Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Source Off Tempo Selects a modulation source for Wet Dry...

Page 887: ...Overdrive Hi Gain Switches between overdrive and high gain distortion Drive 1 100 Sets the degree of distortion Output Level 0 50 Sets the output level Source Off Tempo Selects the modulation source...

Page 888: ...s the feedback amount See Feedback on page 806 OUTPUT Pan L000 C064 R127 Sets the stereo image Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Source Off Tempo Selects...

Page 889: ...a modulation source for Wet Dry Amount 100 Sets the modulation amount for Wet Dry 141 P4EQ P4EQ This effect connects two four band EQ units in parallel The pan and effect balance can be adjusted inde...

Page 890: ...ects parameters see 4 band EQ on page 876 and OD HI GAIN on page 877 146 P4EQ Wah This effect connects a four band EQ and a wah in parallel The pan and effect balance can be adjusted independently for...

Page 891: ...arameters see 4 band EQ on page 876 and Multi tap BPM Delay on page 878 150 Comp Comp This effect connects two compressors in parallel The pan and effect balance can be adjusted independently for each...

Page 892: ...D HI GAIN on page 877 154 Comp Wah This effect connects a compressor and a wah in parallel The pan and effect balance can be adjusted independently for each For detailed information on the effects par...

Page 893: ...mpressor on page 876 and Multi tap BPM Delay on page 878 158 Limiter Limiter This effect connects two limiters units in parallel The pan and effect balance can be adjusted independently for each For d...

Page 894: ...ge 876 and WAH on page 877 162 Limiter Chorus Flanger This effect connects a limiter and a chorus flanger in parallel The pan and effect balance can be adjusted independently for each For detailed inf...

Page 895: ...ion on the effects parameters see Exciter on page 877 166 Exciter OD Hi Gain This effect connects an exciter and an overdrive in parallel The pan and effect balance can be adjusted independently for e...

Page 896: ...Exciter on page 877 and Phaser on page 878 170 Exciter Mtap BPM Dly This effect connects an exciter and a multitap BPM delay in parallel The pan and effect balance can be adjusted independently for ea...

Page 897: ...page 878 174 OD Hi Gain Phaser This effect connects an overdrive and a phaser in parallel The pan and effect balance can be adjusted independently for each For detailed information on the effects par...

Page 898: ...n page 878 178 Wah Phaser This effect connects a wah and a phaser in parallel The pan and effect balance can be adjusted independently for each For detailed information on the effects parameters see W...

Page 899: ...ly This effect connects a chorus flanger and a multitap BPM delay in parallel The pan and effect balance can be adjusted independently for each For detailed information on the effects parameters see C...

Page 900: ...PM delays in parallel The pan and effect balance can be adjusted independently for each For detailed information on the effects parameters see Multi tap BPM Delay on page 878 Left Right Wet Dry Pan We...

Page 901: ...nly a speed control this version adds depth control of the center frequency and more PHASER Depth 0 100 Sets the depth of LFO modulation Source List of Dmod Sources This selects a modulation source to...

Page 902: ...p You can use the Speed and Depth for an even broader range of possibilities than on the original device CHORUS Depth 0 100 Sets the depth of LFO modulation Source List of Dmod Sources This selects a...

Page 903: ...is controls the depth and direction of the Speed modulation MODE Mode Chorus Pitch Modulation Flanger This controls the basic sound of the effect Chorus is a standard chorus sound Pitch Modulation is...

Page 904: ...modulation Source List of Dmod Sources This selects a modulation source to control the Depth Amount 100 100 This controls the depth and direction of the Depth modulation Resonance 0 100 This controls...

Page 905: ...a a modulation source just like a wah pedal Pedal Wah These parameters apply only when the Mode is set to Pedal Wah Source List of Dmod Sources This selects a modulation source to control the wah freq...

Page 906: ...hard wired to scale the channel volume level So despite the similar name it s best to use another controller as a Dmod source Mode Level Only Dmod Only Both Scale Both Overwrite This controls how the...

Page 907: ...tary Speaker Mode Toggle Moment This determines the behavior of the Mode Switch For more information see Mode on page 829 Speed Switch Slow Fast Switches the speaker rotation speed between slow and fa...

Page 908: ...celeration 0 100 Start Acceleration 0 100 Stop Deceleration 0 100 Balance and Tone Horn Rotor Balance Rotor 1 99 Horn Sets the volume balance between the high frequency horn and low frequency rotor Sp...

Page 909: ...rce to scale the amount of another You can also use them to change the shapes of LFOs and EGs in various ways modify the response of realtime controllers and more The AMS Mixer outputs appear in the l...

Page 910: ...Mod Intensity Mod Pan Mod Pan Mod Intensity Mod Intensity Mod Intensity Mod Multi Filter Mode1 2 Xfade Intensity Mod Intensity Mod Intensity Mod Intensity Mod Common LFO Amp Mod 2 Intensity Mod Inten...

Page 911: ...receives MIDI CC 04 It can also be generated by a foot pedal connected to the rear panel ASSIGNABLE PEDAL input if the Global Foot Pedal Assign parameter is set to Foot Pedal CC 04 For more informatio...

Page 912: ...od CC 81 These assignments are stored separately for each Program Combination and Song For more information see SW1 2 Assignments on page 913 SW2 Mod CC 81 This isCC 81 which is the default for assign...

Page 913: ...Step Seq on page 136 Common LFO This is the output of the Common LFO which is shared by all voices of both EXi For more information see 5 2 Common LFO on page 139 Common Key Track1 2 These are the out...

Page 914: ...assignable LFOs For more information see 8 2 LFO 1 on page 175 EXi PolysixEX The PolysixEX supports all of the EXi Common AMS sources in addition to the AMS sources below AMS Mixer1 4 These are the o...

Page 915: ...modulates the pitch filter amp or by using LFO2 to control the frequency of LFO1 The tone EG and LFO etc can be controlled not only by velocity or joystick but also from a switch knob or pedal etc Pa...

Page 916: ...0 10 Octaves Pitch EG as AMS dedicated parameter for Filter EG dedicated parameters 10 0 10 Octaves 0 10 Octaves Filter Resonance 99 0 99 99 0 99 0 99 Filter EG Int 99 99 0 99 99 0 99 99 0 99 0 99 Fi...

Page 917: ...e controlled by the wave sequence s AMS Out Common LFO an EG keyboard tracking controllers or tempo etc If you select EG as the AMS the pitch change width of LFO modulation etc can be controlled in sy...

Page 918: ...4 1a You can use the wave sequence s AMS Out EG LFO keyboard tracking controllers and tempo etc to control the driver s boost and low boost Although you can use separate AMS to control these two para...

Page 919: ...example the Alternate Modulation value at the moment the envelope reaches the attack level will determine the decay time If Intensity is set to a value of 8 17 25 33 41 or 49 the corresponding time ca...

Page 920: ...et Dry Max Zero Higher D mod Dry Wet 60 40 10 90 Dynamic Modulation Example Wet Dry 10 90 Amt 50 Wet Dry 60 40 Amt 50 Off dynamic modulation is not used Gate1 note on off p 911 Gate1 Damper note on da...

Page 921: ...be 0 When the knob is turned to the right the effect will work in a positive direction only Negative values will make the effect work in the opposite direction SW1 Mod CC 80 SW2 Mod CC 81 If you wish...

Page 922: ...th of a single quarter note If BPM is set to MIDI the LFO cycle will synchronize to the tempo of a wave sequence X Y envelope step sequencer or sequencer or to an external MIDI clock If the BPM is wit...

Page 923: ...n by one octave Octave Up When the switch is on LED lit the pitch will be transposed up by one octave Lock functions The Lock functions let you use SW1 or SW2 to lock the current position of the joyst...

Page 924: ...qual to Program s main Level setting and lower values reduce the volume If both CC 7 and CC 11 are used simultaneously the one with the lower value determines the maximum volume and the one with the h...

Page 925: ...e optional Korg PS 1 to the rear panel ASSIGNABLE SWITCH input and then use it to control a wide variety of functions as described below This setting is made globally on the GLOBAL Controllers Scales...

Page 926: ...RT Control Knobs 1 6 The switch duplicates the function of the selected RT Control Knobs 1 6 When the switch is on it produces the same effect as when the knob is rotated fully to the right when it i...

Page 927: ...d at which portamento will change the pitch Volume CC 07 Control the volume of a Program Combination or of a MIDI track in SEQUENCER modes Post IFX Pan CC 08 Control the pan after passing through the...

Page 928: ...sert Effect panpot 9 10 Panpot 11 Expression 12 Effect control 1 13 Effect control 2 14 ARP On Off button 15 DRUM On Off button 16 Controller CC 16 17 Controller CC 17 18 Controller CC 18 19 Controlle...

Page 929: ...rol modulation X 87 X Y Control modulation Y 88 X Y Control modulation Y 89 90 91 Effect depth 1 send 2 level 92 Effect depth 2 Insert Effect 1 12 On Off 93 Effect depth 3 send 1 level 94 Effect depth...

Page 930: ...track 1 16 that is selected by Track Select SEQUENCER 0 1a If the Status SEQUENCER 2 1a of the track selected by Track Select is EXT EX2 or Both a control change message will be transmitted on the MI...

Page 931: ...Corresponds to on off when CC 15 is assigned to the DRUM button 6 16 Controller CC 16 0 127 For AMS DMOD control 17 Controller CC 17 0 127 For AMS DMOD control 18 Controller CC 18 0 127 For Alternate...

Page 932: ...n by LFO1 4 78 LFO1 delay 0 127 Scales LFO1 delay 4 79 Filter EG intensity 0 127 Scales amount of cutoff modulation by filter EG 4 80 SW1 modulation 0 63 Off 64 127 On AMS Dmod source SW1 Mod may be a...

Page 933: ...only on the global MIDI channel 6 VALUE slider and CC 18 Most of the time the VALUE slider is used only for entering values You can also use the VALUE slider as a modulation source but only when the...

Page 934: ...the Convert MS to Program menu command to save the current state as a Program in which case the modulation will be converted into the underlying parameter values In COMBINATION and SEQUENCER modes th...

Page 935: ...EG2 RELEASE TIME see page 265 73 Attack time EG2 ATTACK TIME see page 265 74 Filter cutoff frequency LPF FREQUENCY see page 261 75 Decay time EG2 DECAY TIME see page 265 76 LFO1 speed LFO1 Frequency s...

Page 936: ...cy see page 157 75 Decay time EG 8 Filter Decay see page 341 EG 8 Filter Slope see page 170 Amp EG Decay see page 167 Amp EG Slope see page 167 76 LFO1 speed LFO1 Frequency see page 176 77 LFO1 Pitch...

Page 937: ...rger number of MIDI devices we recommend that you use a MIDI patch bay as shown in the second diagram below You can also use a MIDI patch bay to control multiple MIDI devices The Convert Position sett...

Page 938: ...ol Arpeggiator using the notes that are echoed back during recording or playback When Arpeggiator is turned on playing the NAUTILUS keyboard will not trigger Arpeggiator the notes you play on the keyb...

Page 939: ...er messages will be transmitted only if the selected MIDI track has a Status of Both EXT or EX2 For more information see Track Select on page 445 If you ve selected Audio Track 1 16 in the Track Selec...

Page 940: ...If Enable Bank Change GLOBAL 1 1c is unchecked bank select messages will not be transmitted or received After touch Channel aftertouch Dn vv n channel vv value After touch for the entire instrument ca...

Page 941: ...er will be ON See SW1 2 Assignments on page 913 In COMBINATION and SEQUENCER modes transmission reception of this message can be turned on off independently for each timbre track Enable Portamento SW...

Page 942: ...control the per Osc Timbre Track and post IFX send levels for Master Effects 1 and 2 In COMBINATION and SEQUENCER modes the channel used to control post IFX send levels is the channel of the Timbres T...

Page 943: ...ame as when the controller is operated When Foot controller CC 04 Soft pedal CC 67 are operated on the NAUTILUS the specified alternate modulation or dynamic modulation etc will be controlled When the...

Page 944: ...12 one octave Although it is possible to set a negative value for a timbre track only positive values can be set using RPN messages About system exclusive messages Since the way in which these message...

Page 945: ...ading saving data on page 199 of the OG It is not necessary to write a song but it will not be backed up when the power is turned off If you want to keep the song data you must save it to the internal...

Page 946: ...will sound and the tempo of an external sequencer can be controlled Using the external MIDI device as master and the NAUTILUS as slave Connect the NAUTILUS s MIDI IN connector to the MIDI OUT connect...

Page 947: ...ll be transmitted from MIDI OUT Local Control Off Notes from RPPR will not be transmitted from MIDI OUT The NAUTILUS will sound only in response to MIDI messages received at MIDI IN or generated by RP...

Page 948: ...t contain no musical data are omitted and the remaining tracks are moved into the unused tracks This will not affect the playback itself When exchanging sequence data between two NAUTILUS we recommend...

Page 949: ...ted Only one mono or two stereo channels are supported Sample sizes of 1 24 bits are supported If the sample data is 8 bits or less it will be loaded as 16 bit data with the lower 8 bits always at 0 S...

Page 950: ...nto the TRITON the following parameters are ignored Drive Boost LowEQLevel MidEQLevel and HighEQLevel All of these parameters are in the RLP3 chunk Loading NAUTILUS samples into the TRITON The 12dB se...

Page 951: ...ple parameter chunk Chunk ID RLP2 4 bytes Chunk size 4 4 bytes Transposing 64 63 1 byte Resonance 99 99 1 byte Attack 99 99 1 byte Decay 99 99 1 byte Chunk ID RLP3 4 bytes Chunk size fixed at 6 4 byte...

Page 952: ...re information see See KSC 1 0 format on page 945 This information is repeated in the 2 0 data After the list of KMP and KSF files the 2 0 data is embedded in comments as follows 1 User A B FILENAME U...

Page 953: ...c95ee6ee6 MS1 1 0 DOODLE R uuid 5a27d1e1 63c7 4d32 92fa f6bc95ee6ee6 MS6 1 0 SOMETHING L uuid 5a27d1e1 63c7 4d32 92fa f6bc95ee6ee6 MS7 1 0 SOMETHING R uuid 5a27d1e1 63c7 4d32 92fa f6bc95ee6ee6 MS10 1...

Page 954: ...8b7 11e1 b86c 0800200c9a66 MS2 1 0 MONKEY MONO uuid fe6ee590 68b7 11e1 b86c 0800200c9a66 DS0 1 0 MONKEYS uuid fe6ee590 68b7 11e1 b86c 0800200c9a66 3 1 Otherthings And the associated file MyCollection_...

Page 955: ...to NAUTILUS or later they will automatically be converted to 480 ppq In some cases this conversion may mean that some MIDI events might not be at exactly the same timing see illustration below In this...

Page 956: ...It takes about two minutes to complete Full Format Use this option to format blank media or media which has been formatted as a non UDF disk You can also use Full Format if writing errors occur frequ...

Page 957: ...er If so temporarily disable that software or uninstall it Notice Use of GPL and LGPL software The NAUTILUS uses the Linux kernel and some GNU utilities This software is licensed by its copyright hold...

Page 958: ...Go to the GLOBAL Basic Setup page To go to this page from any part of the system press the GLOBAL button to enter GLOBAL mode and press the EXIT switch up to four times 8 Open the menu and select the...

Page 959: ...greement NOTE Only the FACTORY directory can be used directly on the NAUTILUS All of the files in the other directories can only be read from a computer Restoring the NAUTILUS factory data You can use...

Page 960: ...net please contact your local Korg dealer or distributor After registering the NAUTILUS follow the website instructions to get the reauthorization file and copy it to a USB device Insert USB device an...

Page 961: ......

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