
SEQUENCER mode
480
2–2: OSC
These parameters specify how each MIDI track will be
sounded.
2–2a: OSC
Track 01 (Track Number)
Force OSC Mode
[PRG, Poly, Mono, Legato]
This lets you override the Program’s stored Voice Assign
Mode settings, if desired.
For more information, please see “Force OSC Mode” on
page 406.
OSC Select
[Both, OSC1, OSC2]
Specifies whether the MIDI track’s program will play
OSC1/EXi1, OSC2/EXi2, or both.
For HD-1 programs whose
Oscillator Mode
(PROGRAM
1–1b) is Double, this setting lets you specify that only OSC1
or OSC2 will sound. For EXi programs which use two EXi
instruments, this setting lets you specify that only EXi1 or
EXi2 will sound. For more information, please see “OSC
Select” on page 406.
Portamento
[PRG, Off, 001…127]
Make portamento settings for each MIDI track. For more
information, please see “Portamento” on page 406.
The portamento setting you make here will be used when the
song is played or recorded from the beginning. If you change
the setting while recording, it will be recorded as part of the
musical data. (However if you set this to PRG, it will not be
recorded.) You can change this setting during playback.
However if you come to any Portamento On/Off data or
Portamento Time data that was recorded, the settings will
change accordingly.
When the track whose
Status
(2–1a) is INT or Both, MIDI
control change CC#5 (Portamento Time) and CC#65
(Portamento Switch) can be received to control this and
change the setting. (If the setting is PRG, CC#05 Portamento
Time will not be received.)
When you switch songs or return to the beginning of the
song, tracks whose
Status
is Both, EXT, or EX2 will
transmit this setting via MIDI. If this is Off, CC#65 with a
value of 0 will be transmitted. If this is 001–127, a CC#65 of
127 and CC#05 of 1–127 will be transmitted.
If this is set to PRG, nothing will be transmitted.
This data is transmitted and received on the MIDI channel
specified for each track by
MIDI Channel
(2–1a).
Max # of Notes
[Dynamic, 1…16]
Dynamic
is the default. With this setting, you can play as
many notes as the system allows.
1-16
lets you limit the maximum number of notes played by
the Track. Voices will still be allocated dynamically, up to
this maximum number. You can use this to:
• Model the voice-leading of vintage synthesizers, such as
the Polysix
• Control the resources required by the Track, so that more
voices can play on other Tracks
Max # of Notes
applies only when the Program’s
Voice
Assign Mode
is set to
Poly
, or when
Force Osc Mode
has
been set to
Poly
. With
Mono
, it has no effect.
This setting does not limit the
Unison
Number of Voices
.
For instance, if
Max # of Notes
is set to
6
, and
Unison
Number of Voices
is set to
3
, you can play up to 6 notes,
each with 3 Unison voices.
In double Programs, the
Max # of Notes
applies equally to
both OSC or EXi. For instance, if
Max # of Notes
is set to
4
,
you can play up to 4 notes on each OSC/EXi
.
1–1b
0–1a
2–2PMC
2–2a
Summary of Contents for NAUTILUS Series
Page 1: ...i Parameter Guide E 1...
Page 264: ...EXi STR 1 Plucked String 254...
Page 358: ...EXi MOD 7 Waveshaping VPM Synthesizer 348...
Page 368: ...EXi SGX 2 Premium Piano 358...
Page 568: ...SEQUENCER mode 558...
Page 580: ...SET LIST mode 570...
Page 738: ...MEDIA mode 728...
Page 753: ...Insert Effects IFX1 IFX12 Routing 743 Fig 2 2e...
Page 961: ......