
PROGRAM > AL-1: OSC/Pitch 4–1: OSC Basic
145
Detuned Saw 2
is similar to
Detuned Saw 1
, except that the
second sawtooth is 180 degrees out of phase. This produces
a timbre similar to pulse width modulation, with the
Detune
parameter controlling both detune and the speed of the PWM
effect.
Triangle
produces a pure tone with relatively few overtones.
Square/Triangle
simultaneously creates a square wave (in
which the pulse width is fixed at 50%) and a triangle wave.
Wave Morph
crossfades between the two.
Initial Phase
[-180…+180, Random]
This controls the initial phase of Oscillator 1, in 1-degree
increments.
Random:
with each note-on, the waveform will start from a
random point along the waveform, to simulate the varying
phase relationships between oscillators in analog
synthesizers.
Wave Morph
[000…100]
The function of this parameter changes depending on the
Waveform
selection, above.
When
Waveform
is set to either
Saw/Pulse
or
Square/Triangle
,
Wave Morph
crossfades between the two
waveforms. At
0
, you’ll hear only the first waveform; at
100
,
you’ll hear only the second waveform; and at
50
, you’ll hear
an equal mix of both.
When
Waveform
is set to
Double Saw
,
Detuned Saw 1
, or
Detuned Saw 2
,
Wave Morph
controls the volume of the
second Sawtooth wave.
Wave Morph
is not available when the
Waveform
is set to
Saw, Pulse, or Triangle.
AMS
[List of AMS Sources]
This selects an AMS source to control
Wave Morph
. For a
list of AMS sources, see “Alternate Modulation Source
(AMS) List” on page 901.
AMS Intensity
[–100…+100]
This controls the depth and direction of the AMS modulation
for
Wave Morph
.
Pulse Width/Phase/Detune
[000…100]
The name and function of this parameter changes depending
on the
Waveform
selection, above.
When the
Waveform
is set to Pulse or Saw/Pulse, this is
named
Pulse Width
, and controls the width of the Pulse
waveform. For details, see “More on Pulse Width,” below.
When
Waveform
is set to
Double Saw
, it is named
Phase
,
and controls the phase relationship between the two
Sawtooth waves.
When
Waveform
is set to
Detuned Saw 1
or
2
, this is
named
Detune
, and
controls the detune amount between the
two Saws. The adjustments are in half-cent increments, so
that 0 = 0 cents, 50 = 25 cents, and 100 = 50 cents. Saw 1 is
tuned up, and Saw 2 is tuned down, so that the tonal center is
maintained.
More on Pulse Width
Pulse waveforms are simple, rectangular shapes. The Pulse
Width sets the percentage of the waveform spent in the “up”
position. A few examples are shown in the diagram below.
Note that a square wave is just a pulse wave with the width
set to 50%.
The width controls the timbre of the oscillator, from pure
and hollow at 50% (a square wave) to thin and reedy at the
extremes.
At settings of
0
and
100–
or when the Pulse Width is
modulated to these values via AMS– the Pulse wave will be
silent, since these eliminate the “pulse” altogether.
Pulse waveform at different widths
The real magic of the pulse wave comes when you modulate
the width, using the AMS source and intensity below. Try
using a medium-speed triangle LFO, or a sweeping EG.
AMS
[List of AMS Sources]
This selects an AMS source to control
Pulse
Width/Phase/Detune
. For a list of AMS sources, see
“Alternate Modulation Source (AMS) List” on page 901.
AMS Intensity
[–100…+100]
This controls the depth and direction of the AMS modulation
for
Width/Phase/Detune
.
Waveform Type and Modulatable Parameters
Frequency
Note:
The Sub-Oscillator’s frequency is always exactly one
octave below that of Oscillator 1. This means that adjusting
any of the controls in this section, including
Octave
,
Transpose
,
Tune
, and
Frequency Offset
, will affect the
Sub-Oscillator as well as Oscillator 1.
Octave
[–2[32’], –1[16’], +0[8’], +1[4’], +2[2’]]
This sets the basic pitch of Oscillator 1, in octaves. The
default is +0[8’].
Waveform Type
Morph
Pulse Width/
Phase/Detune
Saw
n/a
n/a
Pulse
n/a
Pulse Width
Saw/Pulse
Xfade between saw
and pulse
Pulse Width
Double Saw
Volume of 2nd saw
Phase
Detuned Saw 1
Volume of 2nd saw
Detune
Detuned Saw 2
Volume of 2nd saw
Detune and PWM
effect
Triangle
n/a
n/a
Square/Triangle
Xfade between
square & triangle
n/a
Pulse Width = 10%
Pulse Width = 25%
Pulse Width = 75%
Pulse Width = 50%
Summary of Contents for NAUTILUS Series
Page 1: ...i Parameter Guide E 1...
Page 264: ...EXi STR 1 Plucked String 254...
Page 358: ...EXi MOD 7 Waveshaping VPM Synthesizer 348...
Page 368: ...EXi SGX 2 Premium Piano 358...
Page 568: ...SEQUENCER mode 558...
Page 580: ...SET LIST mode 570...
Page 738: ...MEDIA mode 728...
Page 753: ...Insert Effects IFX1 IFX12 Routing 743 Fig 2 2e...
Page 961: ......