Korg NAUTILUS Series, Parameter Manual, Page: 538 / 961

SEQUENCER mode
528
If “Source Audio” is set to Audio Input 1/2 (Stereo), or
USB 1/2 (Stereo), choose from Audio Tracks 1&2–
15&16. When you execute the command, the “Stereo
Pair” setting will be made automatically so that you can
record in stereo.
6. Press the OK button to execute the command. If you
decide not to execute, press the Cancel button.
For more information, see “Auto HDR/Sampling Setup:
Automatically-set parameters and their values” on
page 531.
Recording to the audio track(s) after executing
the command
1. Connect your instrument etc. to the AUDIO INPUT
jack you selected in “Source Audio,” and use “Audio
Track Recording Level” to adjust the recording level.
2. Set “Location” to the location that you want to record.
3. Press the SEQUENCER REC button and then the
SEQUENCER START/STOP button. (Recording will
begin.)
4. Play the musical instrument etc. that is connected to
the AUDIO INPUT jack(s) you selected for “Source
Audio.”
5. When you have finished performing, press the
SEQUENCER START/STOP button. (Recording will
stop.)
Check the audio track(s) that you recorded
• To listen to the audio track you recorded, press the
SEQUENCER START/STOP button to play back the
track.
Bounce Audio Track
1. Refer to Auto HDR/Sampling Setup steps 1 and 2, and
select Bounce Audio Track.
2. Press the OK button to open the dialog box.
3. Use “Mode” to specify whether you will bounce in
mono or in stereo.
Mono:
Tracks will be bounced to a single audio track.
Any stereo information will not be maintained.
Stereo: Tracks will be bounced in stereo to two audio
tracks.
4. Use “From” to select the source tracks for the bounce.
If Mode is set to Mono, you can bounce up to 15 tracks;
if it’s set to Stereo, you can bounce up to 14 tracks.
5. Use “To” to select the record track(s).
If Mode is set to Mono, choose from Audio Track 1–16.
If Mode is set to Stereo, choose from Audio Track 1&2–
15&16.
6. Press the OK button to set up the tracks for the
bounce.
You can also exit without making any changes, by
pressing the Cancel button.
For more information, see “Auto HDR/Sampling Setup:
Automatically-set parameters and their values” on
page 531.
After completing the steps above, the tracks are set up, and
you’re ready to record the bounce.
7. Press the SEQUENCER REC button and then the
SEQUENCER START/STOP button.
Only the audio track(s) you selected in “From” will play
back, and the bounce recording will begin.
8. When the audio track(s) finish playing back, press the
SEQUENCER START/STOP button.
This completes the bounce. Next, check the recorded results:
9. Turn on SOLO for newly recorded audio track.
10.Press the SEQUENCER START/STOP button to
begin playback.
Effects are not recorded when bouncing tracks directly
If you don’t change the settings after executing the
command, the effect settings will be ignored, and the audio
from the audio track will be bounced directly. Even if IFX1
is being applied to the output of Audio Track 1 and 2 as
shown below, IFX1 will not be applied to the sound that is
recorded on the bounce-destination audio tracks.
Audio Track 01: Guitar 1
→
IFX1: Guitar Amp
Audio Track 02: Guitar 2 → IFX1: Guitar Amp
Audio Track 03= Audio Track 01 + Audio Track 02
If you want to apply an effect to the output of audio track 03,
use the audio track 03
Bus Select parameter to send the
output to IFX1.
An example of changing the settings
• If you want to bounce audio that is processed by an
effect, you can do this by changing the REC Bus or
REC Source settings.
If you want to bounce the audio from the audio track after
it has been processed by the insert effect and master/total
effects, send the post-effect audio to the REC Bus, and set
the bounce-destination audio track’s
REC Source to
REC Bus.
Audio Track 01
→ IFX1 → REC Bus 1
Audio Track 02
→
IFX1
→
REC Bus 1
Audio Track 03: REC Source REC 1
When you bounce, the audio processed by IFX1 will be
recorded on audio track 03.
• If you want to bounce audio after it is processed by a
total effect, set the bounce-destination audio track’s
REC Source to L/R, and make settings so that the post-
effect sound is sent to the bounce-destination audio track.
Audio Track 01
→
Solo On
→
IFX1
→
MFX/TFX
Audio Track 02 → Solo On → IFX1 → MFX/TFX
Audio Track 03: REC Source L