Korg NAUTILUS Series, Parameter Manual, Page: 678 / 961

GLOBAL mode
668
Start Offsets: SAMPLING mode and User Sample
Banks
With SAMPLING mode and User Sample Bank
Multisamples, only Off and 1st are available.
Off uses the
normal start point, and 1st uses the loop start instead. 2nd
through 8th will be grayed out.
Rev. (Reverse) [Off, On]
This lets you play the selected Multisample backwards,
without looping.
Note: If the individual samples within the Multisample are
already set to Reverse, they will still play in reverse,
regardless of this setting.
On (checked): The Multisample will play back in reverse.
Off (unchecked): The Multisample will play back normally.
Trans. (Transpose) [+/- 24 semitones]
This controls the step’s coarse tuning, in semitones.
Tune [+/- 1200 cents]
This sets the step’s fine tuning, in cents (1/100 of a
semitone).
Level [0-127]
This sets the volume level for the step.
Duration: Mode = Time
The format for setting the Duration will be different
depending on whether the Wave Sequence
Mode is set to
Time or Tempo .
Duration [0ms…10 sec, GATE]
This sets the duration of the step, in milliseconds or seconds.
In Time mode, the duration is not affected by the system
tempo.
When set to GATE , the sequence pauses at the step until
note-off, and then the sequence continues. Multiple steps can
be set to
GATE , for modulation via Start Step AMS,
Position AMS, or Note-On Advance.
Duration: Mode = Tempo
In this mode, the Wave Sequence synchronizes to the system
tempo, as set by either the Tempo knob or MIDI Clock. The
step durations are controlled by the
Base Note and Multiply
parameters, below
(Base Note) [ … , GATE]
This sets the basic duration of the step, relative to the system
tempo. The values range from a 32nd note to a whole note,
including triplets.
GATE works the same as in Time mode.
x (Multiply Base Note by…) [01…32]
This multiplies the length of the Base Note. For instance, if
the Base Note is set to a sixteenth note, and Times is set to 3,
the step’s duration will be a dotted eighth note.
Xfade [0ms…10 sec]
This determines the time it takes to fade into the next step.
For example, Step 1’s Crossfade determines the time to fade
between Step 1 and Step 2.
Crossfades use millisecond units for both Time and Tempo
modes.
Note: In Time mode, the Xfade time cannot exceed the total
duration of the two steps being crossfaded; in Tempo mode,
it cannot exceed twice the duration of the shorter of the two
steps.
The Fade-In and Fade-Out Shape parameters, below, allow
linear, equal-power, and custom crossfades.
Fade-Out Shape [Off, Log, -126…-1,
Linear, +1…126, Exp]
This sets the shape for the first step’s fade-out within the
crossfade.
Off means that the step will continue to sound at full volume
for the full duration of the crossfade, and then cut off
abruptly.
Log means that the step will fade out slowly at first, and then
move more rapidly as it approaches the end of the crossfade.
You can create an equal-power crossfade by using this shape
for both the fade-out of one step and the fade-in of the next
step.
Linear means that the step will fade out steadily, at a
constant rate, over the duration of the crossfade.
Exp means that the step will fade out quickly at first, and
then fade out more slowly as it nears the end of the
crossfade.
Fade-In Shape [Off, Log, -126…-1,
Linear, +1…126, Exp]
This sets the shape for the second step’s fade-in within the
crossfade.
Off means that the step will start to sound at full volume at
the very beginning of the crossfade.
Log means that the step will fade in quickly at first, and then
move more slowly as it nears the end of the crossfade.
Linear means that the step will fade in steadily over the
duration of the crossfade.
Exp means that the step will fade in slowly at first, and then
moved more rapidly as it nears end of the crossfade.
AMS Out 1 [0…127]
Sets the step’s first AMS output. You can use this as a
modulation source for any AMS destination–for instance, to
change the filter cutoff or pan position for each step. For
more information, see “Modulating Program parameters per
step” on page 184 of the OG.
AMS Out 2 [0…127]
This sets the step’s second AMS output.