Korg NAUTILUS Series, Parameter Manual, Page: 332 / 961

EXi: MOD-7 Waveshaping VPM Synthesizer
322
5–2b: Velocity Zone
Velocity zone graphic
This is a graphic representation of the velocity zones for
MS1–4. The currently selected MS is shown in green.
On [On, Off]
This mutes and un-mutes the PCM Oscillator, for quick
comparisons during editing. This checkbox is also shown in
the Parameter Details on the Patch Panel.
Note that the PCM Oscillator will still use processing power
unless it is not connected on the Patch Panel, or all MS are
set to
Off . For more information, see “Disabling the PCM
Oscillator” on page 320.
v 5–2: Page Menu Commands
• Compare → p.112
• Write Program → p.112
• Exclusive Solo → p.113
• Copy VPM Oscillator → p.347
• Swap VPM Oscillators → p.347
• Remap MS/Sample Banks → p.125
• PAGE → p.126
• MODE → p.126
5–3: PCM Mod
This page provides control of pitch and volume settings and
modulation for the PCM Oscillator.
5–3a: Pitch
Octave [–2[32’], –1[16’], +0[8’], +1[4’]]
This sets the basic pitch of the PCM Oscillator, in octaves.
The default is +0[8'].
Transpose [–12…+12]
This adjusts the pitch in semitones, over a range of ±1
octave.
Tune [–1200…+1200]
This adjusts the pitch in cents, over a range of ±1 octave. A
cent is 1/100 of a semitone.
Frequency Offset [–10.0Hz…+10.0Hz]
This adjusts the pitch by increments of 0.1 Hz. Frequency
Offset is different from Tune in that, when used to detune
the two oscillators, it can create a constant beat frequency
across the range of the keyboard.
Pitch Parameter Details
These items appear in the Parameter Details area when any
of the Pitch parameters are selected.
Use Common Mod [Checkbox]
When off, the oscillator still responds to the Pitch and
Portamento settings from Pitch Common, but ignores the
LFO and AMS settings.
AMS1 [List of AMS Sources]
This selects the first modulation source for controlling the
oscillator’s pitch. For a list of AMS sources, see “Alternate
Modulation Source (AMS) List” on page 901.
Intensity [-48.00…0.00…+48.00]
This controls the depth and direction of the AMS 1 pitch
modulation, in semitones. To easily convert from semitones
to FM ratios, see the table below.
5–3PMC
5–3a 5–3d
5–3b
5–3c