
GLOBAL > Basic Setup 0–2: Audio
639
Private monitoring
On stage, or in the studio, it can be convenient to audition
sounds or make edits without sending the signal to the mixer,
or to the main monitors. You can use
L/R Bus Indiv. Assign
to do this:
1. Connect Individual Outputs 1/2 to the mixer or main
monitors. Do not connect the main L/R outputs.
You can actually use either of the individual output pairs, but
we’ll talk about 1/2 in this example.
2. While you’re auditioning sounds or editing, set L/R
Bus Indiv. Assign to Off.
3. Use the built-in headphone output for listening to
NAUTILUS as you select or edit sounds.
As an alternative, you can connect the main L/R outputs to
your personal monitor mixer.
4. When you’re ready for others to hear the results, set
L/R Bus Indiv. Assign to 1/2.
Now, the NAUTILUS stereo mix will go to the main board.
0–2c: Analog Setup
Input Select
Sets the specified level of the input signal. Switch this to
match the device that is connected, and use Analog Input
Gain to adjust the gain.
LINE:
Set this to “LINE” when you want to connect a
mixer, computer, audio. system, signal processor or another
synthesizer. The specified level is +4 dBu, with 12 dB of
headroom.
MIC:
Use the “MIC” setting if you are connecting a mic.
Analog Input Gain
Use this to fine-tune the gain after setting the gain in “Input
Select”.
When Input Select is set to “LINE”, the “MIN” position
equals unity gain.
The MAX position is about 40 dB higher than the MIN
setting.
v
0–2: Page Menu Commands
• Rear Panel Illumination Setup
• PAGE
• MODE
L
R
Individual BUS
1 2 3 4
TFX
通過後
L (MONO)
L/R BUS Indiv.
Assign = 1/2
R
1
2
3
4
(INDIVIDUAL)
(MAIN)
AUDIO OUTPUT
(MAIN)
R L/MONO
(INDIV.)
2 1
INPUT
OUTPUT
Sub Monitor
Power Amplifier
Power Amplifier
00
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12 +12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
5
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
6
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
7
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
8
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
9
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
10
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
11
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
12
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
13
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
14
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
15
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
16
MUTE
ALT 3/4
OL
+20
U
00
U
1
00
+15
C
1
C
2
C
3
L
R
C
4
L
R
U
2
00
+15
U
3
00
+15
U
4
00
+15
L
R
L
R
STEREO AUX RETUNES
BALANCE
MONO
AUX
SOLO
1
2
3
4
LEVEL
ALT PREVIEW
MAIN OUTPUT
MUTE
SOLO
TO
MAIN
POWER
SOLO
LEVEL
CLIP
+8
+4
+2
0
-4
-8
-12
-16
-20
LEVEL
SOLO/PHONES
1/LEFT
2/RIGHT
+10
LINE IN 7-8
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 9-10
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 11-12
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 13-14
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
STEREO AUX RETURNS
1
2
1
2
AUX SEND
LEFT(1/MONO)
RIGHT
ALL BAL/UNBAL
L
R
TAPE
INPUT
TAPE
OUTPUT
MAIN OUTS
L
R
BAL/UNBAL
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-10dBV
MIC
GAIN
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Page 961: ......