
PROGRAM mode: HD-1
22
0–8: Sampling
This page lets you adjust the volume, pan, effects sends, and
busing for the audio inputs, including analog inputs 1 & 2,
USB 1 & 2. It also controls the sampling-related settings for
PROGRAM mode.
The NAUTILUS can sample external audio from any of the
inputs, at 48 kHz 16-bit resolution (or 24-bit when sampling
to drive), in mono or stereo. You can record samples into
RAM for use in SAMPLING mode, or sample directly to
drive.
You can also digitally resample the complete sound of a
Program, played polyphonically, live or sequenced,
including any effects, Arpeggiator function or drum track
play.
Finally, you can also use the NAUTILUS as a 4-in, 6-out
audio processor. You can process the inputs through the IFX,
MFX, and TFX, or through the synthesis functions of EXi
such as the MS-20EX and MOD-7.
You can combine any and all of these features at once. For
instance, you can sample a live guitar riff from the audio
inputs, processed through NAUTILUS effects, while
listening to drum track play.
0–8a: Sampling Setup
Source Bus
[Audio Input1/2, USB 1/2,
L/R, REC1/2…3/4, Indiv.1/2…3/4]
You can sample in stereo from any pair of audio inputs, from
the two stereo REC busses, or from the signal at any of the 6
outputs (L/R and Individual 1/2-3/4).
When you sample from an output pair or REC bus, you’ll
record all audio sent to the output or bus, including internal
Programs or Combis, effects, audio inputs, and HDR audio.
When sampling in stereo, the odd-numbered channel (such
as 1 or 3) corresponds to the left channel, and the even-
numbered channel (such as 2 or 4) corresponds to the right.
L/R:
This lets you sample the signal heard at the main L/R
outputs, including any processing by TFX 1/2. This is the
default setting. For more information, see the diagram
“Source Bus = L/R” on page 23.
REC1/2, REC3/4:
These let you sample the signals sent to
the REC 1/2 or REC 3/4 busses.
Using the REC busses, you can isolate one or more sounds
for recording or sampling–even if the sounds are also being
mixed into the main outputs. For example, you can play a
guitar through NAUTILUS IFX while listening to a ARP
drum phrase, and record the processed guitar without
recording the drums.
Individual Programs, Combi Timbres, Sequencer Tracks
(both MIDI and Audio), audio inputs, and Insert Effects can
all be routed to the REC busses, in addition to their main
output/IFX bus settings.
For more information, see the diagram “Source Bus = REC
Bus 1/2” on page 23.
Audio Input 1/2, USB:
These let you sample directly from
the analog, or
USB
audio inputs, respectively, without any
other processing by NAUTILUS. The settings on the Audio
Inputs mixer, including volume, pan, busses, sends, mute,
and solo, will have no effect on the recorded audio.
For more information, see the diagram “Source Bus = Audio
Input 1/2” on page 23.
For more information, see the diagram “Source Bus = USB
1/2” on page 24.
Indiv.1/2…3/4:
This lets you sample the individual output
busses. For more information, see the diagram “Source Bus
= Indiv. 1/2” on page 24.
0–8PMC
0–8a
0–8c
0–8b
0–8d
0–8e
0–8f
Summary of Contents for NAUTILUS Series
Page 1: ...i Parameter Guide E 1...
Page 264: ...EXi STR 1 Plucked String 254...
Page 358: ...EXi MOD 7 Waveshaping VPM Synthesizer 348...
Page 368: ...EXi SGX 2 Premium Piano 358...
Page 568: ...SEQUENCER mode 558...
Page 580: ...SET LIST mode 570...
Page 738: ...MEDIA mode 728...
Page 753: ...Insert Effects IFX1 IFX12 Routing 743 Fig 2 2e...
Page 961: ......