Korg NAUTILUS Series, Parameter Manual, Page: 860 / 961

850
096: Stereo BPM Mod. Delay
This stereo tempo delay uses either an LFO or a Dmod
source to modulate the delay time. This causes the delay’s
pitch to vary, creating an effect which swells and shimmers
like a cross between an echo and a chorus.
CONTROL
Modulation Mode [LFO, Dmod]
This selects whether the delay time will be swept by the LFO
or by the selected Dmod source.
Dmod Modulation [L/R:+/+, L/R:+/–]
This applies only if Modulation Mode is set to Dmod .
L/R:+/+: the Dmod source modulates both left and right
delays equally.
L/R:+/–: the Dmod source modulates left and right
inversely, for a deeper stereo effect.
Source [Off…Tempo]
Selects a modulation source to control the delay time. This
applies only if
Modulation Mode is set to Dmod .
Response [0…30]
This controls how quickly the delay times change in
response to the modulation source. Higher values mean
faster response times.
LFO
All of the LFO controls apply only when the Modulation
Mode is set to LFO .
Waveform [Triangle, Sine]
Selects the LFO Waveform.
Shape [+/–100]
Changes the curvature of the LFO Waveform. For more
information, see “Shape” on page 782.
L LFO Phase [degrees] [–180…+180]
This sets the initial phase of the left LFO. The relationship
between this and the
R LFO Phase controls the depth of the
stereo effect and the richness of the pitch changes. As a start,
try setting one to +90 and the other to -90.
R LFO Phase [degrees] [–180…+180]
This sets the initial phase of the right LFO.
Dmod Sync [Check-box]
This enables reset of the LFOs from a Dmod source, as
selected below.
Source [Off…Tempo]
If Dmod Sync is On , this selects the modulation source to
reset the LFOs, using the initial phases set by L LFO Phase
and R LFO Phase above.
For example, if you set the Source to Gate 2, playing on the
keyboard will reset the LFOs so that the modulation sounds
the same at the start of each phrase.
The LFOs are reset when the modulation value changes
from 63 or smaller to 64 or higher.
Frequency [Hz] [0.02…20.00]
This sets the LFO speed, in Hz. It applies only when
MIDI/Tempo Sync , below, is Off .
MIDI/Tempo Sync [Check-box]
BPM [MIDI, 40.00…300.00]
Base Note [ … ]
Times [x1…x32]
When MIDI/Tempo Sync is on, the LFO speed is set by
BPM , Base Note , and Times , instead of Frequency . For
more information, see “MIDI/Tempo Sync” on page 779.
Type [Individual, Common1, Common2]
This controls whether the effect uses its individual LFO, or
one of the Common FX LFOs. For more information, see
“LFO Type” on page 779.
Common LFO Phase Offset [degrees] [+/–180]
When Type is set to Common FX LFO 1 or 2 , this lets you
offset the phase from the master LFO.
MOD DELAY
BPM [MIDI, 40.00…300.00]
MIDI syncs to the system tempo; 40-240 sets the tempo
manually for this individual effect.
Time Over? L > [---, OVER!]
Time Over? R> [---, OVER!]
The maximum delay time is 1,000msec per channel (left and
right). If the channel’s combination of
BPM , Base Note , and
Times exceeds this limit, the error message “OVER!” will
appear. If this occurs, change the delay time parameters so
that this message no longer appears.
L Delay Base Note [ … ]
This sets the basic length of the Left Delay, relative to the
BPM setting. The values range from a 32nd note to a whole
note, including triplets.
Times [x1…x32]
This multiplies the length of the Base Note. For instance, if
the Base Note is set to a sixteenth note, and Times is set to 3,
the delay length will be a dotted eighth note.
Tempo
BPM
BPM
Base Note x Times
Base Note x Times
Left
Right
Feedback
LFO Phase
Wet / Dry
Wet / Dry
Stereo In - Stereo Out
LFO: Tri / Sine
Modulation Mode
D-mod
LFO
D -mod
Delay
Delay
L/R: +/+ +/–
LFO Shape
Response
LFO Sync