Korg NAUTILUS Series, Parameter Manual, Page: 862 / 961

852
AUTO PAN
Depth [0…100]
Sets the panning width.
Source [Off…Tempo]
Selects the modulation source for the panning width.
Amount [+/–100]
Set the modulation amount of the panning width.
OUTPUT
This is the standard effects output section, with modulatable
control over wet/dry balance. For more information, see
“OUTPUT” on page 762.
098: Tape BPM Echo
This models a tape echo unit with three playback heads–but
with the ability to sync to tempo. The distortion and tonal
changes typical of magnetic tape are also reproduced.
INPUT
Trim [0…100]
Sets the input gain.
Pre Tone [0…100]
This models the reduced high frequencies of an analog tape
delay, before the saturation stage. Lower settings create a
darker tone.
WOW & FLUTTER
This section models the instability of the tape machine’s
motors. As the speed of the motor fluctuates, the pitch
changes slightly. This introduces a pleasant chorus-like
effect.
Frequency [Hz] [0.02…1.00]
Sets the frequency at which pitch variation occurs.
Depth [0…100]
Sets the depth of the pitch change.
TAPE ECHO
Delay Time
BPM [MIDI, 40.00…300.00]
MIDI syncs to the system tempo; 40-240 sets the tempo
manually for this individual effect. p.825.
Time Over? > [---, OVER!]
The maximum delay time is 2,700msec. If the combination
of
BPM , Base Note , and Times exceeds this limit, the error
message “OVER!” will appear. If this occurs, change the
delay time parameters so that this message no longer
appears.
Delay(Tap1) Note [ … ]
This sets the basic delay time of Tap 1, relative to the system
tempo. The values range from a 32nd note to a whole note,
including triplets.
Also, Taps 2 and 3 are specified as a percentage (%) of this
delay time. Taps 2 and 3 always stay in proportion to Tap 1,
even when the delay time is modulated.
Times [x1…x32]
This multiplies the length of the Base Note. For instance, if
the Base Note is set to a sixteenth note, and Times is set to 3,
the delay time will be a dotted eighth note.
Source [Off…Tempo]
Selects the modulation source for the delay Note and Times .
Dmod Max Note [ … ]
Instead of specifying a modulation intensity, you can specify
a note (and multiplier) to map to the maximum modulation
value. Note that these can each be either longer or shorter
than the original
Note and Times .
Times [x1…x32]
This sets the multiplier for the Dmod Max Note .
Tap2 Position [%] [0…100]
Sets the delay time of Tap 2, as a percentage of Tap 1’s delay
time.
Tap3 Position [%] [0…100]
Sets the delay time of Tap 3, as a percentage of Tap 1’s delay
time.
Level and Pan 1…3
Each tap has its own controls for level and pan.
Tap1…3 Level [0…100]
Sets the tap’s output level.
Pan [L, 1…99, R]
Sets the tap’s stereo position.
Wah Flatter
D -mod
Tap2/3 Position
+
Tape
Saturation
Left
Right
Wet / Dry
Trim
Pan Level
Wet / Dry
Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo Out
Feedback
Feedback Amt
High / Low Damp Pre Tone
Delay
(1)
(2)
(3)
Delay Time
BPM
BPM
Base Note x Times
Tempo