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3. MASTER:
There is a single set of stereo mix settings which is not stored in
any sequence. If the stereo mix mode is set to MASTER, this
single set of mix settings is used instead of the sequence settings.
In this mode, mix settings and changes are not stored to disk
with the sequence, and if the sequence number is changed, the
mix settings remain unchanged. In this mode, any mid-sequence
mix changes (see RECORD LIVE CHANGES field, below), are
ignored. This option is preferable if you only want the stereo mix
to change when you manually change it, and not otherwise.
Further, the master settings are saved to disk whenever a SET file
is saved, and therefore whenever a SET file is loaded, the stereo
mix settings from that file are automatically loaded into the
master stereo mix settings.
• The ECHO MIX field:
The echo mixer may be set in this field to one of two main modes:
SEQUENCE and MASTER. The function of these two modes is
identical to that described above in the "Stereo mix mode" field.
• The RECORD LIVE CHANGES fields (2 fields):
There are two of these fields- one each for the stereo mixer and the echo
mixer. They will only appear on the screen if the corresponding MIX field
on the same line (STEREO MIX or ECHO MIX) is set to SEQUENCE.
RCRD LIVE CHNGS is an abbreviation for "record live changes" and these
are choice fields which have 2 options: NO and YES. If set to YES, all
changes made to the stereo mixer (or echo mixer) while in RECORD or
OVERDUB modes are recorded into the active track in real time, just like an
automated mixer. When played back, the mixer settings will change exactly
as they did while recording. Further, if either the stereo mixer or echo mixer
screens are displayed during playback, the graphic mixers will move in real
time to indicate the live changes. These movements are stored like any
continuous controllers- as a series of many discrete events (in this case,
MIXER VOL, MIXER PAN, or ECHO MIX VOL events), and these
discrete events can be edited in detail in Step edit mode.
NOTE 1: If you use OVERDUB mode to add mix changes to a region of
the track where previous mix changes exist, the old changes are not erased,
but rather the new changes will be added in between the old ones,
producing unpredictable results. For this reason, it is a good idea to record
your automated mix data on its own separate "drums" track, then always
use RECORD mode (not OVERDUB mode) to "punch-in" any mix
changes. This will automatically erase the old changes throughout the
punch-in region, but since the mix changes are on a separate track, any
drum notes are not erased.
Содержание MPC 60
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Страница 9: ...Section 1 Introduction ...
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Страница 13: ...Section 2 The Basics ...
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Страница 33: ...Section 3 Recording Sequences ...
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Страница 83: ...Section 4 Editing Sequences ...
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Страница 115: ...Section 5 Song Mode ...
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Страница 123: ...Section 6 Sampling and Editing Drum Sounds The SOUNDS key ...
Страница 153: ...Section 7 Saving to and loading from disk ...
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Страница 175: ...Section 8 Syncing to tape and other devices ...
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Страница 197: ...Section 9 Midi Functions ...
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Страница 221: ...SECTION 11 INDEX ...
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