
68
Chapter 8: Patching
PRO6 Live Audio System
Owner’s Manual
>> To select the list tooltip
Press LIST. (Pressing LIST again will change the tooltip back to the standard type.)
About the patching procedure
Although patching can be thought of as routing/rerouting the control centre’s incoming,
internal and outgoing signals, in the context of the Patching screen, patching also
encompasses the setting up and configuration of the stage and FOH rack I/O devices.
The patching procedure is initially carried out after system installation and comprises:
• Device configuration: Configure the devices by adjusting their parameters (see
below).
• Snake selection: Configure the PRO6 according to the type of ‘snake’ you are using
for the X and Y networks (see “Configuring the PRO6 with the snake type” on
page 71). This is important, as the PRO6 Control Centre will not work unless
the snake type is correctly configured.
• Setting up the I/O rack devices: Set up the system devices, such as line I/O,
DN9696 and generic AES50, to the I/O tabs in the From and To sections of the
Patching screen (see “Setting up the I/O rack devices” on page 71).
• Patching: Carry out all of the required routing, for example, mics to input channels
(see “How to patch” on page 73).
Configuring the devices
You have the option to configure the devices from the Patching screen. Parameters,
such as gain and +48V phantom voltage, can be adjusted or switched on/off,
respectively via a device-specific configuration window.
These configuration settings can be independent of channel data, as (until patched)
they only control the physical unit. If a device is subsequently patched to one or more
channels, the channel(s) control the device, and vice-versa.
The device configuration area also allows control of audio parameters when the device
is used as a direct connection to another device, for example, FOH to stage via a digital
snake, instead of through the DSP. In this case the settings are also saved in the show
file and can be automated, even though the signals are not routed through the control
centre DSP.
Device configuration procedure
Although the procedure for configuring the devices is similar, their parameters are
dependent on device type. The procedure for configuring the devices of a similar type
involves:
• Opening the configuration window of the device.
• Selecting one of the device’s cards/channel ranges and configuring the available
parameters.
• Repeating for the other cards/channel ranges of the device.
• Repeating for the other devices.
• Closing the device’s configuration window.
Note: As the set-up procedure is similar for each device (although some of the options
may vary), only the one for DL351 Modular I/O is detailed in this section.
Summary of Contents for PRO6
Page 2: ......
Page 4: ......
Page 6: ......
Page 10: ......
Page 14: ...xvi Precautions PRO6 Live Audio System Owner s Manual...
Page 24: ...xxvi Contents PRO6 Live Audio System Owner s Manual...
Page 25: ...PRO6 Live Audio System Owner s Manual Volume 1 Overview...
Page 26: ......
Page 30: ...4 Chapter 1 Introduction PRO6 Live Audio System Owner s Manual...
Page 42: ...16 Chapter 2 PRO6 Live Audio System PRO6 Live Audio System Owner s Manual...
Page 50: ...24 Chapter 3 About The PRO6 Control Centre PRO6 Live Audio System Owner s Manual...
Page 51: ...PRO6 Live Audio System Owner s Manual Volume 1 Getting Started...
Page 52: ......
Page 59: ...PRO6 Live Audio System Owner s Manual Volume 2 Basic Operation Of The PRO6...
Page 60: ......
Page 64: ...38 Chapter 5 Before You Start PRO6 Live Audio System Owner s Manual...
Page 104: ...78 Chapter 8 Patching PRO6 Live Audio System Owner s Manual...
Page 131: ...PRO6 Live Audio System Owner s Manual Volume 3 Advanced Operation And Features...
Page 132: ......
Page 136: ...110 Chapter 10 Stereo Linking PRO6 Live Audio System Owner s Manual...
Page 144: ...118 Chapter 11 Panning PRO6 Live Audio System Owner s Manual...
Page 148: ...122 Chapter 12 Soloing PRO6 Live Audio System Owner s Manual...
Page 150: ...124 Chapter 13 Muting PRO6 Live Audio System Owner s Manual...
Page 192: ...166 Chapter 18 Copy And Paste PRO6 Live Audio System Owner s Manual...
Page 242: ...216 Chapter 24 User Libraries Presets PRO6 Live Audio System Owner s Manual...
Page 246: ...220 Chapter 25 File Management PRO6 Live Audio System Owner s Manual...
Page 250: ...224 Chapter 26 Using Other Devices With The PRO6 PRO6 Live Audio System Owner s Manual...
Page 267: ...PRO6 Live Audio System Owner s Manual Volume 4 Description...
Page 268: ......
Page 335: ...PRO6 Live Audio System Owner s Manual Volume 5 Appendices...
Page 336: ......
Page 365: ...Audio signal path 339 PRO6 Live Audio System Owner s Manual Audio signal path...
Page 366: ...340 Appendix C Klark Teknik DN370 GEQ PRO6 Live Audio System Owner s Manual...
Page 372: ...346 Appendix D Klark Teknik DN780 Reverb PRO6 Live Audio System Owner s Manual...
Page 376: ...350 Appendix E I O Modules PRO6 Live Audio System Owner s Manual...
Page 400: ...374 Appendix I Documentation PRO6 Live Audio System Owner s Manual...
Page 511: ...Return 485 XL8 Live Performance System Owner s Manual Gate Not applicable EQ Not applicable...
Page 612: ...586 Glossary PRO6 Live Audio System Owner s Manual...