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Surround capabilities
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PRO6 Live Audio System
Owner’s Manual
Surround capabilities
Theatres and broadcast have differing requirements for surround and both are catered
for in the PRO6.
Conventional stereo and SIS™ panning is assignable on a channel by channel basis
(channel one can be in stereo while channel two can be in SIS™), as follows:
• Stereo left–right routing to master buses.
• SIS™ left–right–centre routing to master buses.
Three additional surround modes operate as follows:
• Quad left – Right – LS – RS routing to Matrix 1, 2, 5 and 6.
• Surround Left – Right – Centre – Surround routing to Matrix 1, 2, 3, and 5 and 6.
• 5.1 Surround Left – Right – Centre – Sub – LS – RS routing to Matrix 1, 2, 3, 4, 5
and 6.
Network
The MidasNET network of the PRO6 utilises the physical connectivity of Ethernet
(EtherCon® connectors and Cat 5e/copper cable), but replaces its data protocol with
AES50 protocol (implemented as SuperMac) and the HyperMac high capacity system,
which are more suited to high quality, low latency audio distribution. The use of the
AES standard allows straightforward interfacing with any third party hardware that also
utilises this connection.
MidasNET connections carry digital audio, control data and standard Ethernet traffic
bi-directionally down a single cable. Cat 5e cable is used for the ‘local’ connections and
the single digital ‘snake’ (equivalent to a 384-channel analogue multi-core) between
control centre and DL371 Audio System Engine. The combination of audio, control,
clock and third party Ethernet data in a single network means that the hardware
interfaces on a single RJ45 connection.
All system connections are duplicated for full dual redundancy.
Reliability (redundancy)
All critical system connections and most components incorporate integral backup and
recovery strategies such as redeployment of resources, N+1 or dual redundancy etc. A
modular approach to software, hardware and physical construction also aids reliability
and simplifies servicing. The following lists some examples:
• The DL371 Audio System Engine incorporates N+1 redundant power supplies and
five modules, with the capability to fit an optional sixth spare module. The standard
failure recovery for modules will be redeployment of critical roles typically causing
loss of some less important inputs. With the optional sixth module fitted, the system
will operate as N+1 and there will be no loss of function after redeployment.
• The router is contained in the same rack and incorporates dual HyperMAC
connections in and out.
• The control centre contains dual redundant master controllers, dual GUI screens and
N+1 redundant power supplies.
• The I/O is modular in blocks of eight to limit the potential for total audio connection
failure and incorporates dual redundant power supplies.
This resilience strategy provides high reliability performance at a reasonable cost
because it is designed in from the start and not as an afterthought.
Summary of Contents for PRO6
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Page 14: ...xvi Precautions PRO6 Live Audio System Owner s Manual...
Page 24: ...xxvi Contents PRO6 Live Audio System Owner s Manual...
Page 25: ...PRO6 Live Audio System Owner s Manual Volume 1 Overview...
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Page 30: ...4 Chapter 1 Introduction PRO6 Live Audio System Owner s Manual...
Page 42: ...16 Chapter 2 PRO6 Live Audio System PRO6 Live Audio System Owner s Manual...
Page 50: ...24 Chapter 3 About The PRO6 Control Centre PRO6 Live Audio System Owner s Manual...
Page 51: ...PRO6 Live Audio System Owner s Manual Volume 1 Getting Started...
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Page 59: ...PRO6 Live Audio System Owner s Manual Volume 2 Basic Operation Of The PRO6...
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Page 64: ...38 Chapter 5 Before You Start PRO6 Live Audio System Owner s Manual...
Page 104: ...78 Chapter 8 Patching PRO6 Live Audio System Owner s Manual...
Page 131: ...PRO6 Live Audio System Owner s Manual Volume 3 Advanced Operation And Features...
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Page 136: ...110 Chapter 10 Stereo Linking PRO6 Live Audio System Owner s Manual...
Page 144: ...118 Chapter 11 Panning PRO6 Live Audio System Owner s Manual...
Page 148: ...122 Chapter 12 Soloing PRO6 Live Audio System Owner s Manual...
Page 150: ...124 Chapter 13 Muting PRO6 Live Audio System Owner s Manual...
Page 192: ...166 Chapter 18 Copy And Paste PRO6 Live Audio System Owner s Manual...
Page 242: ...216 Chapter 24 User Libraries Presets PRO6 Live Audio System Owner s Manual...
Page 246: ...220 Chapter 25 File Management PRO6 Live Audio System Owner s Manual...
Page 250: ...224 Chapter 26 Using Other Devices With The PRO6 PRO6 Live Audio System Owner s Manual...
Page 267: ...PRO6 Live Audio System Owner s Manual Volume 4 Description...
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Page 335: ...PRO6 Live Audio System Owner s Manual Volume 5 Appendices...
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Page 365: ...Audio signal path 339 PRO6 Live Audio System Owner s Manual Audio signal path...
Page 366: ...340 Appendix C Klark Teknik DN370 GEQ PRO6 Live Audio System Owner s Manual...
Page 372: ...346 Appendix D Klark Teknik DN780 Reverb PRO6 Live Audio System Owner s Manual...
Page 376: ...350 Appendix E I O Modules PRO6 Live Audio System Owner s Manual...
Page 400: ...374 Appendix I Documentation PRO6 Live Audio System Owner s Manual...
Page 511: ...Return 485 XL8 Live Performance System Owner s Manual Gate Not applicable EQ Not applicable...
Page 612: ...586 Glossary PRO6 Live Audio System Owner s Manual...