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Zones
235
PRO6 Live Audio System
Owner’s Manual
Zones
The PRO6 system can be divided into conceptual ‘zones’, as follows:
• System Input Zone: DL351 Modular I/O, DL431 Mic Splitter or DL451 Line/AES3
inputs, which are normally routed to input channels. These inputs are primary
system inputs and the control centre output latency is measured relative to these
inputs.
• Mix Zone: Aux outputs, return inputs and master/matrix direct inputs, which can be
freely patched to and from internal or external effects while maintaining output
signal alignment.
• Output Zone: System outputs, that is, master and matrix outputs when Monitor
Mode (Align with Masters) option is switched off, or aux, master and matrix
outputs when it is switched on.
Aux direct inputs are fixed to the System Input Zone so that system inputs that are
routed to an aux direct input will automatically line up with inputs routed to auxes via
input channels.
Return inputs and master and matrix direct inputs can be configured to operate in
either the System Input Zone (for example, as additional control centre inputs) or the
Mix Zone (for example, as effect returns) and are configurable on a per channel basis.
Examples of patches using the Mix Zone that are all fully compensated when the Send-
FX-Return delay compensation is switched on are:
• Aux -> Internal/External Effect -> Return
• Aux -> Internal/External Effect -> Master Direct Input
• Aux -> Internal/External Effect -> Matrix Direct Input
For all system inputs — including insert return points — the actual location of the input
XLR is automatically compensated for, so an insert using I/O at the stage location will
produce the same latency as an insert at FOH.
Input channel direct outputs are simply a copy of the input channel output or mic input
signal, depending on the direct output mode for a particular channel. It is not possible
to delay these signals to line-up with the main system outputs or aux outputs, so
patching from a direct output to an effect and back in to a return/master direct input
etc. cannot be fully compensated for.
The input to direct output latency depends on the direct output mode and input channel
insert delay compensation status according to the following table.
Master to matrix post-processing option
The signal path that feeds master bus signals onto matrix channels is fully compensated
for, so that signals fed directly to matrix channels or indirectly to matrix channels via
master channels will always line up at the outputs, as will signals sent only to masters
or only to matrix channels.
You have a choice of tap-off point, so you can choose to send either a pre-master or
post-master channel processed signal to the matrix channels. This is a global setting
and affects all master -> matrix contributions (see Table 28 “Master and matrix tap-off
points”).
Direct Output mode
Input channel insert compensation (ms)
Off
On
Pre-processing
0.76
0.76
Post-processing
1.073
2.188
Summary of Contents for PRO6
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Page 14: ...xvi Precautions PRO6 Live Audio System Owner s Manual...
Page 24: ...xxvi Contents PRO6 Live Audio System Owner s Manual...
Page 25: ...PRO6 Live Audio System Owner s Manual Volume 1 Overview...
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Page 30: ...4 Chapter 1 Introduction PRO6 Live Audio System Owner s Manual...
Page 42: ...16 Chapter 2 PRO6 Live Audio System PRO6 Live Audio System Owner s Manual...
Page 50: ...24 Chapter 3 About The PRO6 Control Centre PRO6 Live Audio System Owner s Manual...
Page 51: ...PRO6 Live Audio System Owner s Manual Volume 1 Getting Started...
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Page 59: ...PRO6 Live Audio System Owner s Manual Volume 2 Basic Operation Of The PRO6...
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Page 64: ...38 Chapter 5 Before You Start PRO6 Live Audio System Owner s Manual...
Page 104: ...78 Chapter 8 Patching PRO6 Live Audio System Owner s Manual...
Page 131: ...PRO6 Live Audio System Owner s Manual Volume 3 Advanced Operation And Features...
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Page 136: ...110 Chapter 10 Stereo Linking PRO6 Live Audio System Owner s Manual...
Page 144: ...118 Chapter 11 Panning PRO6 Live Audio System Owner s Manual...
Page 148: ...122 Chapter 12 Soloing PRO6 Live Audio System Owner s Manual...
Page 150: ...124 Chapter 13 Muting PRO6 Live Audio System Owner s Manual...
Page 192: ...166 Chapter 18 Copy And Paste PRO6 Live Audio System Owner s Manual...
Page 242: ...216 Chapter 24 User Libraries Presets PRO6 Live Audio System Owner s Manual...
Page 246: ...220 Chapter 25 File Management PRO6 Live Audio System Owner s Manual...
Page 250: ...224 Chapter 26 Using Other Devices With The PRO6 PRO6 Live Audio System Owner s Manual...
Page 267: ...PRO6 Live Audio System Owner s Manual Volume 4 Description...
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Page 335: ...PRO6 Live Audio System Owner s Manual Volume 5 Appendices...
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Page 365: ...Audio signal path 339 PRO6 Live Audio System Owner s Manual Audio signal path...
Page 366: ...340 Appendix C Klark Teknik DN370 GEQ PRO6 Live Audio System Owner s Manual...
Page 372: ...346 Appendix D Klark Teknik DN780 Reverb PRO6 Live Audio System Owner s Manual...
Page 376: ...350 Appendix E I O Modules PRO6 Live Audio System Owner s Manual...
Page 400: ...374 Appendix I Documentation PRO6 Live Audio System Owner s Manual...
Page 511: ...Return 485 XL8 Live Performance System Owner s Manual Gate Not applicable EQ Not applicable...
Page 612: ...586 Glossary PRO6 Live Audio System Owner s Manual...