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Chapter 35: Working with Synchronization
799
Pull Up/Down
When Pro Tools is used in conjunction with a
SYNC peripheral, or a third party peripheral that
supports pulled sample rates, this option allows
you to “pull up” or “pull down” the current
sample rate.
For general information, see the
Pro Tools Sync &
Surround Concepts Guide
. For more information
on applying pull factors in Pro Tools, see “Pull
Up and Pull Down” on page 802.
Time Code Reader Offset (Sync Offset)
This field lets you set a
trigger offset
for incoming
MIDI Time Code (anywhere from –100000 to
+100000 samples). This allows you to create a
permanent offset to fine-tune the point at
which Pro Tools synchronizes relative to incom-
ing time code. For example, a value of –50
makes an event in Pro Tools occur 50 samples
before the same event in the incoming MIDI
Time Code. Use this to compensate for timing
differences between various SMPTE-to-MIDI
Time Code converters or analog-to-digital/digi-
tal-to-analog converters.
Preparing to Work with SMPTE
The first step when preparing to work with
SMPTE is to choose an appropriate SMPTE frame
rate. Pro Tools supports all standard SMPTE
frame rates. If you are working with SMPTE
striped tape, it is important to know the frame
rate. In some cases, a SYNC peripheral can be
used to do this.
Configuring Pro Tools for
SMPTE
Synchronization and MachineControl system
settings are enabled in the Pro Tools Peripherals
dialog. These settings are
system
settings, and re-
main constant regardless of the particular ses-
sion you are working on. Configure these set-
tings before opening a session.
Other settings are configured in the Session
Setup window, such as the session Time Code
rate, the Feet+Frames rate, the session start
frame, and time display format. These settings
are
session-specific
settings. These settings can
only be configured when a session is open.
Remember, pull up and pull down are ap-
plied differently in different workflows.
Make sure you check each project’s specific
workflow before you begin your work.
For a full explanation of SMPTE frame
rates, see the
Pro Tools Sync & Surround
Concepts Guide
.
MachineControl is supported on
Pro Tools|HD
systems only.
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...