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Chapter 24: Beat Detective
541
10
To display the metric locations for the trig-
gers, select the Show Trigger Time option.
11
If you cannot get the beat triggers to appear
at the right locations, repeat steps 5–10 trying
the other Analysis algorithm (High or Low Em-
phasis).
To generate beat triggers from a MIDI selection:
1
In the Edit window, set the MIDI track you
wish to use to Notes View.
2
Make a selection across a range of MIDI data.
Make certain that the selection start and end
points are at musically relevant locations, such
as barlines.
3
Choose Event > Beat Detective.
4
Select MIDI from the operation pop-up menu.
5
In the Beat Detective window, select one of
the following modes:
• Bar|Beat Marker Generation
• Groove Template Extraction
6
Define the selection range. If the tempo and
meter of the audio selection do not match the
session’s default tempo and meter, enter the
Time Signature, and Start Bar|Beat and End
Bar|Beat locations. For a four-bar selection that
starts on beat 1, enter 1|1 and 5|1.
7
If your MIDI track contains chords, choose
one of the following MIDI chord recognition al-
gorithms from the Analysis pop-up menu:
• Last Note
• First Note
• Loudest Note
• Average Location
• Highest Note
• Lowest Note
8
Click the Analyze button.
MIDI Chord Recognition
Since MIDI notes in a chord may be played at
slightly different moments, Beat Detective inter-
prets notes that are close together (closer than
half the time value that is set in the Selection
Contains field) as a chord.
Beat Detective will use the criteria you set in the
Analysis pop-up menu to interpret the location
of the beat in relation to the chord.
Last Note
Sets the beat trigger to the start of the
last note played in the chord.
First Note
Sets the beat trigger to the start of the
first note played in the chord.
Loudest Note
Sets the beat trigger to the start of
the note in the chord played with the highest
velocity.
Average Location
Sets the beat trigger to a point
that represents the average between the start of
the first note played in the chord, and the last
note played in the chord.
Highest Note
Sets the beat trigger to the start of
the highest note played in the chord.
Lowest Note
Sets the beat trigger to the start of
the lowest note played in the chord.
MIDI chord analysis
First
Note
Last
Note
Highest Note
Lowest Note
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...