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Pro Tools Reference Guide
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The Shift command works the same regardless
of the Edit mode. For example, adjacent regions
are overlapped in Shuffle mode, the Spot dialog
does not appear when in Spot mode, and shifted
material does not snap to the Grid when in Grid
mode.
Quantizing Regions to Grid
The Quantize to Grid command adjusts the
placement of selected audio and MIDI regions
so that their start points (or sync points, if
present) precisely align to the nearest Grid
boundary.
To quantize one or more regions:
1
Configure the Grid value (see “Defining the
2
With the Selector or Time Grabber tool, select
the region or regions you want to quantize. The
regions can be on multiple tracks. Only regions
that are entirely selected will be quantized.
3
Choose Region > Quantize to Grid. Region
start times (or sync points) are aligned to the
nearest boundaries for the defined Grid.
For MIDI regions, only the regions are quantized
and all MIDI data contained within the regions
(such as notes) are moved equally, thereby re-
taining their rhythmic relationships. To quan-
tize individual MIDI notes, choose Event > MIDI
Grid/Groove Quantize (see “Grid/Groove Quan-
tize” on page 584).
Locking Regions
If you have a region or group of regions that you
want to permanently associate with a particular
location in a track (a beat, SMPTE frame, or sam-
ple location), you can lock it in place so it can-
not be moved accidentally. Locked regions can-
not be moved or deleted.
To lock (or unlock) a region:
1
With the Time Grabber, select the region or re-
gions to lock (or unlock). The regions can reside
on multiple tracks.
2
Choose Region > Lock (or Region > Unlock).
When locked, a small lock appears in the region
and it cannot be moved or deleted. If you at-
tempt to perform edits that would move a
locked region, Pro Tools alerts you.
In Shuffle mode, locked regions, and all regions
occurring after the locked region, are not dis-
placed when other neighboring regions are
moved.
Locked audio region
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...