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Chapter 10: Tracks
133
Locked (Video Track Only)
Toggles the
locked/unlocked status of the video track (or se-
lected video tracks if any).
Rename
Opens the Track Name dialog.
Duplicate
Duplicates the track (or selected tracks
if any).
Split Into Mono (Multichannel Tracks Only)
Splits
a multichannel track (or selected multichannel
tracks if any) into their mono component
tracks.
Delete
Deletes the track (or selected tracks if
any).
Expand to New Tracks
Expands multichannel
audio files imported from a field recorder to new
tracks, such that every channel resides on its
own mono audio track. Pro Tools also automat-
ically conforms all expanded tracks to the edits
in the guide (expanded) track. You can expand
multichannel files to new tracks ordered by
channel name, by channel number, or by chan-
nel name and number.
Assigning Inputs and Outputs
to Tracks
Inputs for audio, Auxiliary Input, and Instru-
ment tracks can be assigned to audio interface
channels or busses. Outputs for audio, Auxiliary
Input, Master Fader, and Instrument tracks can
also be assigned to audio interface channels or
busses.
For stereo and multichannel surround tracks, in-
puts and outputs appear as stereo pairs and mul-
tichannel groups. The available inputs, outputs,
and busses are defined as
paths
in the I/O Setup
dialog (see Chapter 6, “I/O Setup”).
Automatic Input and Output
Assignments
When adding tracks to a new session, inputs are
automatically assigned in ascending order. For
example, if you have an audio interface with
eight inputs, creating four new mono audio
tracks will automatically add four audio tracks
with inputs assigned to the first four paths de-
fined in the I/O Setup dialog. When creating ste-
reo tracks, inputs are automatically assigned to
subsequent input pairs.
The outputs automatically assigned to new
tracks are determined by the New Track Default
Output specified in the I/O Setup dialog.
Assigning Audio Track Inputs
(Audio Tracks, Auxiliary Inputs, Instrument
Tracks)
To assign an audio track input:
1
In order to assign audio track inputs in the
Edit window, select View > Edit Window > I/O.
2
In the Mix or Edit window, click the track’s In-
put Path selector and choose from the available
audio interface channels and busses. Stereo and
multichannel surround tracks have inputs avail-
able as pairs and multichannel groups.
Input/output assignments for three mono audio tracks
Track set to
Audio Input 2
Track set to
Bus 2
Track set to
No Input
Instrument tracks route their input auto-
matically to any inserted Instrument plug-
in.
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...