DigiDesign Pro Tools, Reference Manual

Page: 651 / 886

Chapter 28: Basic Mixing 637
Hiding Views in the Edit Window
You can quickly hide View columns in the Edit
window using a simple keyboard shortcut.
To hide a View column in the Edit window:
■
Alt-click (Windows) or Option-click (Mac) at
the top of the column you want to hide (Mic
Pre, Comments, Instrument, Inserts, Sends A–E,
Sends F–J, I/O, Real-Time Properties, or Track
Color).
Audio Input and Output Paths
Pro Tools lets you configure the physical input
and outputs of your audio interfaces and also in-
ternal bus paths and subpaths in the I/O Setup
dialog and the Hardware Setup dialog. These
hardware inputs and outputs, and internal bus
paths can be assigned as inputs and outputs on
audio, Auxiliary Input, Instrument tracks, and
Master Faders.
Input Audio Path
Input Path selectors determine the source input
for audio, Auxiliary Input, and (optionally) In-
strument tracks. Track inputs can be set from a
hardware input or internal bus paths or sub-
paths. For detailed information on assigning
track inputs, see “Assigning Audio Track Inputs”
on page 133.
Hardware input and bus paths can be configures
in the I/O Setup. For more information, see
Chapter 6, “I/O Setup.”
You can also define what physical ports are
routed to Pro Tools input ports in the “Main”
page of the Hardware Setup dialog. For more in-
formation, see “Configuring Pro Tools System
Settings (in the Playback Engine)” on page 32.
Output Audio Path
Track Output Path selectors route the post-fader
signals to the assigned output or bus paths. The
Output Path selector routes the main track out-
put to the chosen main or sub-path. Tracks can
be routed directly to hardware output or inter-
nal bus paths and subpaths for submixing (main
or sub-paths).
The track format (mono, stereo, or multichan-
nel) determines the available main and sub-path
choices for track output. For detailed informa-
tion on assigning track outputs, see “Assigning
Audio Track Outputs” on page 134.
When audio, Auxiliary Input, Master Fader, and
Instrument tracks are created, their mono, ste-
reo, or greater-than-stereo multichannel format
is defined:
• Mono tracks can be assigned to any available
mono, stereo, multichannel main and sub-
paths.
• Stereo tracks can be assigned to any available
mono, stereo, or multichannel main and sub-
paths.
• Multichannel tracks (Pro Tools HD only) can
be assigned to any mono path, or path of the
same number of channels (for example, an
LCRS track can be assigned to a mono or LCRS
path).
Output Windows
Output windows provide the essential track
mixing controls (such as track panning and vol-
ume), as an alternative to Mix and Edit window
views. Multichannel Output and Send windows
also provide expanded Panner views, and other
surround-specific controls. See Chapter 34,
“Surround Panning and Mixing (Pro Tools HD
Only).”