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Pro Tools Reference Guide
628
Master Fader Tracks
Master Faders control the master output levels
of output and bus paths. When assigned to an
active output or bus path, they provide post-
fader effects processing and master level control
for a main mix, headphone and cue mixes,
stems, effects sends, and other signal routing ap-
plications. Master Faders support all track for-
mats supported on your Pro Tools system.
Unlike inserts on audio tracks and Auxiliary In-
puts, Master Fader inserts are post-fader. This
lets you insert a dither plug-in, or similar plug-
in, on your master mix. For more information
about dithering, see “Dither” on page 660.
Master Faders provide up to five
post-fader
in-
serts and no sends. Also, Master Fader tracks do
not have Pan sliders, or Mute and Solo buttons.
Common Uses for Master Faders
Master Faders can be used to:
• Control and process output mixes
• Monitor and meter an output (such as a
bus or hardware output) to guard against
clipping
• Control submix levels
• Control effects sends levels
• Control submaster (bussed tracks) levels
• Apply dither or other inserts to an entire
mix
Use Master Faders to control submix levels, send
level masters, and other outputs. Master Faders
can control either audio interface outputs or in-
ternal busses. A Stereo Master Fader controls the
level of a pair of outputs. Master Faders do not
consume any of your system’s audio processing
power.
To use a Master Fader as a stereo master volume
control:
1
Create a stereo Master Fader track.
2
Set the outputs of all audio tracks in the ses-
sion to the main output path (for example, out-
puts 1–2 of your primary audio interface) and
set the panning for each track.
3
Set the output of the Master Fader to the main
output path.
Audio signal flow, Master Faders
Inserts,
Volume
(plug-ins or
Output
post-fader
hardware)
Main Output
Additional Outputs
+
Input (source) determined by
output assignment (of other
tracks)
If you absolutely must have a pre-fader in-
sert on your Master Fader signal, set up an
Auxiliary Input before the Master Fader.
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...