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Chapter 12: Importing and Exporting Session Data
213
Use Copy to move audio from an unsupported
or removable drive to an audio drive, or to ar-
chive audio files for a session to a specific loca-
tion.
Convert
Audio files that are not of the same bit depth or
sample rate as a session, or audio files that are of
an incompatible file type (such as SD II files in
Windows) must be converted to be used with
the session. When an audio file is converted, a
new file with the correct bit depth, file type, and
sample rate is created and placed in a folder you
choose.
The quality of sample rate conversion used by
Pro Tools is determined by the preference for
Conversion Quality. For details, see “Sample
Rate Conversion Quality” on page 213.
Importing Stereo Files
When using the Import Audio command, inter-
leaved stereo files are automatically imported to
stereo tracks.
Split stereo (dual mono) audio files can be auto-
matically imported to stereo tracks. Split stereo
audio files must have the channel identifiers
“.L” and “.R” in their names (for example,
file-
name
.L and
filename
.R), and the files must be the
same length. In Windows, or in Mac/PC Com-
patibility mode, these files will have a 3-letter
file extension appended after the “.L” or “.R”
channel identifier.
Pro Tools also lets you import multichannel in-
terleaved files of any supported file type.
Automatic Fades for Imported REX and
ACID Files
Pro Tools can automatically apply real-time
crossfades to the regions or “slices” in imported
REX and ACID format files.
To apply real-time crossfades to REX and ACID
files:
1
Choose Setup > Preferences and click Editing.
2
Select the “Automatically Create Fades For Im-
ported REX and ACID files” option.
3
Click REX/ACID and choose the shapes for the
crossfades, and click OK.
4
Click OK to close the Preferences dialog.
Sample Rate Conversion
Quality
The Sample Rate Conversion Quality preference
determines the quality of sample rate conver-
sion used when converting and importing audio
into a session. There are five possible settings,
ranging from
Low
(lowest quality) to
Tweak Head
(highest quality). The higher the quality, and
the larger the conversion, the longer it will take.
To set the sample rate conversion quality:
1
Choose Setup > Preferences and click the
Processing tab.
Depending on your edits or tempo changes
after importing REX or ACID files, the
fades may get deleted and you will have to
recreate them yourself.
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...