Korg NAUTILUS Series, Руководство по параметрам, Страница: 853 / 961

Delay 089: Auto Reverse
843
This is an easy way to get to the default effects settings,
which we’ll be using:
• REC Source : JS +Y: CC#01
• Reset Source : JS –Y: CC#02
• Manual Rec Control : Off
• Manual Reset Control : Off
• Loop Time [msec] : Auto
• MIDI/Tempo Sync : Off
2. Push the main joystick (not the Vector Joystick) in the
+Y direction (away from you).
This starts the recording.
3. Play a phrase.
4. Release the joystick to its original position.
This stops the recording. The phrase will now start to loop.
Since
Loop Time is set to Auto , the loop’s duration will
match that of the recording.
5. Push the main joystick in the +Y direction again.
6. Play another phrase, over the loop.
7. Release the joystick to its original position.
Now, you should hear what you just played layered over the
first loop. You can overdub as many passes as you like.
To clear the loop and start over:
8. Pull the joystick in the –Y direction (towards you).
Hold Delay is mono
The Hold Delay uses a single, long, mono delay line
(although you can control the pan of the delay). For best
results with stereo effects, such as chorus and reverb, use the
stereo effects after the Hold Delay.
089: Auto Reverse
This effect records the input signal and automatically plays it
in reverse (the effect is similar to a tape reverse sound).
CONTROL
Envelope Select [Dmod, Input]
This selects whether the start and end of recording is
controlled via the modulation source or the input signal
level. After recording is completed, the reverse playback
starts immediately.
Dmod : the input signal will be recorded only when the value
of the specified modulation Source is 64 or higher.
Input : the input signal will be recorded only when its level
exceeds the Threshold level.
Source [Off…Tempo]
Selects the modulation source that controls recording when
Envelope Select is set to Dmod.
Threshold [0…100]
Sets the recording start level when Envelope Select is set to
Input.
Response [0…100]
This sets the speed of the response to the end of recording.
Set a smaller value when you are recording a phrase or
rhythm pattern, and set a higher value if you are recording
only one note.
REVERSE
Mode [Single, Multi]
When Mode is set to Single , you can set up to 2,640msec for
Reverse Time . If recording starts during the reverse
playback, the playback will be interrupted.
When Mode is set to Multi , you can make another recording
during the reverse playback. However, the maximum
Reverse Time is limited to 1,320msec.
If you wish to use this with longer phrases or rhythm
patterns, set
Mode to Single . If you don’t need a long
playback time, and want playback and record to overlap, set
Mode to Multi .
Reverse Time [msec] [20…2640]
This specifies the maximum time of the reverse playback.
For short, single-note slapback effects, set the
Reverse Time
to a low value.
Direct Mix [Always On, Always Off, Cross Fade]
Selects how the dry sound is mixed. For more information,
see “Direct Mix” on page 816.
OUTPUT
This is the standard effects output section, with modulatable
control over wet/dry balance. For more information, see
“OUTPUT” on page 762.
Input
D-mod
Envelope Select
D -mod
Envelope Control
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
+
Auto Reverse
Direct
Mix
Rec/Reverse Play
Control
Rec Rec
Mode/Reverse Time
Input
Mode = Single
Mode = Multi
Time
Reverse Time Reverse Time
Envelope Select = Input
Reverse Reverse