Korg NAUTILUS Series, Руководство по параметрам, Страница: 49 / 961

PROGRAM > Basic/X-Y/Controllers 1–1: Program Basic
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Random [0…7]
This parameter creates random variations in pitch for each
note. At the default value of
0 , pitch will be completely
stable; higher values create more randomization.
This parameter is handy for simulating instruments that have
natural pitch instabilities, such as analog synths, tape-
mechanism organs or acoustic instruments.
1–1f: Wave Sequence
The Swing , Key Sync , and Quantize Trigger settings in this
section affect how the Program plays its Wave Sequences.
These settings are stored within the Program, and do not
change the original Wave Sequence data.
Swing [–300%…+300%]
This parameter applies only when the Program is using one
or more Wave Sequences set to Tempo mode.
Use Swing to add a sense of swing to the rhythm. For
example, Swing provides an easy way to turn a “square”
rhythm into a shuffle groove.
Swing works by adjusting the position of the up-beats,
relative to the Wave Sequence’s Resolution setting. For
instance, if the Resolution is set to 1/8, Swing affects every
other 8th note.
When Swing is set to +100% , these notes will be moved one
third of the way toward the next down-beat. If the Resolution
is 1/8, for example, +100% changes straight 8th notes into
8th note triplets.
When Swing is set to +300% , up-beats will be moved all the
way to the next down-beat. At this point, the notes on the up-
beats will not be heard at all.
Positive values make the up-beats later, and negative values
make them earlier.
Wave Sequence Swing
Swing uses the Wave Sequence’s Resolution
setting
Since the programmed rhythms of Tempo Wave Sequences
can vary widely, each has its own Swing Resolution setting,
from 1/32 note triplets to 1/4 note.
If the Program contains two or more Wave Sequences with
different Swing Resolution settings, the Program will use the
finest value. For example, if one is set to 1/8 and the other is
set to 1/16, the Program will use 1/16 notes.
Key Sync [On, Off]
On (checked): When Key Sync is On, each note’s Wave
Sequence(s) will progress independently, so that each one
can be on a different step, or moving at a different rate.
Off (unchecked): When Key Sync is Off, all of the Wave
Sequences will be synchronized on the same step. There is
one exception to this, however: if Duration is modulated
with velocity or note-number, the Wave Sequences can still
progress at different rates.
Quantize Trigger [On, Off]
This parameter applies only when the Program is using one
or more Wave Sequences set to Tempo mode.
It allows you to force most Tempo-mode Wave Sequence
note-ons to be in sync, making it easier to play along with
other rhythmic elements.
When Quantize Triggers is On, note-ons are quantized to 8th
notes using the current tempo reference. (See below for a
few more details.)
The tempo reference can come from different sources,
depending on the current mode, and whether or not ARP is
on:
• In PROGRAM and COMBINATION modes, if ARP is
off, note-ons are synchronized with the sounding Tempo-
mode Wave Sequence, if any.
• In PROGRAM and COMBINATION modes, if ARP is
on, note-ons are synchronized with ARP.
• In SEQUENCER mode during playback or recording,
note-ons are synchronized with the sequence.
• In SEQUENCER mode, while the sequencer is stopped,
note-ons are synchronized with RPPR and ARP.
On (checked): Note-ons will be quantized.
Off (unchecked): Note-ons will be played instantly, the
moment that you play the keyboard.
How Quantize Trigger works
The Quantize Trigger feature tries to make a good guess at
where you intended the note to be. If you play the note just a
bit late–within a 32nd note of the 8th note–it will assume
that you meant the note to sound on the beat that just passed.
In this case, the note will play immediately.
On the other hand, if you play the note up to three 32nd notes
early, it will assume that you’re intending the note to sound
on the next beat. In this case, the note-on is delayed until the
next 8th note.
1–1g: Half-Damper Control
A half-damper pedal is a special type of continuous foot
pedal, such as the Korg DS-1H. In comparison to a standard
footswitch, half-damper pedals offer more subtle control of
sustain, which can be especially useful for piano sounds.
The NAUTILUS will automatically sense when a half-
damper is connected to the rear-panel DAMPER input. For
proper operation, you will also need to calibrate the pedal,
using the Calibrate Half-Damper command in the Global
page menu.
0%
Swing %
+100%
–100%
+200%
+300%
+300
Beat
1
Beat 2
Swing Resolution =
3 3 3 3
+100
–100
+200