Vista 5 M3 Digital Mixing System
AutoTouchPlus 5-13
Document generated: 28.08.13
SW V4.9
5.2.5
How to…
...put the whole console into write mode?
Activate preselector buttons
Fdr
,
Mute
,
Knob
,
Sw
(or click the
All/Clr
but-
ton) and click
CONTROL MODES – Write Enable
(make sure you have
TOUCH – Record
active in order to record any changes against timecode).
...put all faders into write mode?
Select
GLOBAL RECORD –
Fdr
as preselector and click
Write Enable
underneath in order to put all faders into write mode (make sure you have
TOUCH Record
active in order to record any changes against timecode).
<
Option>
There is an optional setting (see menu ‘Automation Options…’, ‘Control
Modes’, ‘Mode Enable sets non-selected to READ’, also refer to
chapter
5.22.2
) which determines whether the non-selected functions (e.g.
Mute
,
Knob
,
Sw
) will change their state to READ or whether they don’t change
their automation state when putting the faders into WRITE.
...put a group of faders into write mode?
Select
GLOBAL RECORD –
Fdr
as preselector and create a gang of the
channels that should change their automation mode to Write. Then toggle
through the automation modes by pressing the
ISO (AUTO MODE)
key in any
of the linked channels several times, until the automation state indication on
the TFT says ‘
W
’ (make sure you have
TOUCH – Record
active in order
to record any changes against timecode).
...use ‘Rehearse’ mode?
Basically you just have to switch off the
RECORD
button. This will prevent
all upcoming touches from switching into recording. To rehearse some set-
tings, you will normally have
HOLD
on, since you want your settings to stay
when you physically un-touch an object. In this way you will see all objects
you changed in order to rehearse some alternate settings indicating ‘held’
state, either by underlined values (Vistonics module) or in the fader case by
the displayed dB values. You can now stop the tape, rewind, and all objects
will stay ‘held’. Now you activate the
HOLD
button from the preselectors of
the section
GLOBAL RECORD
(
Punch In
/
Punch Out
) and play the tape
again. When you click the
Punch In
or
Punch Out
button, you will now put
all your rehearsed objects in and out of recording.
Note
If objects are moved in rehearse mode, you will always hear what you see.
However, if you want to switch over and hear the underlying original mix,
simply activate the
HELD – Plays Mix
button.
...correct a mix pass and let the automation take over whenever the level matches?
Select
Write To…:
Level Match
. Please note that these
Write To…
but-
tons will only affect automated objects
after
they are punched out. This is
to prevent unwanted punch-outs while you are still touching an object and
doing corrections. In order to move e.g. a fader manually over the point of
level match and make it punch-out upon level match, you need to punch-out
first and afterwards touch the fader again ‘without the automation detecting
the touch’. This means you will have to hold down the
ISO (AUTO MODE)
modifier key when touching the fader again. Now you can move the fader
towards the point of expected level match. As soon as this level is reached,
this fader will stop recording.
There is also an alternate way of suppressing the detection of the touch: Switch
TOUCH – Record
off and then touch the fader, followed by a manual move-
ment over the point of matching levels.
Содержание Vista 5 M3
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