7-14
Setup Mode
The Key/Velocity (KEY-VEL) Page
Offset
and
Scale
work
together.
If
scaling
takes
the
velocity
out
of
the
ballpark
—
for
example,
you
want
to
set
it
to
300%
but
that
puts
all
of
your
notes
at
maximum
velocity
—
using
a
negative
offset,
say
around
‐
60
,
can
make
it
possible
to
still
play
at
different
volumes,
although
your
curve
will
still
be
a
lot
steeper
than
normal.
If
you
use
a
negative
scaling,
then
you
must
use
an
offset:
otherwise
all
of
your
velocities
will
end
up
as
zeroes
(well,
ones
actually,
since
a
MIDI
note
‐
on
with
velocity
zero
is
something
else).
So
to
get
true
inverse
scaling
(that
is,
minus
100%),
you
must
set
an
offset
of
127
to
get
the
full
range
of
velocities.
Setting
the
offset
to
127
and
the
scale
to
‐
100%
produces
a
slope
like
this
(which
is
the
same
as
the
reverse
linear
curve):
Note
that
Offset
and
Scale
affect
only
MIDI
velocities;
that
is,
these
parameters
don’t
change
Velocity
Tracking
in
the
programs
themselves.
Therefore,
some
programs
(such
as
organ
sounds,
which
often
have
low
VelTrk
values)
may
respond
only
subtly
to
Offset
and
Scale,
or
not
at
all.
MIDI V
e
locity
127
0
127
Strike Velocity
64
64
Содержание PC3K6
Страница 24: ...1 6 Introduction Options...
Страница 50: ...4 4 The Operating Modes Using the Modes...
Страница 58: ...5 8 Editing Conventions Special Button Functions...
Страница 130: ...6 72 Program Mode Programming Tips...
Страница 202: ...7 72 Setup Mode Recording A Setup To Song Mode...
Страница 206: ...8 4 Quick Access Mode The QA Editor...
Страница 232: ...9 26 Effects Mono Algorithms...
Страница 268: ...11 18 Master Mode Preview Sample PRVIEW...
Страница 302: ...12 34 Song Mode and the Song Editor Song Editor The EVENT Page...
Страница 328: ...14 14 Keymap and Sample Editing Editing Samples...
Страница 334: ...B 4...
Страница 370: ...D 32 PC3K Objects V 1 31 Effect Chains...
Страница 372: ...E 2 PC3K Legacy File Conversion Object Types and Conversion Details...