Program Mode
Editing VAST Programs With KVA Oscillators
6-59
8 Block:
SYNC
SQUARE
(master)
>>,
>>SYNC
SQUARE
(slave)
See
above,
Setting
Up
The
Sync
Square
Oscillator:
on page 6
‐
55
.
Use Of Keymaps and Natural Amplitude Envelopes With KVA Oscillators:
Keymaps
are
important
in
layers
using
KVA
oscillators,
even
though
their
samples
are
not
usually
heard
in
these
layers
(see
the
note
below
for
exceptions.)
Keymap
selection
is
important
because
the
maximum
amplitude
set
for
each
key
in
the
keymap
is
applied
to
the
oscillator.
For
most
uses
of
KVA
oscillators,
users
will
want
to
use
the
999
Silence
keymap
because
each
key
in
the
keymap
is
set
to
the
same
maximum
amplitude,
unlike
many
instrument
keymaps.
The
999
Silence
keymap
ensures
uniform
amplitude
behavior
of
an
oscillator,
and
with
the
amplitude
envelope
set
to
user
mode,
users
can
easily
shape
all
aspects
of
an
oscillator’s
amplitude.
The
PC3K
also
has
the
ability
to
apply
natural
amplitude
envelopes
to
oscillators.
With
an
amplitude
envelope
set
to
natural
mode,
each
oscillator
note
takes
on
the
amplitude
qualities
of
each
sample
in
a
keymap
(with
each
note
relative
to
sample
key
placement.)
Each
sample
in
a
keymap
has
a
natural
envelope
that
was
created
during
it’s
original
development
process.
Natural
envelopes
have
much
more
detail
than
what
is
possible
to
create
with
the
user
amplitude
envelope,
and
they
are
useful
when
trying
to
mimic
specific
instrument
amplitude
envelopes.
When
using
this
technique,
remember
that
the
maximum
amplitude
of
each
key
is
set
by
the
current
keymap.
You
can
still
control
the
overall
parameters
of
a
natural
envelope
by
using
the
ENVCTL
page.
See
the
programs
213
Perc>Morph>Bass
&
315
ElectroPercSynth
for
examples
of
KVA
layers
that
use
this
technique.
Each
program
uses
percussion
keymaps
with
natural
envelopes
to
produce
a
fast,
percussive
attack.
Also
note
that
when
using
a
KVA
oscillator
and
a
keymap
other
than
999
Silence,
the
layer
will
use
the
name
of
the
keymap
in
the
info
box
on
the
main
Program
page,
even
though
it
is
not
the
true
sound
source
of
the
layer.
Note:
The
samples
from
a
keymap
are
not
heard
when
using
an
oscillator,
unless
an
algorithm
is
used
to
route
the
keymap
signal
around
the
oscillator
and
into
a
MIX
function
block,
or
unless
it
is
an
oscillator
that
processes
its
audio
input.
Содержание PC3K6
Страница 24: ...1 6 Introduction Options...
Страница 50: ...4 4 The Operating Modes Using the Modes...
Страница 58: ...5 8 Editing Conventions Special Button Functions...
Страница 130: ...6 72 Program Mode Programming Tips...
Страница 202: ...7 72 Setup Mode Recording A Setup To Song Mode...
Страница 206: ...8 4 Quick Access Mode The QA Editor...
Страница 232: ...9 26 Effects Mono Algorithms...
Страница 268: ...11 18 Master Mode Preview Sample PRVIEW...
Страница 302: ...12 34 Song Mode and the Song Editor Song Editor The EVENT Page...
Страница 328: ...14 14 Keymap and Sample Editing Editing Samples...
Страница 334: ...B 4...
Страница 370: ...D 32 PC3K Objects V 1 31 Effect Chains...
Страница 372: ...E 2 PC3K Legacy File Conversion Object Types and Conversion Details...