6-38
Program Mode
The LFO Page
Minimum Rate
This
is
the
slowest
rate
at
which
the
LFO
runs.
When
its
Rate
Control
is
set
to
OFF
,
or
when
the
control
source
assigned
to
it
is
at
its
minimum,
the
LFO
runs
at
its
minimum
rate.
As
previously
mentioned,
the
values
1/4
note,
1/8
note,
1/8
triplet,
and
1/16
note
sync
the
Minimum
Rate
with
the
PC3K’s
system
tempo.
Of
course,
if
you
choose
to
tempo
sync
your
LFO,
then
the
LFO
rate
is
fixed,
and
you
can
specify
neither
Maximum
Rate
nor
Rate
Control.
The
display
changes
thusly:
Maximum Rate
This
is
the
fastest
possible
rate
for
the
LFO.
When
its
Rate
Control
is
set
to
ON
,
or
when
the
control
source
assigned
to
it
is
at
its
maximum,
the
LFO
runs
at
its
maximum
rate.
Rate Control
Assign
any
control
source
in
the
list
to
modulate
the
LFO’s
rate
between
its
minimum
and
maximum.
A
continuous
control
like
the
Mod
Wheel
is
a
natural
choice,
enabling
you
to
get
just
about
any
rate
between
minimum
and
maximum.
But
you
can
use
a
switch
control
too,
to
get
just
the
minimum
or
maximum
with
nothing
in
between.
Assigning
MPress
as
the
rate
control
for
an
LFO
vibrato
gives
you
an
easy
way
to
increase
the
vibrato
rate
in
realtime,
as
you
can
on
many
acoustic
instruments.
LFO Shape
The
shape
of
the
LFO
waveform
determines
the
nature
of
its
effect
on
the
signal
its
modulating.
An
easy
way
to
check
the
effects
of
the
different
LFO
shapes
is
to
set
LFO1
as
the
value
for
the
Src1
parameter
on
the
PITCH
page,
and
set
the
Depth
for
Src1
to
400
cents
or
so.
Then
go
to
the
LFO
page,
set
the
Min
and
Max
rates
for
LFO1
at
0.00 Hz
and
4.00 Hz
or
so,
and
set
the
Rate
control
to
MWheel
.
Now
play
your
MIDI
controller
and
you’ll
hear
the
LFO’s
rate
change
when
you
move
its
Mod
Wheel.
Select
different
LFO
Shapes
and
check
out
the
effect
on
the
pitch.
LFO Phase
Use
this
parameter
to
determine
the
starting
point
of
the
LFO’s
cycle.
One
complete
cycle
of
the
LFO
is
360
degrees.
0
degrees
phase
corresponds
to
a
control
signal
value
of
0,
becoming
positive.
Each
90
‐
degree
increment
in
the
phase
represents
a
quarter
‐
cycle
of
the
LFO.
When
an
LFO
is
local,
the
phase
parameter
gives
you
control
over
the
starting
point
of
the
LFO
for
each
note
(for
example,
you
could
make
sure
every
vibrato
started
below
the
pitch
you
played
instead
of
at
the
pitch
you
played).
The
LFO’s
phase
also
affects
global
LFOs,
although
it’s
often
indistinguishable,
since
global
LFOs
start
running
as
soon
as
the
program
containing
them
is
selected,
even
if
you
don’t
play
any
notes.
Содержание PC3K6
Страница 24: ...1 6 Introduction Options...
Страница 50: ...4 4 The Operating Modes Using the Modes...
Страница 58: ...5 8 Editing Conventions Special Button Functions...
Страница 130: ...6 72 Program Mode Programming Tips...
Страница 202: ...7 72 Setup Mode Recording A Setup To Song Mode...
Страница 206: ...8 4 Quick Access Mode The QA Editor...
Страница 232: ...9 26 Effects Mono Algorithms...
Страница 268: ...11 18 Master Mode Preview Sample PRVIEW...
Страница 302: ...12 34 Song Mode and the Song Editor Song Editor The EVENT Page...
Страница 328: ...14 14 Keymap and Sample Editing Editing Samples...
Страница 334: ...B 4...
Страница 370: ...D 32 PC3K Objects V 1 31 Effect Chains...
Страница 372: ...E 2 PC3K Legacy File Conversion Object Types and Conversion Details...