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Processing Audio
88 APOLLO
Digital Broadcast Production Console
The Expander in Dynamics 1 can be
switched to perform as a gate by pressing
the Gate button in the 4th control cell in
the bottom control row of the wild assign
panel.
Processing order
Buttons on the TFT screen allow each
dynamics unit to be selected to operate
post fader, pre fader (post EQ) or pre EQ
(pre fader).
Dynamics metering
In addition to the gain reduction meters
shown in the panel mode TFT area which
show the status of the currently assigned
path, dynamics gain reduction meters
are also displayed for each path in the
upstand metering area above. These
upstand meters can be switched between
displaying Dynamics 1 and Dynamics 2
using the panel TOOLS>METERS menu
found in the layers row, to bring up the
options in the functions row above.
Dynamics gain reduction meters light
upwards, away from the zero point, in
a red colour to indicate the amount of
gain reduction being applied due to
compression. Where expander / gates
are available (Dynamics processor 1), the
same meter bar will light downwards, away
from the central zero point, in a green
colour to indicate gain reduction due to
gating or expansion.
If a surround master is the currently
assigned path on the control surface, the
panel mode area of the TFT will display
gain reduction bargraphs for each of
the surround elements. In addition, ‘C’
& ‘S’ indicators above each meter show
whether each surround element has
dynamics control and / or gain reduction
independence from the surround master.
Sidechain EQ
The ‘SC EQ IN’ button in the 8th control
cell in the bottom row of the wild assign
panel is used to switch sidechain EQ in
and out.
Pressing the sidechain ‘LISTEN’ button in
the same cell allows the user to listen to
the effect that the sidechain EQ is having
on the signal. As with regular EQ bands,
you can select various response types by
pressing RESP and turning the related
shaft encoder. The remaining controls
change according to the response chosen.
The EQ response curve for the side-chain
can be viewed by selecting SCEQ ON
from the TFT screen on the left of the EQ
curve or from the panel as described.
About Dynamics Sidechain & EQ
All Dynamics 1 processors have optional
sidechain EQ. Channels have 2 band of
SCEQ, whilst Groups and Mains have a 1
band of SCEQ.
The sidechain is an offshoot from the
audio path through the Channel / Group
/ Main. Dynamics processors use the
sidechain to determine the audio level and
then apply gain reduction to the ‘through’
audio path. Sidechain audio is not passed
on, it is used purely as a reference for
dynamics processors.
Applying EQ to the sidechain does NOT
change the relative frequency response
of the audio path though the console, only
the audio that ‘triggers’ the dynamics.
By applying EQ to the sidechain you can
tune the dynamics to act on or ignore
peaks depending on the frequency.
For example, a basic ‘De-Esser’ used
to reduce sibilance is a compressor
with a high pass filter on the sidechain.
The compressor only receives the high
frequency content and will therefore only
apply gain reduction if high frequency
content exceeds the threshold setting.
Dynamics Links
The compression gain reduction level of
multiple paths can be bussed together
using dynamics links. Paths that share
a common dynamics link, will all get the
same amount of gain reduction applied.
If the signal level on a path, combined with
the path’s compression settings causes it
to apply gain reduction, the same amount
of gain reduction will be applied to all
other paths using the same dynamics link,
irrespective of their own audio content
and compression settings.
If multiple paths are triggering
compression, the gain reduction across
the linked group will be the same as
whichever path is compressing the most.
For example, if the settings and audio
level of one path causes its compressor to
apply 5dB of gain reduction, and another
path is causing 10dB of reduction, all the
paths in the group will have their signals
reduced by 10dB.
When Expander/Gate units are part of a
dynamics link and one feed within the link
reaches the threshold level to open the
expander/gate, all expander/gates within
the link open regardless of the levels of
their feeds.
Fig 2 shows the available parameters for
the Dynamics Processors.
Summary of Contents for Apollo
Page 7: ...calrec com Putting Sound in the Picture APOLLO INFORMATION...
Page 11: ...calrec com Putting Sound in the Picture APOLLO INTRODUCTION...
Page 16: ...16 APOLLO Digital Broadcast Production Console Introduction...
Page 17: ...calrec com Putting Sound in the Picture APOLLO CONTROL OVERVIEW...
Page 21: ...CALREC Putting Sound in the Picture 21 FIG 3 ROWS...
Page 36: ...Control Overview 36 APOLLO Digital Broadcast Production Console FIG 3 EXAMPLE LAYOUTS...
Page 40: ...40 APOLLO Digital Broadcast Production Console...
Page 41: ...calrec com Putting Sound in the Picture APOLLO CONTROL PANEL MODES...
Page 49: ...CALREC Putting Sound in the Picture 49 WILDABLE CONTROLS...
Page 52: ...52 APOLLO Digital Broadcast Production Console...
Page 53: ...calrec com Putting Sound in the Picture APOLLO GETTING SIGNALS INTO APOLLO...
Page 82: ...82 APOLLO Digital Broadcast Production Console Getting Signals into Apollo...
Page 83: ...calrec com Putting Sound in the Picture APOLLO PROCESSING AUDIO...
Page 110: ...110 APOLLO Digital Broadcast Production Console...
Page 111: ...calrec com Putting Sound in the Picture APOLLO ROUTING AUDIO...
Page 128: ...128 APOLLO Digital Broadcast Production Console...
Page 129: ...calrec com Putting Sound in the Picture APOLLO PASSING SIGNALS OUT OF APOLLO...
Page 137: ...calrec com Putting Sound in the Picture APOLLO MONITORING...
Page 152: ...152 APOLLO Digital Broadcast Production Console...
Page 153: ...calrec com Putting Sound in the Picture APOLLO COMMUNICATIONS...
Page 158: ...158 APOLLO Digital Broadcast Production Console...
Page 159: ...calrec com Putting Sound in the Picture APOLLO METERING...
Page 168: ...168 APOLLO Digital Broadcast Production Console...
Page 169: ...calrec com Putting Sound in the Picture APOLLO SHOWS MEMORIES AND PRESETS...
Page 183: ...calrec com Putting Sound in the Picture APOLLO CONSOLE FACILITIES...
Page 188: ...188 APOLLO Digital Broadcast Production Console...
Page 189: ...calrec com Putting Sound in the Picture APOLLO EXTERNAL INTERFACING...
Page 199: ...calrec com Putting Sound in the Picture APOLLO SYSTEM STATUS...
Page 202: ...202 APOLLO Digital Broadcast Production Console...
Page 203: ...calrec com Putting Sound in the Picture APOLLO GLOSSARY OF TERMINOLOGY...
Page 209: ...calrec com Putting Sound in the Picture APOLLO FEATURES BY SOFTWARE VERSION...