140
REFERENCE GUIDE
MIDI messages assignable to the Midi Filters (In & Out)
Only the messages shown in reverse highlight affect the sound generation of the S Series. The notes shown in
brackets [] indicate a special implementation of the S Series message.
ProgramChange
Pitch Bend
Mono Touch
Poly Touch
(00) Control 0 / BankSelect
(01) Modulation
(02) Breath
(03) Control 3
(04) Foot Controller
(05) Portamento Time
(06) Data Entry
(07) Main Volume
(08) Balance [Osc 1/2]
(09) Control 9
(10) Panorama
(11) Expression
(12) [Attack]
(13) [Release]
(14) [Filter 1 Cutoff]
(15) [Filter 2 Cutoff]
(16) Gen. purp. control. 1
(17) Gen. purp. control. 2
(18) Gen. purp. control. 3
(19) Gen. purp. control. 4
(20) [Filters 1+2 Cutoff]
(21 ... 31) Controls 21 ... 31
(64) Damper
(65) Portamento
(66) Sostenuto
(67) Soft Pedal
(68) Control 68
(69) Hold 2
(70 ... 79) Controls 70 ... 79
(80) Gen. purp. control. 5
(81) Gen. purp. control. 6
(82) Gen. purp. control. 7
(83) Gen. purp. control. 8
(84 ... 90) Controls 84 ... 90
(91) External Effect Depth
(92) Tremolo Depth
(93) Chorus Depth
(94) Celeste Depth / Detune
(95) Phaser Depth
(96) Data increment
(97) Data decrement
(98) Non-Reg.Par.Num.(LSB)
(99) Non-Reg.Par.Num.(MSB)
(100) Reg.Par.Num. (LSB)
(101) Reg.Par.Num. (MSB)
(102...120) Controls 102...120
(121) Reset control
(122) Local control
(123) All Note off
(124) Omni Mode off
(125) Omni on
(126) Mono Mode on
(127) Poly Mode on
Note: The Control Changes numbered 21 ... 24 and 90 are generally used by the S Series to control the DSPs.
These messages must be transmitted via the M
IDI
-C
OMMON
which is not, however, affected by the M
IDI
Filters.
Consequently the chapter dedicated to the M
IDI
Filters does not describe the function of these messages in the
case of the S Series.
Hint: If you are controlling the Music Processor with an instrument which does not conform
to General Midi standards, it is advisable to filter the Program Change messages from each
track, because the same Program Change numbers will very probably correspond to
different sounds on the two instruments.
Select the sounds of the Music Processor manually.
Page 6: M
IDI
Filter Out
Filter 1 ... 7
M
IDI
O
UT
filters. It is possible to filter, or exclude, from any track (not M
IDI
-C
OMMON
), up to
seven M
IDI
messages from the outgoing M
IDI
D
ATA
STREAM
. The Filter is active when the name
of a M
IDI
message appears in place of the word “Off”. The messages which can be filtered
are listed in the table at the end of the chapter.
Hint: If you are controlling an instrument which does not conform to General Music stand-
ards with the Music Processor, it is advisable to filter the Program Change messages from
each track, because the same Program Change numbers will very probably correspond to
different sounds on the two instruments.
Select the sounds of the instrument controlled by the Music Processor manually.
Содержание S2 Turbo
Страница 1: ......
Страница 3: ...MUSICPROCESSORS OWNER S MANUAL ...
Страница 17: ...INTRODUCTION 1 1 INTRODUCTION INTRODUCTION ...
Страница 21: ...5 LAYOUTS 2 LAYOUTS S2 S3 Front panel S2 S3 Rear panel S2R Front panel S2R Rear panel ...
Страница 42: ...26 OVERVIEW ...
Страница 120: ...104 PRACTICAL GUIDE ...
Страница 140: ...124 SAMPLE TRANSLATOR ...
Страница 256: ...II APPENDIX ...
Страница 257: ...MIDI iii MIDI IMPLEMENTATION CHART MIDI CONTROLLERS SYSTEM EXCLUSIVE ...
Страница 267: ...Waveforms Sounds Performances xiii WAVEFORMS SOUNDS AND PERFORMANCES ...
Страница 278: ...XXIV APPENDIX ...
Страница 279: ...ROM Drumkits and Percussion Samples xxv DRUMKITS AND PERCUSSION SAMPLES ...
Страница 291: ...TECHNICAL SPECIFICATIONS xxxvii TECHNICAL SPECIFICATIONS ...
Страница 293: ...GLOSSARY a GLOSSARY ALPHABETICAL INDEX TROUBLESHOOTING GLOSSARY ALPHABETICAL INDEX TROUBLESHOOTING ...
Страница 302: ...J TROUBLESHOOTING ...