General Music S2 Turbo, Руководство пользователя

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Recording via
MIDI
When you exchange a Song between two sequencers remember to
synchronise their Clocks. The recording Start and Play command must be controlled by only
one sequencer so that the start is perfectly synchronised. The Clock of the controlling
sequencer must be on “Internal”, while the Clock of the controlled sequencer must be on
“External”.
If you use the Music Processor to record a Song that has been created with another
sequencer, all the Performance tracks must be set to “record” mode so that the entire Song
can be transferred with one operation.
Metronome During Play and Record, the leds of the << and >> buttons act as a visual
metronome. The led of << flashes at the first beat of a bar while the led of >> flashes the
remaining beats of the bar.
The ‘click’ is not sent to the Midi Out.
Song Position Pointer / Clock Resolution The S Series transmits and receives the Song
Position Pointer precisely. This message stops, moves forwards or backwards and starts the
Song in precise positions at the minimum resolution of the Midi Clock (24 bpq, exactly one
quarter of the Clock resolution of the S Series).
Chase Events or True Events The S Series Sequencer recognises the status of the
ProgramChanges and Midi Controllers during a fast forward or fast rewind operation. If, for
example, you press >>, the Volume is adjusted to the value of the arrival point, even if the
Volume event was not actually performed by the Sequencer.
This system is often called Chase Events (Cubase and Notator Logic) or True Events
(Notator).
Songs with different Time Signatures Use the “Insert” function to create Songs with
different Time Signatures. Before you start recording, create a “basic structure” of bars with
Insert: (a) insert the first group of bars with the initial Time Signature, (b) insert the second
group of bars with the second Time Signature, (c) insert the remaining groups of bars with
different Time Signatures, (d) record the Song; the Time Signature changes automatically
during recording.
The Structure of a Song The following table shows how a Song is structured
Track 1
Track 2
Track 3
Track 4
Track 5
Track 6
Track 7
Track 8
Track 9
Track 10
Track 11
Track 12
Track 13
Track 14
Track 15
Track 16
MasterTrack PERF. CH.
PERF. CH.
PEDAL VOLUME TEMPO
PERF. CH. PERF. CH.
EFFECT CHANGE
Analog_1
Mooog_Wv
GrandPiano1
Dyn_Bass
Fretless_B
Door
Drum_kit1
BIRDS
Arp_260000
GrandPiano
SoundTrack1
Dyn_ElGuit
Ac_Bass
Strings 1
Strings 2
Synth Strings
Choir
Analog_Pad
Tot_Horn_2
SoftSax
GrandPiano
SoundTrack1
Fretless_B
Strings 2
APPLAUSE
BIRDS
Used Track
Unused Track
(8) Sequencer e Song