Studer Vista 1, Operating Instructions Manual

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Vista 1 Digital Mixing System
DSP Configurations 6-3
Document generated: 18.04.17 SW V5.3
6 DSP ConfiguRATionS
As an exception to other Vista series consoles, the Vista 1 comes with a choice
of several different configuration templates currently available. They can be
loaded depending on the application that the mixing console is intended for.
These preconfigured DSP structures may be considered as templates that differ
from each other in the channel format; they all run at 48 kHz and 44.1 kHz
sampling rates. The available DSP resources are used to full capacity with
every session configuration. Depending on the channel-format, more or less
input channels and busses can be assigned for your particular application.
There are session configurations designed for the use in broadcast produc-
tion applications. Of course these configurations may be used also for other
applications as well, since normally other applications only use a subset of
what is available in these three configurations.
Further configurations are intended for live public address (PA) applications
and stand out from the others by a high AUX bus count.
Please note that the assignment of the monitoring and talkback inputs/outputs
to the console’s rear panel connectors is different whether the Mono/Stereo/
PA configuration or the Surround configuration is currently loaded (for details
refer to chapter 6.3 ).
6.1 Available Templates
At the time this document was compiled, the templates detailed in this chapter
were available.
Updates Additional configuration templates will be made available in due course;
they will then be downloadable from the Studer web site (www.studer.ch).
Configuration details will also be available for download. It is recommended
that they are appended at the end of this chapter if you have a printed manual.
Vista 1 MONO Template This configuration features a large number of mono inputs that can be mixed
to two stereo masters. It can be used when all other configs do not provide
sufficient input channels, for productions that require many discrete micro-
phone inputs.
Path Type
Inputs Mono Inputs Stereo
Inputs 5.1
Groups Mono Groups Stereo
Groups 5.1
Masters Mono Masters Stereo
Masters 5.1
AUX Mono
AUX Stereo
Control Groups
Downmix
N–X Bus
Multitrack
Bus
Qty 110 - - 8 - - - 2 - 16 - 10 - - -
Processing
Blocks
ALL - -
GEQ
DYN
- - - DYN - GEQ - - - - -