Korg TRITON Extreme Manual Download

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Program

This lets you sample an external audio signal sent to buses 1,
2

, 1/2 (specified by “Input” 0–3a), or the sounds sent to the

INDIVIDUAL 1

, 2, 1/2 buses from a performance played on

the TRITON Extreme from its keyboard or via MIDI input.

Normally when you want to sample a performance in Pro-
gram mode, you will select L/R.

Select L/R if you want to mix a Program mode performance
(e.g., drum patterns played by the arpeggiator) with exter-
nal audio from AUDIO INPUT (or S/P DIF), and sample
them together. In this case, set Input “BUS (IFX/Indiv.)
Select

” (0–3a) to L/R so that the external audio signal will be

sent to the L/R bus.

Select Indiv.1/2 if you want to monitor your playing in Pro-
gram mode while sampling only an external audio signal
from AUDIO INPUT (or S/P DIF). In this case, set Input
“BUS (IFX/Indiv.) Select” (0–3a) to 1, 2, or 1/2 so that the
external audio signal will be sent to the INDIVIDUAL 1, 2,
or 1/2 buses.

Trigger

[Sampling START SW, Note On]

This specifies how sampling will begin.
Sampling START SW:

The TRITON Extreme will enter

sampling-standby mode when you press the SAMPLING
[REC] key. Sampling will begin when you press the SAM-
PLING [START/STOP] key.
Note On:

The TRITON Extreme will enter sampling-

standby mode when you press the SAMPLING [REC] key
and then press the SAMPLING [START/STOP] key. Sam-
pling will begin when you play the keyboard.

Sampling will also begin if a MIDI note-on is received.

To stop sampling in either case, press the SAMPLING
[START/STOP] key once again. Alternatively, sampling will
stop automatically when the specified “Sample Time” is
reached.

For details on the procedure, refer to Sampling P0: 0–2a
“Trigger”.

Metronome Precount

[Off, 4, 8, 3, 6]

This specifies whether the metronome will sound a count-
down when you begin sampling with the “Trigger” setting
Sampling START SW

This can be set only if “Trigger” is set to Sampling START
SW

Off:

When you press the SAMPLING [START/STOP] key

from recording-standby mode, sampling will begin immedi-
ately.
4, 8, 3, 6:

When you press the SAMPLING [START/STOP]

key from recording-standby mode, the specified number of
beats will be counted at the “

(Tempo)” (0–1a) tempo before

sampling will begin. If this is set to 4, sampling will begin on
the count of 0 after a count-down of 4–3–2–1–0.

The output destination and level of the metronome
sound are specified by the page menu command “Met-
ronome Setup

” (0–3A). If “BUS (Output) Select” is set

to L/R, the metronome will stop sounding the instant
sampling begins.

Save to

[RAM, MEDIA]

Specifies the destination to which the data will be written
during sampling.
RAM:

Sample into sample memory (RAM).

If you sample into sample memory (RAM), you will be able
to immediately hear the sample in Program mode or Sam-
pling mode.
Settings for the writing destination RAM Bank and Sample
No., and settings for automatically converting the sample to
a program, are made by the page menu command “Select
Bank & Smpl No.” (0–3C).

If the sample is written into RAM, it will be lost when
the power is turned off, so you will need to save the
sample if you want to keep it.

MEDIA:

Sample to media.

When sample to media is selected, a WAVE file will be cre-
ated as you sample. To listen to the sampled result, you can
either load the sample into sample memory (RAM) in Media
mode, or use the page menu command “Select Directory”
(0–3D) etc. to select the file and then press the SAMPLING
[START/STOP] key.
Use the page menu command “Select Directory” to specify
the writing-destination media, directory, and filename.

A single sample (WAVE file) loaded from media into
sample memory (RAM) may not exceed 16 MB for
mono or 32 MB for stereo (however, sample memory
will need to have been expanded to 32 MB or more).

You can’t sample or resample to media using a device
connected to the USB A connector.

Mode (Sample Mode)

[L-Mono, R-Mono, Stereo]

Selects the channel(s) that will be sampled, to specify
whether the sample created will be mono or stereo.
The sound being sent to the internal L and/or R bus or the
internal Indiv.1 and/or 2 bus selected by the “Source BUS”
(0–3b) setting will be sampled.
L-Mono:

The internal L channel or internal Indiv.1 channel

(as specified by “Source BUS”) will be sampled in mono.
R-Mono:

The internal R channel or internal Indiv.2 channel

(as specified by “Source BUS”) will be sampled in mono.
Stereo:

The internal L and R channels or internal Indiv.1

and 2 channels (as specified by “Source BUS”) will be sam-
pled in stereo. This will create a stereo sample. (

☞

Sampling

P0: 0–1c)

AUDIO OUTPUT

L/MONO, R

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