Korg TRITON Extreme, Manual

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107
Sampling
P0
P1
P2
P3
P4
P5
P8
P9
Sample Time [min sec]
Specifies the amount of time that you wish to sample. This
can be set in 0.001 second increments. This parameter indi-
cates amount of remaining memory in the selected memory
bank (the available sampling time). If you record a sample in
this condition ([REC]
→
[START]
→
[STOP]), the change in
time will be displayed automatically.
If you have sufficient memory, it is a good idea to set an
ample “Sample Time,” and to use the “Truncate” (1–1A, 2–
1A) page menu command after you sample to delete
unwanted portions of the sample and reduce it to the mini-
mum size necessary. You can also press the SAMPLING
[START/STOP] key to manually stop sampling after you
have recorded the desired material (
☞
For details on the
sampling procedure, refer to QS p.18, OG p.64).
If the writing destination (“Save to”) is RAM, the maximum
value will be calculated from the space remaining in the
selected bank. If the writing destination (“Save to”) is
MEDIA
, the maximum value will be calculated from the
space remaining in the media specified by “Select Direc-
tory.” A maximum of 80 minutes can be sampled in one
sample file for either mono or stereo (mono: approximately
440 Mbyte, stereo: approximately 879 Mbyte).
If the writing destination is (“Save to”) is RAM, and
“Auto Optimize RAM” (Global P0: 0–3b) is not
checked
, unused sample RAM will accumulate,
decreasing the amount of available sample memory
(RAM). If this occurs, execute the page menu command
“Optimize RAM” (0–1M) to reclaim unused RAM.
The remaining amount of RAM can be checked in Sam-
pling mode P0: Memory Status.
The remaining amount of memory will depend on the fol-
lowing conditions:
1)
The amount of memory that is installed.
2) Whether the sample is stereo or mono. When the “Sample
Mode
” (0–1c) is set to Stereo, the memory capacity will be
halved.
3) The time specified for “Pre Trigger REC” (0–2b: a function
that automatically samples the sound even before you
begin sampling) will be subtracted from the amount of
memory that actually remains.
Sample Mode [L-Mono, R-Mono, Stereo]
Specifies the channel(s) that you want to sample, and specify
whether a mono or stereo sample will be created.
The sound that is sent to the internal L and/or R bus or the
internal Indiv. 1 and/or 2 bus you specify as the “Source
BUS
” (0–2b) will be sampled.
L-Mono: The sound of the internal L channel or internal
Indiv. 1 channel specified by “Source BUS” will be sampled
in mono.
R-Mono:
The sound of the internal R channel or internal
Indiv. 2 channel specified by “Source BUS” will be sampled
in mono.
Stereo:
The sound of the internal L and R channels or the
internal Indiv. 1 and 2 channels specified by “Source BUS”
will be sampled in stereo. When you sample in stereo, a ste-
reo multisample and samples will be created.
Example 1): Sampling a monaural source connected to
AUDIO INPUT 1 without applying internal effects
Example 2): Stereo-sampling a monaural source connected to
AUDIO INPUT 1 and processed by internal insert effect IFX1
052: Reverb Hall
Example 3): Sampling a stereo source connected to AUDIO
INPUT 1, 2 without applying internal effects
Example 4): Stereo-sampling a stereo source connected to
AUDIO INPUT 1, 2 and processed by internal insert effect
IFX1 008: St.Graphic 7EQ
If you want to sample a digital source connected to S/P
DIF IN, set “Input” (0–2a) to S/P DIF. If S/P DIF is
selected, make settings for the L channel in Input1, and
settings for the R channel in Input2.
When stereo sampling ends, you may hear noise in the
audio output, but this does not affect the sound that
was sampled.
For details on settings for resampling, refer to “Resam-
ple” (0–2b).
“Input” (0–2a) Analog
Input1 “Pan” (0–2a) L000
Input1 “Level” (0–2a) 127
Input1 “BUS(IFX/indiv.)Select” (0–2a) L/R
“Source BUS” (0–2b) L/R
“Resample” (0–2b) Manual
“Recording Level [dB]” (0–1d) The desired level
“Sample Mode” (0–1c) L-Mono
“Input” (0–2a)
Analog
Input1 “Pan” (0–2a) C064
Input1 “Level” (0–2a) 127
Input1 “BUS(IFX/indiv.)Select” (0–2a) IFX1
“Source BUS” (0–2b) L/R
“Resample” (0–2b)
Manual
IFX1(P8) Select and assign 052: Reverb Hall
“Recording Level [dB]” (0–1d) The desired level
“Sample Mode” (0–1c) Stereo
“Input” (0–2a) Analog
Input1 “Pan” (0–2a) L000
Input1 “Level” (0–2a) 127
Input1 “BUS(IFX/indiv.)Select” (0–2a) L/R
Input2 “Pan” (0–2a)
R127
Input2 “Level” (0–2a) 127
Input2 “BUS(IFX/indiv.)Select” (0–2a) L/R
“Source BUS” (0–2b) L/R
“Resample” (0–2b) Manual
“Recording Level [dB]” (0–1d) The desired level
“Sample Mode” (0–1c) Stereo
“Input” (0–2a) Analog
Input1 “Pan” (0–2a) L000
Input1 “Level” (0–2a) 127
Input1 “BUS(IFX/indiv.)Select” (0–2a) IFX1
Input2 “Pan” (0–2a) R127
Input2 “Level” (0–2a) 127
Input2 “BUS(IFX/indiv.)Select” (0–2a) IFX1
“Source BUS” (0–2b) L/R
“Resample” (0–2b) Manual
IFX1(P8) Select and assign 008: St.Graphic 7EQ
“Recording Level [dB]” (0–1d) The desired level
“Sample Mode” (0–1c) Stereo