Korg TRITON Extreme, Manual

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116
2 If you want to apply an effect, go to the P8: Routing page
and set “BUS (IFX) Select” (8–1b) to IFX1–5 to specify
the insert effect that you want to use. Then set “Source
BUS
” (0–2b) to L/R.
If you want insert Valve Force, set “BUS (IFX) Select”
(8–1b) to 3/4(Tube), 3(Tube), or 4(Tube), and set the
Valve Force “Placement” (9–1a) to Insert.
3 Press the SAMPLING [REC] key to enter record-ready
mode.
4 When you press the SAMPLING [START/STOP] key, the
current sample will play back automatically, and the res-
ampling will begin. If you play the keyboard at this time,
the sound you play will be resampled together with the
source sample.
5 When the sample assigned to the “Key” has played back
for its full length, resampling will end automatically.
Alternatively, you can stop resampling by pressing the
SAMPLING [START/STOP] key once again.
When resampling ends, the “BUS (IFX) Select” (8–1b)
setting will automatically be reset to L/R. Please be
aware of this if you want to resample once again.
The parameters of the newly created sample will be
automatically set the same as the source sample when
played back.
Key [C–1...G9]
When “Resample” is set to Auto, this specifies the note to
which the sample to be resampled is assigned.
This can be set only if “Trigger” is set to Sampling START
SW.
(
☞
For the resampling procedure, refer to “Resample”
Auto .)
Level [–63dB ... 0dB]
When sampling with “Trigger” set to Threshold, this speci-
fies the level at which sampling will begin. This can be set
only when “Trigger” is set to Threshold. (
☞
Refer to step 3
of the “Trigger” Threshold procedure.)
(Tempo) [040...240]
This sets the tempo of the count-down when “Metronome
Precount” is used.
The tempo specified here will also be used when the LFO or
delay time of the insert effect is controlled by the BPM/
MIDI SYNC function during sampling (
☞
p.278). This can
also be set by the [TEMPO] knob.
Pre Trigger REC [000...500ms]
If you want a portion of sound immediately before the start
of sampling to be included in the recorded sample, set this
parameter to specify the length.
When sampling with “Trigger” Threshold, sampling will
start when the input signal exceeds the “Level” threshold
level. However if the “Level” setting causes a portion of the
attack to be lost, you can set the “Pre Trigger REC” parame-
ter to capture the early attack as well.
When sampling with “Trigger” Sampling START SW, it is
best to use “Metronome Precount” so that the instrumental
performance etc. is sampled in tempo. If the performance is
ahead of the tempo, this Pre Trigger REC parameter lets you
sample without losing any of it.
If you increase this setting, you will always be sampling
an unneeded portion ahead of the desired sample. Nor-
mally you should set this to 000 ms, and specify the
minimum required length when necessary.
ADC OVERLOAD !!
The “ADC OVERLOAD !!” indication will appear if the sig-
nal level from AUDIO INPUT 1 and 2 exceeds the maximum
level. If this occurs, adjust the [LEVEL] knob or the output
level of the external sound source (
☞
“Recording Level [dB]”
0–1d).
0–2c: Recording Level [dB]
Recording Level [dB] [–inf, –72.0... 0.0...+18.0]
☞
0–1d
0–3: Preference
0–3a: Create Zone Preference
These settings define the initial state of the indexes that are
created when you press the Create button (0–1b, 3–1c). Each
new index will be created according to the settings you
make here, but you are free to modify the settings later.
Position
[Right (to Selected Index), Left (to Selected Index)]
Specifies whether the new index will be created at the right
or left of the selected index.
Right (to Selected Index): The new index will be created at
the right of the currently selected index.
Left (to Selected Index):
The new index will be created at
the left of the currently selected index.
Zone Range [1 Key...127 Keys]
Specifies the key range of the newly created index.
1Key: Each individual note of the keyboard will be an index.
The sample of an index will sound at its original key when
you play that note. This setting can be used similarly to pad
(keyboard) type samplers.
2 Keys–127 Keys:
The sample will change pitch in semitone
steps across the specified number of keys, centered on the
original key “OrigKey” (0–1b, 3–1b). If “Constant Pitch” (3–
1b) is checked, the pitch will not change.
Original Key Position [Bottom, Center, Top]
Specifies where the original key will be located in the zone
(specified by “Zone Range”) for a newly created index.
Bottom: The lowest key in the zone will be the original key.
Center: The middle key in the zone will be the original key.
Top: The top key in the zone will be the original key.
0–1
0–3a
0–3b
0–3c