147
Chapter 10: Step-by-Step
STEP-BY-STEP
To make the connection between the LFO and the Instrument Pitch, move
through the Preset parameters until you find the screen shown below.
REALTIME CTRL #0
PWhl Pitch +127
The setting shown indicates that the Pitch Wheel is connected to the Pitch, with
an amount of +127 (full). Press the right cursor button (>) twice to place the
Time to Save?
If you wanted to keep this sound, you would have to
SAVE
it using the Save
Preset function (the very last screen in the Preset menu). To save a preset,
simply move the cursor to the bottom line of the display, select the preset
location where you want to store it, then press Enter. That's it!
Warning:
Saving a preset erases whatever preset was already stored in that
location. The default preset ( -defPreset-, 127, bank 0) is a good place to experi-
ment, since it is only a blank preset.
If you want to re-name your preset, do so using the first screen (Preset Name),
then save the preset again to the same location.
LFO Modulation
Let's investigate how modulation routings can affect the sound. For these
experiments, you use the default preset. If you just wrote over it, there is
another one stored in permanent ROM (127, bank 1). Select any primary
instrument, but leave the secondary instrument turned Off.
The LFOs (Low Frequency Oscillators) generate repeating waves which are
commonly used to animate the sound or create vibrato (a cyclic pitch change).
To create vibrato we can use an LFO to modulate the pitch. As you learned in
the Programming Basics section, Modulation requires a modulation
Source
and
a
Destination
. The LFO is the source and Pitch is the destination. The block
diagram below illustrates this connection.
YOU CAN THINK OF EACH
MODULATION PATCH AS A
“CORD”. YOU MUST CONNECT
BOTH ENDS OF A CORD FOR IT
TO WORK.
R
L
Pan
Instrument
DCA
LFO 1
Pitch
Source
Patch Number
Modulation
Amount
Destination
APPLYING THE SAME TYPE OF
MODULATION TO BOTH PRIMARY
AND SECONDARY INSTRUMENTS
WILL TEND TO “FUSE” THEM
INTO A NEW SOUND. APPLYING
DIFFERENT MODULATION WILL
TEND TO SEPARATE THEM.
Summary of Contents for Ultraproteus
Page 1: ......
Page 11: ...Chapter 1 Basic Setup 1 UltraProteus INTRO BASIC SETUP ...
Page 12: ...UltraProteus Operation Manual 2 ...
Page 20: ...UltraProteus Operation Manual 10 ...
Page 21: ...11 Chapter 2 Basic Operation UltraProteus BASIC OPERATION ...
Page 27: ...27 Chapter 4 Midimap Menu UltraProteus MIDIMAP MENU ...
Page 28: ...28 UltraProteus Operation Manual ...
Page 37: ...37 Chapter 5 Effects Section UltraProteus EFFECTS SECTION ...
Page 38: ...38 UltraProteus Operation Manual ...
Page 57: ...37 Chapter 5 Effects Section UltraProteus EFFECTS SECTION ...
Page 58: ...38 UltraProteus Operation Manual ...
Page 77: ...57 Chapter 6 Hyperpreset Menu UltraProteus HYPERPRESET MENU ...
Page 78: ...58 UltraProteus Operation Manual ...
Page 87: ...83 Chapter 7 Preset Programming PRESET PROGRAMMING ...
Page 103: ...67 Chapter 7 Preset Programming PRESET PROGRAMMING UltraProteus PRESET PROGRAMMING ...
Page 104: ...68 UltraProteus Operation Manual PRESET PROGRAMMING ...
Page 120: ...99 Chapter 8 Preset Menu UltraProteus PRESET MENU ...
Page 121: ...100 UltraProteus Operation Manual ...
Page 149: ...128 UltraProteus Operation Manual ...
Page 150: ...129 Chapter 9 Copy Menu COPY MENU UltraProteus COPY MENU ...
Page 151: ...130 UltraProteus Operation Manual COPY MENU ...
Page 158: ...137 Chapter 10 Step by Step STEP BY STEP UltraProteus STEP BY STEP ...
Page 159: ...138 UltraProteus Operation Manual STEP BY STEP ...