197
Chapter 11: Reference Section
Z-PLANE FILTER DESCRIPTIONS
F105
AcGtrRs.4
This filter is designed to emulate some of the resonant characteristics of an
acoustic guitar body. With Morph Offset and Frequency Tracking set to
000, the body is extremely resonant, as if a large acoustic guitar were close-
miked near the sound hole. Vary the value for Morph Offset to vary the ‘mic
position’. Route velocity to Freq. Tracking for controlling brightness and
‘pick position’.
Morph:
Controls filter formant notch depth and position.
Freq. Tracking:
Frequency Tracking.
Transform 2:
Not used.
F106
Tube Sust.4
Use this filter with broad-band waves to produce sounds characteristic of
distorted guitars. The fullest sounds are achieved with Morph Offset set to
255, and Frequency Tracking set to 000
Morph:
Increasing this increases bass and midrange.
Freq. Tracking:
Controls the lower-midrange.
Transform 2:
Not used.
F107
GtrSkwk
Morph:
Plays the squeak.
Freq. Tracking:
Provides key tracking to balance keyboard brightness.
Transform 2:
Makes brighter, adds more volume and squeak.
Comments:
Higher Transform 2 allows morphing to “string squeak”.
Best used with Aux. Env or FG to control this. Routing Velocity to
Transform 2 will reduce squeak on low velocities.
F108
GuitXpress
Increasing the Morph Offset value places a notch in the frequency spec-
trum, the tuning of which can be controlled via the Frequency Tracking
and Transform 2 parameters. In addition, increasing the value for Fre-
quency Tracking and/or Transform 2 raises the cutoff point of the lowpass
filter. This filter can be used to add a measure of expressiveness, particu-
larly to acoustic instrument simulations. Try using velocity to control
Transform 2 and key position to Frequency Tracking. For an additional
measure of control, assign Control A (the mod wheel) to control Morph in
the Note-on Control section.
Morph:
Increases the depth of the filter notch.
Freq. Tracking:
Tunes the notch and controls filter cutoff point.
Transform 2:
Tunes the notch and controls filter cutoff point.
Summary of Contents for Ultraproteus
Page 1: ......
Page 11: ...Chapter 1 Basic Setup 1 UltraProteus INTRO BASIC SETUP ...
Page 12: ...UltraProteus Operation Manual 2 ...
Page 20: ...UltraProteus Operation Manual 10 ...
Page 21: ...11 Chapter 2 Basic Operation UltraProteus BASIC OPERATION ...
Page 27: ...27 Chapter 4 Midimap Menu UltraProteus MIDIMAP MENU ...
Page 28: ...28 UltraProteus Operation Manual ...
Page 37: ...37 Chapter 5 Effects Section UltraProteus EFFECTS SECTION ...
Page 38: ...38 UltraProteus Operation Manual ...
Page 57: ...37 Chapter 5 Effects Section UltraProteus EFFECTS SECTION ...
Page 58: ...38 UltraProteus Operation Manual ...
Page 77: ...57 Chapter 6 Hyperpreset Menu UltraProteus HYPERPRESET MENU ...
Page 78: ...58 UltraProteus Operation Manual ...
Page 87: ...83 Chapter 7 Preset Programming PRESET PROGRAMMING ...
Page 103: ...67 Chapter 7 Preset Programming PRESET PROGRAMMING UltraProteus PRESET PROGRAMMING ...
Page 104: ...68 UltraProteus Operation Manual PRESET PROGRAMMING ...
Page 120: ...99 Chapter 8 Preset Menu UltraProteus PRESET MENU ...
Page 121: ...100 UltraProteus Operation Manual ...
Page 149: ...128 UltraProteus Operation Manual ...
Page 150: ...129 Chapter 9 Copy Menu COPY MENU UltraProteus COPY MENU ...
Page 151: ...130 UltraProteus Operation Manual COPY MENU ...
Page 158: ...137 Chapter 10 Step by Step STEP BY STEP UltraProteus STEP BY STEP ...
Page 159: ...138 UltraProteus Operation Manual STEP BY STEP ...